View of Horace Walpole's villa at Strawberry Hill, the white house seen at a distance through a break in the trees. A green lawn extends towards the viewer in the foreground; a blue sky is visible above
Description:
Title from note in pencil at bottom of sheet, in Thomas Kirgate's hand., Unsigned; questionable attribution to Edward Edwards from local catalog card., Date of production based on artist's death date., Drawn in the center of a proof state of the engraved frontispiece to: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]., and Bound in opposite title page in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Outside a pretty well-kept cottage a young woman kneels pleading before a farmer in a smock holding his hand as she jestures to a sailor. The sailor in response jestures to her. In the distance is a ship on the water. A bird hangs in a cage just outside the door; chickens eat from a bowl while a plough sits in the foreground on the right
Alternative Title:
Jolly carpenter
Description:
Title etched below image., Sheet trimmed within plate mark., Numbered '306' in lower left of plate., Four numbered columns of verse below title: I that once was a ploughman, a sailor am now ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Buildings: cottages -- Young women.
Publisher:
Published 24th Octr. 1793 by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Birdcages, Carpenters, Chickens, Dwellings, Plows, Sailors, British, and Ships
"Caricature with a family of a working man, his wife and daughter dressed in fashionable clothes, with a cottage and pig on a dung-hill in the background."--British Museum online catalogue and A satire on the aspirations of the working classes. The affluently dressed dustman's wife asks her husband if he has seen the latest issue of 'La Bells Ass-emblee' (John Bell's La Belle Assemblée, or Bell's Court and Fashionable Magazine).
Alternative Title:
March of intellect, or, A dust-man & family of the 19th century, Dust-man & family of the 19th century, and Dustman and family of the nineteenth century
Description:
Title etched below image., Date of publication inferred from publisher's street address. John Lewis Marks is recorded at 17 Artillery Street in 1824; see British Museum online catalogue., Imperfect; sheet trimmed within plate mark with loss of imprint statement. Imprint supplied from impression in the British Museum, registration no.: 1985,0119.338., For a companion print entitled "The march of interlect, or, A sweep & family of the 19th century", see British Museum online catalogue, registration no.: 2008,7088.1., Not in the Catalogue of prints and drawings in the British Museum., and Formerly mounted with remnants of blue paper.
Publisher:
Published by J.L. Marks, 17 Artillery St., Bishopsgate
Subject (Topic):
Garbage collecting, Families, Clothing & dress, Dwellings, and Swine
A gentleman sits on a barrel in a farm yard playing his trumpet. The pigs, chickens, geese, a cat and dog and the run away in terror; a cow looks on the scene with a worried expression; chickens on the roof line of an outbuilding look as if they are about to take flight like the doves leaving the dovecote that is tumbling down in the background. The farmer in a smock and his family and dog also run away in the distance
Alternative Title:
Affected musician
Description:
Title engraved above image., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Six lines of verse in two columns below title: The ancient Orpheus play'd such rigs, in music, he could charm the pigs ..., Plate numbered '252' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Buildings: farm cottage
Publisher:
Published 1st Decr. 1800 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Barrels, Birdhouses, Dwellings, Donkeys, Musical instruments, Poultry, Swine, and Trumpets
"Heading to engraved verses (which survive as a nursery rhyme) ... The woman stands at her cottage door, with her petticoats cut off to the knee. Her little dog barks at her. Behind (left) stands the pedlar, grinning, his box strapped to his shoulder. The verses end: 'He began to bark & she began to cry, Lord ha mercy on me, this is none of I, fal de ral.'"--British Museum online catalogue
Description:
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Twenty lines of verse below title: There was a little woman as I've heard tell, she went to market her eggs for to sell, fal de ral, &c..., and Plate numbered '498' in the lower left corner.
Publisher:
Publish'd Octr. 29, 1805 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Dwellings, Doors & doorways, Baskets, Eggs, Dogs, and Peddlers
Title etched below image., Date of publication based on that of the periodical in which the plate appeared., and Plate from: The universal magazine of knowledge and pleasure. London : J. Hinton, v. 47 (July 1770).
A sailor (just returned, his dropped knapsack in the right foreground) supports his swooning wife, overcome at seeing him return, outside a thatched cottage, while a little girl and a little boy (broom in hand) on the left hurry up to help; a pig in the foreground, two lush trees in the yard, and a ship and sea in the background; illustration to a song., Title etched below image and above verses., Sheet trimmed within plate mark., Numbered '300' in lower left of plate., Three columns of verse, each 14 lines, below title: Bleak was the morn when William left his Nancy ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Publish'd 17th June 1793, by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Bags, Brooms & brushes, Children, Couples, Dwellings, Homecomings, Sailors, British, Ships, Swine, and Young adults
View of a house supposedly near Putney Common, satirically called 'Bear's Den Hall', a rickety house with cracked plaster walls and a chimney-stack with broken brick, and with weeds growing from the cracks and on the roof. A key at the top references many of the features of the scene, including a bear is chained by the front door (B) at the left, birds in flight (K). The property is separated from the road in the foreground by a wicket fence, with a satircial armorial crest along the lower edge with portraits of Charles Christian and Skelton and "Satire on social pretensions: a view of a dilapidated cottage set into a garden behind a wooden fence, with a Greek inscription and mock coat-of-arms at the bottom."--British Museum online catalogue
Description:
Title etched at top of image., Printmaker identified as Charles Christian Reisen in the British Museum online catalogue. An alternative attribution to George Vertue derives from a contemporary marginal note on an impression in the Royal Collection (RCIN 701972)., Approximate date of publication from the British Museum catalogue., Sheet trimmed to plate mark., Charles Christian the engraver and Humphrey Skelton the upholsterer, notorious for their bad tempers lived, perhaps together, in the house, which acquired the name Bear's Den Hall by virtue of their eccentricities., and Titled 'W. prospect of Bears Den Hall, in the county of Surrey.' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc., London, 1829.
Publisher:
publisher not identified
Subject (Geographic):
England, London, and Putney.
Subject (Name):
Reisen, Charles Christian, 1680-1725, and Skelton, Humphrey, active 1720s,
