Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[30 May 1822] and [printed not before 1822]
Call Number:
805.05.30.01+
Image Count:
1
Resource Type:
still image
Abstract:
A confrontation between an English man and the French waiter in a restaurant
Description:
Title from item., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: C. Ansell 1822.
Publisher:
Pubd. May 30th, 1805 by S.W. Fores, No. 50 Piccadilly
A thin man in a cap pulled down on his head feeds a morsel of food to an obese woman who combs a wig in her hand as they sit on a sofa before a table laid with lunch. They are in a well-appointed sitting room decorated with a mirror above a fireplace with a mantel on which sits a clock, a sheet of music entitled 'Romance', and under a glass vitrine, a statuette of man holding a bird on his finger. The fire screen is decorated with an image of two love birds. On the left edge is only a portion of painting, but it shows a bird perched on the finger of the sitter's hand. The man's discarded hat and walking stick rest of a sofa to the left
Description:
Title from text below image., Signed by the printmaker on a slip of paper tucked into the left edge of the mirror., Series title and number from caption above image., Sheet trimmed within plate mark., "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue., and Mounted on blue laid paper to: 36 x 30 cm.
A companion plate to Le Départ (British Museum satire no. 12362), satirizing the haste of the English to visit France in 1814 and their gluttony and bad dressing. The Frenchman who cooks a cat is a subject of English caricatures on the favourite theme of the beggarly Frenchman and well-fed Englishman. In this print. "A lean Englishman strides on to the quayside from an (invisible) gangway leading to the deck of a packet, which is seen below (right), covered with the heads of passengers, looking eagerly upwards. The furled sails and rigging are on the extreme right; a dove holding an olive-branch sits on a spar. A jovial French cook leads the Englishman, who grasps his left wrist; he points to a doorway on the extreme left, below the sign 'Au Bien Venu'. He holds the white cotton night-cap which was the cap of the French cook, but is not foppish as in English caricature, but manly and sturdy. The traveller is a grotesque figure wearing a hat shaped like a flower-pot, [this hat appears in almost all satires on English costumes in Paris, c. 1814; it is worn by a man dressed à l'Anglais in No. 53 of the 'Bon Genre Series' (? 1813): 'Cheveux à Cherubin. Chapeau en pot à fleurs. Redingote en Robe de Chambre'; cf. J.-P. de Bérenger, 'Les Boxeurs', 1814: Quoique leurs chapeaux sont bien laids / Goddam! moi j'aime les Anglais] long tail-coat, wrinkled breeches, and long ill-fitting gaiters on very thin legs. His profile has an absurdly heavy chin (cf. British Museum no. 12364), and he registers eager expectation. On a flap projecting from a window beside the door are peaches, grapes, pears, &c. Within a courtyard a second cook leans from an attic window, knife in hand, to catch a cat by the tail, one of several scampering from the ridge-pole."--British Museum online catalogue
Description:
Title from caption below image., Description from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 1 February 1815, although his name is not actually lettered on the plate. It is a pair to 'Le départ' (British Museum number 1868,0822.7249)., and Sheet trimmed within plate mark, with loss of text at lower left and portions of the image at the corners: irregular sheet 18.8 x 23 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Doves, Eating & drinking, Ethnic stereotypes, Gluttony, and Mail steamers
"The Englishman, grossly obese, walks from the door of the inn (left) supporting his paunch on a wheelbarrow which the cook of British Museum satire no. 12361 helps to drag, exhausted by the effort, and mopping his face with his cap. A plank leads from the quayside to a packet-boat, the stern of which appears below, empty except for one expectant sailor. Another sailor's hand appears by the plank, ready to assist the embarkation. The sign of the inn is not depicted, the window flap hangs down. The second cook stands in the courtyard, offering food to a gorged cat on the roof."--British Museum online catalogue
Description:
Title etched below image., Dimensions from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 12 Novemberr 1814, before its pendant 'L'Arrivée' (1868,0808.7249) which logically precedes it. Martinet's name is not actually lettered on the plate., and Sheet trimmed within plate mark, with loss of text at lower left; corners trimmed: 19 x 23.3 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Eating & drinking, Ethnic stereotypes, Gluttony, Mail steamers, and Obesity
