"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., and Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies., 1 print : etching on wove paper, hand-colored ; plate mark 31.3 x 39.9 cm, on sheet 36.4 x 55.5 cm., and Mounted to 37 x 57 cm.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
Published May 4, 1818, by G. Humphrey, 27 St. James's St., nephew & successor to the late Mrs. H. Humphrey
Subject (Name):
Elizabeth, Princess of England, 1770-1840, Frederick VI, Landgrave of Hesse-Homburg, Caricatures and cartoons., George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, William Frederick, Duke of Gloucester, 1776-1834, Mary, Duchess of Gloucester, 1776-1857, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, Edward Augustus, Prince, Duke of Kent, 1767-1820, Ernest Augustus, King of Hanover, 1771-1851, and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Ethnic stereotypes, Dance, Obesity, Military uniforms, Drinking vessels, Musical instruments, Dogs, and Pipes (Smoking)
"A sequel to British Museum satire no. 10019. The King and Queen sit on chairs of state intently watching a rectangular tank in which Napoleon as Gulliver sails his little boat, manoeuvring the single sail. Behind the King's chair Lord Salisbury stands stiffly, holding his wand of office; the gold key is attached to his coat-pocket: he has the straight shapeless legs that Gillray always gives him. ... Two princesses sit beside the tank on the Queen's right; like the Queen, each holds up her fan. Two younger princesses stand behind. Two little pages (left) blow violently at the sail to propel the boat, while a third laughs. Two beefeaters (right) grin broadly. All are amused except the King and Queen, who are more serious."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Lt-Col Thomas Braddyll, a young amateur who supplied designs for satirical prints to James Gillray. See British Museum catalogue., Text following title: Scene "Gulliver manoeuv'ring with his little-boat in the cistern," vide Swifts Gulliver. "I often used to Row for my own diversion, as well as that of the Queen & her Ladies, who thought themselves well entertained with my skill & agility. Sometimes I would put up my Sail and shew my art, by steering starboard & larboard, - However, my attempts produced nothing else besides a loud laughter, which all the respect due to his Majesty from those about him could not make them contain. - This made me reflect, how vain an attempt it is for a man to endeavour to do himself honour among those, who are out of all degree of equality or comparison with him!!! - See, Voyage to Brobdingnag., and Sheet trimmed within plate mark.
Publisher:
Publish'd Feby. 10th, 1804, by H. Humphrey, St. James's Street, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, Mary, Duchess of Gloucester, 1776-1857, Swift, Jonathan, 1667-1745., and Salisbury, James Cecil, Marquess of, 1748-1823
"The King steps forward to embrace the Prince of Wales, who throws himself into his father's arms, saying, "against Heaven - and before thee, and am no more worthy------" (the words fade out). George III wears court dress, the Prince's dress is tattered and dishevelled, his pocket hangs inside out, the garter at his knee - 'Honi soit' - is loose. Behind the King stands the Queen on the door-step, half-smiling, her arms outstretched. Two pleased princesses look over her shoulder. Just outside the door stand Pitt and Moira watching the reconciliation, Pitt with a benign expression, Moira more doubtfully; both wear footmen's court-livery, of military cut; Moira wears jack-boots. Pitt holds a paper: 'New Union Act Britains best Hope', implying that he is the author of the 'Union'. Moira holds Pitt's arm. Beside the house (right) are a tree and a balustrade, against which grow a rose-bush and a thistle."--British Museum online catalogue, description of the Gillray print of which this is a copy and "A close copy by Williams, with additions, apparently ante-dated ... Behind the Prince Lord Dartmouth, Lord Chamberlain, stands full face, holding his wand, his gold key attached to his coat. Pitt and Moira turn their eyes slyly towards each other: both weep large burlesqued tears, as do the Queen and Dartmouth."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Copy of a print by Gillray; see British Museum catalogue., Imperfect; sheet mutilated in lower right corner with slight loss of text., Text following title: And he arose and came to his father, and his father saw him & had compassion, & ran & fell on his neck, & kissed him. Read the Parable, verse 16th to 24th., and Watermark. With residue of blue paper on verso, formerly mounted in an album?
Publisher:
Pubd. Novr. 18, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Pitt, William, 1759-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Dartmouth, George Legge, Baron, 1755-1810
