A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
Description:
Title, state, and date from Paulson., One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XV; see p. 129., Ms. note in Steevens's hand: Standing before the General's tent &c., and On page 24 in volume 1. Plate trimmed to: 4.5 x 7.8 cm.
A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
Description:
Title, state, and date from Paulson. and One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XV; see p. 129.
Simon, John Peter, -approximately 1810, printmaker
Published / Created:
[1 July 1790]
Call Number:
Drawer 724 803B no. 83
Image Count:
1
Resource Type:
still image
Abstract:
"Petruchio seizing Katherine by the hand, brandishing his whip in the other, gesturing to the right, outside, as he insists on leaving without the wedding feast, though Katherine remonstrates and Baptista on the right looks bewildered and the musicians look down, ready to play, from the balcony above."--British Museum online catalogue
Description:
Full title from British Museum online catalogue., 'Shakspeare' in open letters below imprint., and Sheet trimmed at top and bottom to edge of plate.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery, Pall Mall, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
"Sly wakes up in the Lord's house, is convinced by the Lord and his attendants that he is in fact a nobleman who has come to after 15 years of being insane, and having ordered a play, calls for his wife to come to bed with him, but is told his doctor has forbidden him."--Britsih Museum online catalogue
Description:
Full title from British Museum online catalogue., 'Shakspeare' in open letters below imprint., and Sheet trimmed at top.
Publisher:
Publish'd Sepr. 12, 1792, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery, Pall Mall
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
Title from ms. note added to mount., Date of publication from unverified data from local card catalog record., Artist's attribution trimmed with loss of text., Sheet trimmed within design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to24 x 33 cm. Ms. title on mount: Tartini's dream.
"Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of K-n-t (i.e. William Kent), Raphael Urb. and Mil.angelo (i.e. Michelangelo), is being whitewashed by a plasterer (Pope) standing on scaffolding."--British Museum online catalogue
Alternative Title:
Burlington gate
Description:
Title from Paulson., Date from British Museum online catalogue., Other lettering within image; a key below, begins, "A. P-pe, a plasterer white washing & bespattering. B. Any body that comes in his way. C. Not a Duke's coach as appears by [the] crescent at one corner. D. Taste. E. a standing proof. F. a labourer.", The 'pe' in Pope is superscript. The 'E' above Kent's bust appears above his pen., "Price 6d."--Lower right hand corner., Formerly attributed to Hogarth. See Paulson, R. Hogarth's graphic works (1st ed.), p. 299-300., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1874, Sheet trimmed within plate mark., and With contemporary ms. note on verso: "Pope whitewashing Ld. Burlingon & bespattering the Duke of Chandos. Vide Pope's Essay on taste."
Publisher:
publisher not identified
Subject (Name):
Pope, Alexander, 1688-1744. and Pope, Alexander, 1688-1744,
Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of William Kent (center) holding a artist's palette and paint brush, Raphael (left). and Mil.angelo (i.e. Michelangelo, right), is being whitewashed by a plasterer (Pope) standing on scaffolding. See British Museum online catalogue
Alternative Title:
Burlington gate
Description:
Title and date from earlier version in Paulson., Later reduced copy., Date from British Museum online catalogue., Other lettering within image; a key below, begins, "A. P-pe, a plasterer white washing & bespattering. B. any body that comes in his way. C. not a Duke's coach as appears by [the] crescent at one corner. D. Taste. E. a standing proof. F. a labourer.", Formerly attributed to Hogarth. See Paulson, R. Hogarth's graphic works (2nd ed.), p. 35., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1873., See Paulson, R. Hogarth's graphic works (2nd ed.), no. 277., and On page 54 in volume 1. Plate trimmed to:
"Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of K-n-t (i.e. William Kent), Raphael Urb. and Mil.angelo (i.e. Michelangelo), is being whitewashed by a plasterer (Pope) standing on scaffolding."--British Museum online catalogue
Alternative Title:
Burlington gate
Description:
Title from Paulson., Date from British Museum online catalogue., Other lettering within image; a key below, begins, "A. P-pe, a plasterer white washing & bespattering. B. Any body that comes in his way. C. Not a Duke's coach as appears by [the] crescent at one corner. D. Taste. E. a standing proof. F. a labourer.", The 'pe' in Pope is superscript. The 'E' above Kent's bust appears above his pen., "Price 6d."--Lower right hand corner., Formerly attributed to Hogarth. See Paulson, R. Hogarth's graphic works (1st ed.), p. 299-300., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1874, Sheet trimmed within plate mark., and On page 54 in volume 1. Plate trimmed to: 23.1 x 16.2 cm.
Publisher:
publisher not identified
Subject (Name):
Pope, Alexander, 1688-1744. and Pope, Alexander, 1688-1744,
Satire on Alexander Pope's "Epistle to Burlington" in which he praises Lord Burlington's architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of William Kent (center) holding a artist's palette and paint brush, Raphael (left). and Mil.angelo (i.e. Michelangelo, right), is being whitewashed by a plasterer (Pope) standing on scaffolding. See British Museum online catalogue
Alternative Title:
Burlington gate
Description:
Title from Paulson., Date from British Museum online catalogue., Reduced copy after Hogarth, not Hogarth., Other lettering within image; a key below, begins, "A. P-pe, a plasterer white washing & bespattering. B. any body that comes in his way. C. not a Duke's coach as appears by [the] crescent at one corner. D. Taste. E. a standing proof. F. a labourer.", "Price 6d"--Lower right hand corner., Formerly attributed to Hogarth. See Paulson, R. Hogarth's graphic works (1st ed.), p. 299-300., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1874, See Paulson, R. Hogarth's graphic works (2nd ed.), no. 277., In Steevens's hand at top of page (referring to 3 prints): See Mr. Nichols's Book, 3d edit. p. 28.175 / Three different originals of Burlington gate., and On page 54 in volume 1.
Title devised by curator., Caption below image: From an original sketch of Hogarth's in the collection of Mr. Morrison., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand below print: “Taylor and Death”., and On page 216 in volume 3.
Publisher:
Publish'd March 1, 1782 by Rd. Livesay at Mrs. Hogarth's Leicester Fields London
