A satire on a working man's interest in reading: On a city street, a laborer with a large load of furniture -- desk, chairs, brooms, etc. -- is distracted with the paper he is reading and hits a gentleman in the face with the leg of the desk
Description:
Title from caption below image.
Publisher:
Published by T. McLean, 26 Haymarket and Ducote & Stephen's lithogy., 70 St. Martins Lane
"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
An image of Phaethon falling to the earth from overturned chariot of the sun. At the top is the enthroned figure of Zeus with a thunderbolt in hand
Description:
Title from quote in lower left, a quote from Ovid's Metamorphoses, Book 2, verse 313., First two letters of printmaker's signature forms a monogram., and Added in pencil below plate mark: For Arthur Roberts with Sir George Hayters kind regards 1847.
Title from caption below image., Approximate publication date from similar print in untitled series., and On same sheet: A bite at last!!!! That's two to day Gran-par!!
Publisher:
Pubd. by James Smith, 14 Wellington St., Goswell St. Road
Title from text above image; title lacks closing quotation marks., Print signed using William Heath's device: A man with a top hat., Imprint continues: ... where political & other caricatuers are daily published., Text below image: If fashions various laws you would obey, the petticoat abridge: the ankle full display. July 1828., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Skeffington skips forward (left to right); his sharp-featured profile emerges, grinning, from a sharp-pointed collar and swathed cravat. His hair is swept forward in careful disarray, which, with his heavy whisker, goes ill with the black bag which flies outwards. His dress is a curious hybrid of embroidered court dress and knee-breeches, with the recent fashions of gathered sleeves ('Jean de Bry', see BMSat 9425), bulky neck-cloth, and cut-away tails showing bunches of seals. Below the neck-cloth is a double lace shirt-frill. See BMSat 9440."--British Museum online catalogue
Alternative Title:
So Skiffy skipped on with his wonted grace
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: Vide Birthday Ball. See Morning Herald, Jany. 20th, 1800., and Temporary local subject terms: Male dress: Jean de Bry coat -- Wigs: bag wig.
Publisher:
Pubd. Feby. 1st, 1800, by H. Humphrey, 27 St. James's Street
"Sir Charles Bunbury, a stout, elderly, plainly dressed man, walks in profile to the left, staring with fierce concentration, one hand on his heart, the other deep in his breeches pocket. He steps on a loose flag-stone from which a fountain of mud splashes over his stockings. The background is a stone wall; down it runs a pipe from which a muddy stream gushes on to the pavement. A sign-post points 'To Sthephens Chaple'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Members of Parliament -- Pavement -- Architectural details: gutter spout -- Signs: street sign -- Reference to St. Stephen's Chapel.
Publisher:
Pubd. March 25th, 1800, by H. Humphrey, St. James's Street
"Sir Charles Bunbury, a stout, elderly, plainly dressed man, walks in profile to the left, staring with fierce concentration, one hand on his heart, the other deep in his breeches pocket. He steps on a loose flag-stone from which a fountain of mud splashes over his stockings. The background is a stone wall; down it runs a pipe from which a muddy stream gushes on to the pavement. A sign-post points 'To Sthephens Chaple'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Members of Parliament -- Pavement -- Architectural details: gutter spout -- Signs: street sign -- Reference to St. Stephen's Chapel., and 1 print : etching with aquatint and stipple on wove paper, hand-colored ; sheet 25.7 x 20 cm.
Publisher:
Pubd. March 25th, 1800, by H. Humphrey, St. James's Street
A doctor trying to sell youthfulness potions to an elderly lawyer
Description:
Title from text below image., Plate from: New readings of old authors : Shakespeare / designed and drawn on stone by the late Robert Seymour. London : Tilt and Bogue, 86, Fleet Street, [1841]., and Temporary local Medical Library subject terms: Restoratives -- Theater.
Caroline lies on a sofa within a tent, dressed in her nightclothes and wearing a miniature of Bergami around her neck; her feathered hat rests on the ground, and on the small table beside her sit bottles of "Brandy" and "Essense of Bergamo" and a container of "Rouge". She smiles and looks over at Bergami, who sits beside her, his slippers and hat discarded on the floor below. Above, a man reaches into the tent to take a lit candle in the candlestick from Bergami, who hands it off with a pleased expression on his face. Beside him on the sofa is a book entitled "The Pilgrim's Guide".
Alternative Title:
Tentation
Description:
Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17898a)., Sheet trimmed within plate mark., One line of text below title: It is the cause, it is the cause, my soul, put out the light, and then -. Othello., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Sofas, Miniatures (Paintings), Bottles, Candles, and Books
