Title from item., Sheet trimmed to plate mark., Two columns of verse on either side of title: The matron thus surprised exclaims, and the deluded fair one blames ..., and Temporary local subject terms: Macaronies -- Female fashion, 1774 -- Military uniforms -- Vehicles: sedan chair.
Publisher:
Printed for S. Sledge, Printseller in Henrietta Street, Covent Garden, as the act directs
An ugly man with his feet turned in, dressed in macaroni style with tasselled hat, tasselled stick, and a curved sword, stands with an expression of anxious expectation in front of two fashionably dressed young women who appraise him from behind. Another young woman devotes her attention to a handsome young man who smiles as he gazes down at her; probably John of the title
Description:
Title from caption etched below image., Publication date from Library of Congress version under the same title. Cf. LC PC 3 - 1774., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 29 x 21 cm.
A barge sailing along a hilly shore has as the figure-head at the high stern a bearded, Semitic face with a high pompadour of hair. Above it waves a huge ensign. Beneath the flag a man plays on the fiddle. The crew of eight, in shirts with black ties and tricorne hats, rows along. Their hair is arranged in macaroni clubs or queues. One of them is drowsing, another falls backwards. Behind them, a macaroni with a tricorne hat in his hand sits astride the bow
Description:
Sheet trimmed within plate mark., "Price 6"., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publd. accordg. to the act by J. Lockington, Shug Lane
Subject (Topic):
Dandies, British, Musicians, Musical instruments, and Sailors
Title engraved below image., Reduced and reversed copy of this print was published by Sayer on September 10, 1787. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6 , no. 8265., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Young women -- Footman -- Fording -- Pick-a-back -- Queue wig., and Imperfect; sheet trimmed at lower edge.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, as the act directs
"A scene on the sea-shore. A hoven cow, that is, a cow dangerously distended by eating green food, is being operated upon by a man who stands on a raised platform and pierces her flank with a pole; in his right hand is a curved pipe for the injection of smoke. Three country-people and a child gape in astonishment holding up their hands; a fat alderman in a furred gown does the same; from his pocket hangs a paper inscribed, "Nine Days he liv'd in Clover". On the right. three doctors or apothecaries are attending an emaciated and seemingly-dead woman (right), who lies on straw, dressed only in a shift: one puffs smoke from a tobacco-pipe up her nostrils, another applies a pair of bellows, the third listens through an ear-trumpet. It appears that while the cow suffers from a surfeit, the woman dies of starvation. On the ground lies the hat of one of the doctors, in which is a letter, "To Mr Blake Plymoth". Three spectators (left) watch the efforts of the doctors: one, an oriental, wearing a turban and draperies, holds out his hands in astonishment; he appears to represent the wisdom of the East (or the noble savage) confronted with the effects of English civilization. His two companions, fashionably dressed Englishmen, look on unmoved. Behind the sick woman (right) is the wall of a building, probably a theatrical booth; along it runs a narrow gallery where Punch is strutting; he points to a placard on which is a representation of the bottle-imp emerging from his bottle, the great hoax of the century, see British Museum Satires Nos. 3022-7, 5245. Beneath the bottle is a placard, "Subscriptions taken in here for reducing the price of provisions". Other placards on the booth are inscribed, "Marybone Gardens Fete Champetre"; "Mr R-s Letters from [the] Dead", this is behind the dead woman; "Hearing Trumpets on a new Construction", behind the doctor with the ear-trumpet; "Cox's perpetual motion, or the Elephant & Nabob", an allusion to Cox's Museum, see British Museum Satires No. 5243, his jewelled clockwork toys had been destined for an Indian prince; they are described in what Walpole calls "immortal lines" in Mason's 'Epistle to Shelburne', see 'Mason's Satirical Poems', ed. P. Toynbee, 1926, pp. 29, 112, 122, see British Museum Satires No. 5243. At this placard an oafish countryman (right) is gaping while a boy picks his pocket. In the background is the sea; on the beach is a boat raised on stocks but already breaking up; this is inscribed "The New Adelphi". The building of the Adelphi had been an unprofitable speculation, partly owing to the financial crisis of 1773, and the Adam brothers obtained a private Act in that year to enable them to dispose of the new buildings by a lottery, which took place in 1774. Across the water on the further side of a bay is a town inscribed "A View of Plymouth". A rope extends from a church steeple on the extreme left, behind the spectators, to a distant spire in Plymouth, down this a man is gliding."--British Museum online catalogue
Alternative Title:
Wonders of Great Britain
Description:
Title engraved below image., Sheet trimmed within plate mark., and Plate from: The Whimsical repository. London : Printed for R. Snagg ..., v. 1, no. 1 (August 1794).
Publisher:
Engrav'd for the Whimsical Repository, Septr. 1st, 1774, publsh'd according to act of Parliament
"A scene on the sea-shore. A hoven cow, that is, a cow dangerously distended by eating green food, is being operated upon by a man who stands on a raised platform and pierces her flank with a pole; in his right hand is a curved pipe for the injection of smoke. Three country-people and a child gape in astonishment holding up their hands; a fat alderman in a furred gown does the same; from his pocket hangs a paper inscribed, "Nine Days he liv'd in Clover". On the right. three doctors or apothecaries are attending an emaciated and seemingly-dead woman (right), who lies on straw, dressed only in a shift: one puffs smoke from a tobacco-pipe up her nostrils, another applies a pair of bellows, the third listens through an ear-trumpet. It appears that while the cow suffers from a surfeit, the woman dies of starvation. On the ground lies the hat of one of the doctors, in which is a letter, "To Mr Blake Plymoth". Three spectators (left) watch the efforts of the doctors: one, an oriental, wearing a turban and draperies, holds out his hands in astonishment; he appears to represent the wisdom of the East (or the noble savage) confronted with the effects of English civilization. His two companions, fashionably dressed Englishmen, look on unmoved. Behind the sick woman (right) is the wall of a building, probably a theatrical booth; along it runs a narrow gallery where Punch is strutting; he points to a placard on which is a representation of the bottle-imp emerging from his bottle, the great hoax of the century, see BMSat 3022-7, 5245. Beneath the bottle is a placard, "Subscriptions taken in here for reducing the price of provisions". Other placards on the booth are inscribed, "Marybone Gardens Fete Champetre"; "Mr R-s Letters from [the] Dead", this is behind the dead woman; "Hearing Trumpets on a new Construction", behind the doctor with the ear-trumpet; "Cox's perpetual motion, or the Elephant & Nabob", an allusion to Cox's Museum, see BMSat 5243, his jewelled clockwork toys had been destined for an Indian prince; they are described in what Walpole calls "immortal lines" in Mason's 'Epistle to Shelburne', see 'Mason's Satirical Poems', ed. P. Toynbee, 1926, pp. 29, 112, 122, see BMSat 5243. At this placard an oafish countryman (right) is gaping while a boy picks his pocket. In the background is the sea; on the beach is a boat raised on stocks but already breaking up; this is inscribed "The New Adelphi". The building of the Adelphi had been an unprofitable speculation, partly owing to the financial crisis of 1773, and the Adam brothers obtained a private Act in that year to enable them to dispose of the new buildings by a lottery, which took place in 1774. Across the water on the further side of a bay is a town inscribed "A View of Plymouth". A rope extends from a church steeple on the extreme left, behind the spectators, to a distant spire in Plymouth, down this a man is gliding."--British Museum online catalogue
Alternative Title:
Wonders of Great Britain
Description:
Title engraved below image., Imprint above image, mostly burnished from plate. Publication date from earlier state. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 5275., Sheet trimmed to plate mark., Mounted to 24 x 37 cm., and On a separate sheet, accompanying this print, is the "Explanation of Plate II. Modern Moonshine, or the Wonders of Great Britain," three clippings apparently cut from the magazine Whimsical Repository? The names 'Banks' and 'Solander' have been written in an early hand on the margin of the paper to fill in the names B**S and S*** in the text.
Publisher:
Engrav' [...] publish'd according to act of Parliament
Opposite page 104. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed within plate mark on left side., Not in the Catalogue of prints and drawings in the British Museum., Folded to 31.5 x 25.5 cm., and Bound in opposite page 104 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. March 18th, 1774, by H. Bryer, London
Subject (Geographic):
France
Subject (Topic):
Dandies, French, Clothing & dress, Hairstyles, and Snuff
Title from item., Publication date extrapolated from dates of publisher's operation at the address given in imprint. See I. Maxted's London book trades, 1775-1800, p. 113., Copy with variant title. Cf. No. 5261 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Satirized musette -- Animals: boar -- Furniture: music stand -- Wooden legs., and Watermark: Strasburg lily.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
3d January 1774.
Call Number:
Print00197
Collection Title:
Page 89. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
Two quack doctors (left) are having a heated altercation in a street or square outside their respective houses. From the corner of a house on the left hangs a sign, "Dr Walker's veritable antiscorbutic Pills. Beware of Impostors". From the house on the right. a sign projects, "True antiscorbutic Pills". The doctors wear large wigs and swords, and carry three-cornered hats. One (left) holds in his hand a medicine-bottle; behind them are two dogs fighting. Their wives (right) are fighting violently; one (left) has seized the other by the hair and is kicking her. Behind them (right) two cats with arched backs are spitting at each other. In the upper part of the print (center) is a shield with two ducks, and beneath is the motto: "Quack Quack Quack".
Description:
Title etched below image., Number "3" in "3d" in imprint is etched backwards., Sheet trimmed within plate mark on three sides., Four lines of verse below image, two on either side of title: When once you've told & cant recall a lye, boldly percist [sic] in't or your fame will die. Learn this ye wives, with unrelenting claws, or right or wrong, assert your husbands cause., Temporary local subject terms: Quack doctors -- Medicine: Dr. Walker's antiscorbutic pills., Temporary local Medical Library subject terms: Marriage & Married life., and 1 print : etching with drypoint ; plate mark 237 x 303 mm.
Publisher:
Publish'd by Bretherton
Subject (Topic):
Quacks and quackery, Patent medicines, Quacks, Anger, and Marriage
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
3d January 1774.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 89. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
Two quack doctors (left) are having a heated altercation in a street or square outside their respective houses. From the corner of a house on the left hangs a sign, "Dr Walker's veritable antiscorbutic Pills. Beware of Impostors". From the house on the right. a sign projects, "True antiscorbutic Pills". The doctors wear large wigs and swords, and carry three-cornered hats. One (left) holds in his hand a medicine-bottle; behind them are two dogs fighting. Their wives (right) are fighting violently; one (left) has seized the other by the hair and is kicking her. Behind them (right) two cats with arched backs are spitting at each other. In the upper part of the print (center) is a shield with two ducks, and beneath is the motto: "Quack Quack Quack".
Description:
Title etched below image., Number "3" in "3d" in imprint is etched backwards., Sheet trimmed within plate mark on three sides., Four lines of verse below image, two on either side of title: When once you've told & cant recall a lye, boldly percist [sic] in't or your fame will die. Learn this ye wives, with unrelenting claws, or right or wrong, assert your husbands cause., Temporary local subject terms: Quack doctors -- Medicine: Dr. Walker's antiscorbutic pills., Temporary local Medical Library subject terms: Marriage & Married life., Mounted on page 89 of: Bunbury album., 1 print : etching with drypoint on laid paper ; sheet 23.7 x 30.2 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd by Bretherton
Subject (Topic):
Quacks and quackery, Patent medicines, Quacks, Anger, and Marriage