"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., and Mounted on page 41.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., and Mounted to 47 x 34 cm.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A wooded scene in the immediate suburbs of London, with St. Paul's in the background. Two 'cits' with guns prepare to fire, since their dog points at a bush, behind which, concealed from the sportsmen, squats a man excreting (left). A man holding a powder-flask watches with amusement from the top of a gate (right). Another dog sits in the foreground (right). Beneath the title is engraved: 'Against the Wind he takes his prudent way, While the strong Gale directs him to the prey; Now the warm scent assures the covey near, He treads with caution & he points with fear. Gay. -------------------------clausisque expectat ocellis; θυμπον---------------------------------------------'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs Septr. 1st, 1785, by J. Jones, No. 63 Great Portland Street, Marylebone
"A fat man (left) seated in an arm-chair, his swathed left leg supported on a stool, his crutches and an open 'Treatise on Gout' beside him. A meretricious-looking young woman bends over him, putting her right hand on his right shoulder and holding his left hand. A young woman of disreputable appearance pours out wine for him. A footman in livery (right) is about to put a large tureen on a dinner-table (right). A fat man is seen through an open door. A dog and cat lie together in the foreground. Behind the man's chair are the curtains of a bed. Probably one of the establishments in King's Place, cf. British Museum Satires No. 6764, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Prostitution.
Publisher:
Publish'd Novr. 30th - 1785 - by J.R. Smith, No. 83 - Oxford Street
Subject (Topic):
Gout, Prostitutes, Servants, Wine, Crutches, Dogs, and Cats
Title from item., Originally published in 1785. See British Museum catalogue., Possibly a companion print of Rowlandson's "Cully pillag'd"., Watermark., and Printseller's identification stamp located in lower right corner of sheet: S·W·F.
"Two officers of high rank sit together in a cabin, gambling intently at cup (actually spike) and ball. One (left) wears a star; the other, who is older and stouter, watches the dangling ball held by his companion. At their feet is a pile of coins on papers inscribed 'Twenty Pound'. Under the former's foot is a plan of 'Fotification [sic]', under the latter's a large wall-plan of the disposition of a fleet, on which land and 'Ocean' are marked. On the broad many-paned window behind them hangs ramed plan of celestial and terrestrial globes inscribed respectively 'Celiastial' and 'Teristial'. Behind (right), a burly sailor pours out tea for the two effeminate officers, with an expression of pained contempt."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print published in 1785 with the title: Sea amusement, or, Commanders-in-Chief of cup and ball on a cruise. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 176-8., and Watermark: J Whatman.
Publisher:
Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly
"Two officers of high rank sit together in a cabin, gambling intently at cup (actually spike) and ball. One (left) wears a star; the other, who is older and stouter, watches the dangling ball held by his companion. At their feet is a pile of coins on papers inscribed 'Twenty Pound'. Under the former's foot is a plan of 'Fotification [sic]', under the latter's a large wall-plan of the disposition of a fleet, on which land and 'Ocean' are marked. On the broad many-paned window behind them hangs ramed plan of celestial and terrestrial globes inscribed respectively 'Celiastial' and 'Teristial'. Behind (right), a burly sailor pours out tea for the two effeminate officers, with an expression of pained contempt."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print published in 1785 with the title: Sea amusement, or, Commanders-in-Chief of cup and ball on a cruise. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 176-8., 1 print : etching with stipple on wove paper ; sheet 23.6 x 32.7 cm, mounted to 28 x 37 cm., and Sheet trimmed within plate mark with loss of imprint.
Publisher:
Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly
"Two officers of high rank sit together in a cabin, gambling intently at cup (actually spike) and ball. One (left) wears a star; the other, who is older and stouter, watches the dangling ball held by his companion. At their feet is a pile of coins on papers inscribed 'Twenty Pound'. Under the former's foot is a plan of 'Fotification [sic]', under the latter's a large wall-plan of the disposition of a fleet, on which land and 'Ocean' are marked. On the broad many-paned window behind them hangs ramed plan of celestial and terrestrial globes inscribed respectively 'Celiastial' and 'Teristial'. Behind (right), a burly sailor pours out tea for the two effeminate officers, with an expression of pained contempt."--British Museum online catalogue, description of a later state of similar composition
Description:
Title etched below image., Later state, with title altered and imprint statement burnished out, of a print published in 1785 with the title: Sea amusement, or, Commanders-in-Chief of cup and ball on a cruise. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 176-8., Probably published before 1802, when the imprint "Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly" was added and the plate reissued. Cf. No. 9875 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Final words of burnished imprint statement barely visible below title: [...?] Oxford Street., and Mounted on leaf 3 of volume 2 of 14 volumes.
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and drypoint on laid paper ; plate mark 30.1 x 40.6 cm, on sheet 32.3 x 43.3 cm., and Mounted on leaf 28 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 45.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
