"A stage scene showing part of an empty stage box on the extreme right. A burlesque of F. Reynolds's 'Werter', adapted from Goethe's romance. The persons and objects on the stage have letters referring to an 'Explanation' below the design. Werter ('A') kneels before Charlotte ('B'), who is seated on a settee on the extreme left; he raises her petticoat with a passionate gesture. At Werter's feet is an open book, 'Ossian' (which he has been reading to Charlotte); she protests with raised hands (pp. 35-6 of the 1802 edition). Behind (right), Albert ('C'), in regimentals, stands with his face to the wall, his hands clasped behind his back. Two pictures ('E E') hang on the wall representing scenes from the play. In one (left) Albert lies prone; Charlotte, seated beside him, raises her arms in despair; the other is suspended from one corner, hanging crookedly; it represents Charlotte and Albert embracing. In the front of the stage (right), her back to the actors, a nude woman ('F') is seated on a low step holding a pistol to each ear. She wears a hat tied under her chin and is weeping. Above her head is an urn inscribed 'Sacred to Suicide' and a weeping willow. Across the top of the design is a scroll 'H': "To raise the Genius and to mend the Heart"."--British Museum online catalogue and "'Werter', Reynolds's first play, was acted on 14 March 1786 at Covent Garden for Miss Brunton's benefit, having been already played at Bath; Holman played Werter, Farren played Albert. According to Baker, 'Biog. Dram.', it had little success in London. According to Reynolds, 'Werter's metropolitan, was equal, if not superior, to his rural success'. He describes the tears and fainting-fits of the first night at Covent Garden (perhaps responsible for the empty stage box). 'Life and Times of Frederick Reynolds by himself', i. 304 ff.'"--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Five lines of text below title: Explanation, A. Werter making a very improper request to Charlotte -- B. Charlotte resenting it very properly -- C. Albert her husband very civilly taking himself off ..., Watermark., and Mounted to 26.5 x 35 cm.
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: Trades -- Tailors -- Symbols of tailor's trade -- Catherine Wade.
Publisher:
Published 5th April 1786 by S.W. Fores, at the Caricature Warehouse, No. 3, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, and Motherhill, John
Two smartly dressed youths facing each other sit on a bench under a tree. A small spaniel sits by the youth on the right, who has a more delicate appearance and resembles a face seen before in caricatures. A large dog (a poodle?) stands in front of the other youth on the left, barking
Description:
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 26 x 30 cm. ; on verso: bled through: Gloria mu[?]
Publisher:
Pub'd May 30th 1786 by G. T. Stubbs, Peters Court, St. Martins Lane
"The interior of a large church or cathedral. Burke, dressed as a Jesuit (cf. BMSat 6026), standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted as in BMSat 6026. On the wall and pillars of the church are four framed pictures: 'David watching Bathsheba bathing', 'St. Anthony tempted by monsters', 'Eve tempting Adam with the apple', and 'Judas kissing Christ', the last being over the head of Fox."--British Museum online catalogue, description of an earlier state of the same composition
Alternative Title:
Trip to the Continent and Wife and no wife
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue, with altered imprint statement, of a print originally issued with the publication line: Publish'd by Willm. Holland, No. 66 Drury Lane, London, March 27, 1786. Cf. No. 6932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires v. 6., Companion print to: "The morning after marriage, or, A scene on the Continent.", Sheet trimmed within plate mark., Temporary local subject terms: Morganatic marriage of Prince of Wales and Mrs. Fitzherbert -- Allusion to Bible stories: Adam and Eve -- Allusion to Bible stories: David and Bathsheba -- Allusion to Bible stories: St. Anthony tempted by monsters -- Allusion to Bible stories: Judas kissing Christ., and Formerly matted with a counterproof of: The morning after marriage, or, A scene on the Continent. (See LWL 788.04.05.01++ Impression 2).
Publisher:
Publish'd by Willm. Holland, No. 50 Oxford Strt., London
Subject (Name):
North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, and Weltje, Louis, 1745-1810
"The interior of a large church or cathedral. Burke, dressed as a Jesuit, standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted ... On the wall and pillars of the church are four framed pictures: 'David watching Bathsheba bathing', 'St. Anthony tempted by monsters', 'Eve tempting Adam with the apple', and 'Judas kissing Christ', the last being over the head of Fox."--British Museum online catalogue
Alternative Title:
Trip to the Continent and Wife and no wife
Description:
Title etched below image., Printmaker from British Museum catalogue., Companion print to: The morning after marriage, or, A scene on the Continent., and Watermark: Strasburg bend & lily / W and J Whatman.
Publisher:
Publish'd by Willm. Holland, No. 66 Drury Lane, London
Subject (Name):
North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, and Weltje, Louis, 1745-1810
Subject (Topic):
Marriage, Churches, Clergy, Monks, Royal weddings, and Sleeping
"Boswell and his wife in the kitchen prepare a dinner for Johnson, who is seen in back view through an open street-door on the extreme left. They face each other smiling across a small, ramshackle table; Boswell is cutting off the neck of a grouse (which resembles a duck or goose). He wears the Scots cap and the pen behind the ear of BMSat 7031, &c., with an apron. From his pocket project 'Ogden' (see BMSat 7031) and the 'Journal'. Mrs. Boswell holds a rolling-pin. Behind (right) is a slatternly maidservant in back view looking to the left with a smile. On the ground are two piles of large birds intended for grouse, and an enormous lobster. Behind is a primitive kitchen fireplace; two large pots are suspended over the fire. The spit rests horizontally above the fireplace."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the First. [London] : [E. Jackson], [1786], Three lines of verse below title: "We gave him as good a dinner as we could. Our Scotch muir-fowl, or growse, were then abundant ..." Vide Journal p. 123., Sheet trimmed within plate mark., Temporary local subject terms: Scots cap -- Grouse -- Ogden -- Lobster -- Fireplace with hanging pots -- Servants., and In mss. in lower left corner: E -149.
Publisher:
Pubd. 15 May 1786, by E. Jackson, No. 14, Mary-bone Street. Golden Square
Subject (Name):
Johnson, Samuel, 1709-1784, Boswell, James, 1740-1795, Boswell, Margaret Montgomerie, -1789, and Boswell, James, 1740-1795.
"An advertisement for the theatre around a tree, two women standing either side, at left kneeling and holding out a ribbon inscribed 'As you like it', at front a man seated on the floor holds out a sheet of paper upon which is written 'The Agreeable Surprise', behind at left a black harlequin holds a stick labelled 'invasion', beside him 'Venice preserved' is draped across a branch; in the distance at right a windmill advertises the diversity of the programme with Farce, Pantomine, Tragedy and Comedy emblazoned on the sails; within an elaborate oval frame with dramatic masks and daggers at top and bottom; after Bunbury, illustration from the 'European Magazine'."--British Museum online catalogue
Description:
Title from banner above image., Sheet trimmed within plate mark., and On leaf numbered 22 in a bound volume of 33 prints: Eighteenth century tickets / by Bartolozzi and others.
"An advertisement for the theatre around a tree, two women standing either side, at left kneeling and holding out a ribbon inscribed 'As you like it', at front a man seated on the floor holds out a sheet of paper upon which is written 'The Agreeable Surprise', behind at left a black harlequin holds a stick labelled 'invasion', beside him 'Venice preserved' is draped across a branch; in the distance at right a windmill advertises the diversity of the programme with Farce, Pantomine, Tragedy and Comedy emblazoned on the sails; within an elaborate oval frame with dramatic masks and daggers at top and bottom; after Bunbury, illustration from the 'European Magazine'."--British Museum online catalogue
Description:
Title from banner above image., Sheet trimmed within plate mark., On page numbered 24 in an album of 116 prints: [Bartolozzi and his pupils]., Top of sheet trimmed to design with no loss., and 1 print : engraving on laid paper ; sheet 17.0 x 12.2 cm.
"Plate 1: Copy of an elderly man with dishevelled hair and a dog at his heels, bending forward to seize a mug from the waiter, said to be Daniel Button, who turns his head away; after a drawing formerly attributed to Hogarth (BM, 1861,0413.506)."--British Museum online catalogue
Alternative Title:
From the original drawing by Hogarth in the collection of Sam. Ireland, Satire on the frequenters of Button's coffee house, Russell Street, Covent Garden, London. No. 2, and Doctor and patient
Description:
Title from British Museum online catalogue., "A later state of the print was used as an illustration facing p. 25 of Samuel Ireland, Graphic Illustrations of Hogarth, I, 1794, where Ireland identifies the waiter as Daniel Button"--Curator's comments, British Museum online catalogue., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1875,0213.361.
Publisher:
Publish'd March 1st, 1786, by W. Dickenson, No. 158, New Bond St.
A view of the interior of busy French barracks shows a more domestic atmosphere than military although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title from engraving based on this drawing, published by S.W. Fores 12 August 1791. and For further information, consult library staff.