Title from item., Sheet trimmed within plate mark., Attributed to Kingsbury in British Museum catalogue., and Temporary local subject terms: Swine -- Prince of Wales's debts -- Bible: Prodigal son, Luke 11:32
Publisher:
Pub'd Jany. 18, 1787, by S.W. Fores, No. 3 Piccadilly
"A strip design of a sequence of eighteen figures, all men. Their gestures and expressions denote pleasure, surprise, or horror (real or affected). Over the head of each person the words he speaks are engraved. The first (left) runs forward in profile to the right, 'chapeau bras', both arms extended, exclaiming "Tis true". The next, looking away gloomily, says, "Tis Pity". A man, with a pleased smile, says "As tender as possible". His neighbour says "Dont mention it", to a man who says "Poo, Poo". The next, clenching his fist, says angrily, "God Zounds hold - your Tongue", addressing a foppish man who capers delightedly, saying "Ha Ha". The next, with a shocked (but pleased) expression says "O La !" to a man who answers, "Dear me you dont say so?" A stout man yawns "Heigh ho". A lean one says "O Fye". The next couple, addressing each other, say "Indeed!" and "There now". The next, highly pleased, says "I thought so" to an angry man who exclaims "The Devil!" A lean austere man, raising a hand, says "No sure". A foppish man, 'chapeau bras', bowing with his hand on his heart, says, "Depend upon it". The last, horrified, exclaims "O Lord! O Lord!"."--British Museum catalogue
Description:
Title engraved below image on second plate., Reissue, with different imprint statement, of a print originally published 29 December 1787 by W. Dickinson. Cf. No. 7230 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Imprint continues: ... where may be had all Mr. Bunbury's & Rowlandson's works., A single design on three plates., Sheets trimmed within plate mark with probable loss of text below title., and Sheets joined and mounted on secondary support, rolled.
Publisher:
Publish'd March 15th, 1794, by S.W. Fores, No. 3 Piccadilly ...
Subject (Topic):
Clothing & dress, Communication, Faces, Mental states, and Rumor
Volume 2, page 65. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A strip design of a sequence of eighteen figures, all men. Their gestures and expressions denote pleasure, surprise, or horror (real or affected). Over the head of each person the words he speaks are engraved. The first (left) runs forward in profile to the right, 'chapeau bras', both arms extended, exclaiming "Tis true". The next, looking away gloomily, says, "Tis Pity". A man, with a pleased smile, says "As tender as possible". His neighbour says "Dont mention it", to a man who says "Poo, Poo". The next, clenching his fist, says angrily, "God Zounds hold - your Tongue", addressing a foppish man who capers delightedly, saying "Ha Ha". The next, with a shocked (but pleased) expression says "O La !" to a man who answers, "Dear me you dont say so?" A stout man yawns "Heigh ho". A lean one says "O Fye". The next couple, addressing each other, say "Indeed!" and "There now". The next, highly pleased, says "I thought so" to an angry man who exclaims "The Devil!" A lean austere man, raising a hand, says "No sure". A foppish man, 'chapeau bras', bowing with his hand on his heart, says, "Depend upon it". The last, horrified, exclaims "O Lord! O Lord!"."--British Museum online catalogue
Description:
Title engraved below image on second plate., A single design on three plates., Sheets trimmed within plate mark., "From an original drawing by H. Bunbury Esqr. in the possession of John Hayne Esqr., Bath.", and Mounted on page 65 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Decr. 29th, 1787, by W. Dickinson, Bond Street
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Communication, Faces, Mental states, and Rumor
A clergyman baptizes a child who is submerged in a punch bowl, as his parents and another couple look on. Also on the table are two full glasses of punch
Description:
Title engraved on banner in the image., Twelve verses engraved in two columns below image, beginning: Come listen awhile, I will make you to smile, With a story that's certainly true ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Numbered in ms. top left: 16.
Publisher:
Publish'd Octr. 16, 1787 by C. Sheppard, No. 19 Lambeth Hill, Doctors Commons
Title etched below image., Printmaker from description in the British Museum catalogue of a later state., Early state with variant title, with the central figure bearing the Duke of Brunswick's head instead of that of William of Orange, and with the sabre lacking an inscription. Cf. No. 7181 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark and mutilated in lower left corner, with partial loss of imprint; remainder of imprint mostly erased from sheet. Imprint from the impression at the Beinecke Library.
Publisher:
Pubd. Novr. 1st, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Frederick II, King of Prussia, 1712-1786, Abdülhamid I, Sultan of the Turks, 1725-1789, Catherine II, Empress of Russia, 1729-1796, and Joseph II, Holy Roman Emperor, 1741-1790
"John Palmer (left), striding across a miniature circular tower surrounded by a moat, falls back under the attacks of two men on the other side of the moat. He wears pseudo-Elizabethan dress, with a cloak; his feathered hat falls off. On his arm, in place of a shield, is a document inscribed 'Licence . . . Wild-moat'; he drops from his right hand a paper inscribed 'Tower Privilege'. Cornwallis, saying, "I am down again". Miniature cannon are firing from the tower. Facing him, one foot on an upturned tub inscribed 'For the Use of Cov: Gar. Wardrobe', is a man wearing nightcap, dressing-gown, and slippers, with an apron, who is about to hurl a bar inscribed 'Castile Soap', saying, "I am a Gentleman, you Vagabond"; on his left arm, in place of a shield, is a paper inscribed 'An Act for regulating the Stage'. He is probably George Colman. Beside him, his left arm in a sling, a young man (? Colman the younger) discharges at Palmer a blast from a pistol inscribed 'Breach of Articles'. Three spectators stand close together on the right, saying, "Mr Palmer, we must oppose: we told you so at Christmas!" They are Sheridan and probably his partners, Linley and Dr. Ford. In the background (right) is a building inscribed 'Circus', in front of which a man stands on one toe on the back of a galloping horse, while a monkey stands on its head on the back of a pig; the pig's saddle is inscribed 'Jacko'; from its mouth issues 'ABC', representing Astley's, General Jacko, and the Learned Pig (see BMSat 6715, &c); a scroll issuing in a curve from Astley and Jacko is inscribed 'We shall all Play'. In the moat are frogs and the bodies of two tiny women, Tragedy and Comedy, one holding a cup and dagger, the other a mask."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7171 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark on one side., and Temporary local subject terms: Male costume: Pseudo-Elizabethan -- Male costume: night clothes -- Unlicensed theatres: Royalty Theatre -- Allusion to Covent Garden -- Learned pigs -- Castile soap -- Lighting: rushlights -- Slings -- Body of Tragedy -- Body of Comedy -- Moats -- Guns: Pistols -- Miniature cannons -- Stage properties: tub -- Horace Walpole refers to print -- Towers -- Circuses: Astley's Circus -- Performing monkies: General Jacko.
Publisher:
Pubd. June 30, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Palmer, John, 1742?-1798, Astley, Philip, 1742-1814., Cornwallis, Charles Cornwallis, Marquis, 1738-1805., Colman, George, 1732-1794, Colman, George, 1762-1836, Sheridan, Richard Brinsley, 1751-1816, Linley, Thomas, 1733-1795, and Ford, Edward, 1746-1809
Title etched below image., Temporary local subject terms: Commercial treaty with France, 1786 -- Puns: Artist's and engraver's names -- Allusion to the Massacre, St. Bartholomew's Day, 1572 -- Eating English food -- Drinking French wine -- Allusion to French faith, or the virtuous individual., Watermark in center of sheet: J. Whatman., and Mounted to 28.5 x 43 cm.
Publisher:
Pub'd Feby. 26, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Louis XVI, King of France, 1754-1793
"A scene from Act V of Murphy's play as performed at the private theatre of the Duke of Richmond at Richmond House, on 20 April 1787 and subsequently. Lovemore (Lord Derby) stands between Mrs. Lovemore (Mrs. Damer), who holds his right arm, and the Widow Belmour (the fat Mrs. Hobart). Beside the Widow, and on the extreme right, stands a very thin man dressed with exaggerated foppishness, his hat under his arm; he says, "As the man says in the Play your Lordship is right welcome back to Denmark". He is Sir Brilliant Fashion, played by the Hon. Richard Edgcumbe. Mrs. Damer says, "This is Lord Etheridge Madam", and Mrs. Hobart answers, "No Madam this is Lord Lovemore"; the speeches have been transposed by an engraver's error. In a stage box on the extreme left sit the Duke of Richmond and a lady (the Duchess?) holding an enormous muff, her high coiffure much exaggerated. The box is decorated with a group, two crossed cannon, lying on a plan of a fort, with a kettle-drum, surmounted by a laurel wreath, an allusion to Richmond's unpopular scheme for fortifying Portsmouth and Plymouth, see BMSat 6921, &c. The ladies have tiny faces, framed in elaborately dressed hair, which contrast with Lord Derby's large head. A draped curtain frames the stage; in the centre is the customary 'Veluti in Speculum'."--British Museum online catalogue
Alternative Title:
Veluti in speculum
Description:
Title from item., Attributed to Captain Mercer by the curator based on style., At top of print: Veluti in speculum., Temporary local subject terms: Horace Walpole refers to subject -- Richmond House Theatre -- Arms -- Richmond fortifications., and Watermark: E & P.
Publisher:
Pub'd Aprl. 23, 1787 by H. Humphries, Bond Strt
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Richmond, Mary, Duchess of, 1740-1796, Damer, Anne Seymour, 1748 or 1749-1828, Valletort, Viscount 1764-1839 (Richard Edgcumbe),, Smith-Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
A pretty young girl with long hair under a huge mob cap sits on the knees of a fat clergyman who in turn sits astride a cart made from a cask of ale marked 'October'. One of the wheels of this cart is labelled "Cheshire"; the cart is being pulled by a sow whose three babies are suckling her. The clergyman is kissing the girl and holding a glass in his right hand. A devil stands on the back of the cask looking over the clergyman's head and the tip of his tail is in the glass. A signpost to the right reads "To the Bottom". A boar follows the cart at a distance. In the distant background on the left is a church
Description:
Title from item., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
1787 Published by Boyne & Walker, March 16 Gr. Turnstile
"A fashionable dentist is extracting the teeth of the poor in order to insert 'live teeth' immediately into the jaws of his patients. In the centre a young chimney-sweep sits in an arm-chair, over the back of which the dentist leans, holding the boy's head, and inserting an instrument into his mouth. Next (left) a lady sits in a similar chair watching the sweep with a pained and angry expression; she holds a smelling-bottle to her nose; she has just endured an extraction and is about to receive a transplantation. On the right a good-looking young lady leans back, her fists clenched in pain, while a spectacled dentist peers closely into her face, placing his instrument in her mouth. Behind her a lean, ugly, and elderly man wearing regimentals stands in profile to the right, holding a mirror in which he inspects his mouth with a dissatisfied expression. On the left a ragged boy and girl are leaving the room, both crying with pain: the girl inspects the coin in her hand. On the door is a placard: 'Most Money Given for live Teeth'. A placard on the wall is headed by a coronet and two ducks, indicating quackery: 'Baron Ron------Dentist to her High Mightiness the Empress of Russia'. Cf. British Museum Satires No. 6760."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Early state of a plate that was reissued in 1790, at which time Harris's imprint was burnished out and replaced with that of William Holland. Cf. No. 7766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local Medical Library subject terms: Tooth extraction -- Tooth transplant -- Baron Roh...*.
Publisher:
Pubd. 1787 by J. Harris, No. 37 Dean St., Soho
Subject (Topic):
Dentistry, Teeth, Extraction, Donation of organs, tissues, etc, Quacks and quackery, Poor persons, Chimney sweeps, Pain, Dental equipment & supplies, Chairs, and Signs (Notices)
