Title etched below image., Temporary local subject terms: Commercial treaty with France, 1786 -- Puns: Artist's and engraver's names -- Allusion to the Massacre, St. Bartholomew's Day, 1572 -- Eating English food -- Drinking French wine -- Allusion to French faith, or the virtuous individual., Watermark in center of sheet: J. Whatman., and Mounted to 28.5 x 43 cm.
Publisher:
Pub'd Feby. 26, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Louis XVI, King of France, 1754-1793
"A scene from Act V of Murphy's play as performed at the private theatre of the Duke of Richmond at Richmond House, on 20 April 1787 and subsequently. Lovemore (Lord Derby) stands between Mrs. Lovemore (Mrs. Damer), who holds his right arm, and the Widow Belmour (the fat Mrs. Hobart). Beside the Widow, and on the extreme right, stands a very thin man dressed with exaggerated foppishness, his hat under his arm; he says, "As the man says in the Play your Lordship is right welcome back to Denmark". He is Sir Brilliant Fashion, played by the Hon. Richard Edgcumbe. Mrs. Damer says, "This is Lord Etheridge Madam", and Mrs. Hobart answers, "No Madam this is Lord Lovemore"; the speeches have been transposed by an engraver's error. In a stage box on the extreme left sit the Duke of Richmond and a lady (the Duchess?) holding an enormous muff, her high coiffure much exaggerated. The box is decorated with a group, two crossed cannon, lying on a plan of a fort, with a kettle-drum, surmounted by a laurel wreath, an allusion to Richmond's unpopular scheme for fortifying Portsmouth and Plymouth, see BMSat 6921, &c. The ladies have tiny faces, framed in elaborately dressed hair, which contrast with Lord Derby's large head. A draped curtain frames the stage; in the centre is the customary 'Veluti in Speculum'."--British Museum online catalogue
Alternative Title:
Veluti in speculum
Description:
Title from item., Attributed to Captain Mercer by the curator based on style., At top of print: Veluti in speculum., Temporary local subject terms: Horace Walpole refers to subject -- Richmond House Theatre -- Arms -- Richmond fortifications., and Watermark: E & P.
Publisher:
Pub'd Aprl. 23, 1787 by H. Humphries, Bond Strt
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Richmond, Mary, Duchess of, 1740-1796, Damer, Anne Seymour, 1748 or 1749-1828, Valletort, Viscount 1764-1839 (Richard Edgcumbe),, Smith-Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
A pretty young girl with long hair under a huge mob cap sits on the knees of a fat clergyman who in turn sits astride a cart made from a cask of ale marked 'October'. One of the wheels of this cart is labelled "Cheshire"; the cart is being pulled by a sow whose three babies are suckling her. The clergyman is kissing the girl and holding a glass in his right hand. A devil stands on the back of the cask looking over the clergyman's head and the tip of his tail is in the glass. A signpost to the right reads "To the Bottom". A boar follows the cart at a distance. In the distant background on the left is a church
Description:
Title from item., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
1787 Published by Boyne & Walker, March 16 Gr. Turnstile
"A fashionable dentist is extracting the teeth of the poor in order to insert 'live teeth' immediately into the jaws of his patients. In the centre a young chimney-sweep sits in an arm-chair, over the back of which the dentist leans, holding the boy's head, and inserting an instrument into his mouth. Next (left) a lady sits in a similar chair watching the sweep with a pained and angry expression; she holds a smelling-bottle to her nose; she has just endured an extraction and is about to receive a transplantation. On the right a good-looking young lady leans back, her fists clenched in pain, while a spectacled dentist peers closely into her face, placing his instrument in her mouth. Behind her a lean, ugly, and elderly man wearing regimentals stands in profile to the right, holding a mirror in which he inspects his mouth with a dissatisfied expression. On the left a ragged boy and girl are leaving the room, both crying with pain: the girl inspects the coin in her hand. On the door is a placard: 'Most Money Given for live Teeth'. A placard on the wall is headed by a coronet and two ducks, indicating quackery: 'Baron Ron------Dentist to her High Mightiness the Empress of Russia'. Cf. British Museum Satires No. 6760."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Early state of a plate that was reissued in 1790, at which time Harris's imprint was burnished out and replaced with that of William Holland. Cf. No. 7766 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local Medical Library subject terms: Tooth extraction -- Tooth transplant -- Baron Roh...*.
Publisher:
Pubd. 1787 by J. Harris, No. 37 Dean St., Soho
Subject (Topic):
Dentistry, Teeth, Extraction, Donation of organs, tissues, etc, Quacks and quackery, Poor persons, Chimney sweeps, Pain, Dental equipment & supplies, Chairs, and Signs (Notices)
Title from item., Verse below title: Divide me like a bribe-buck, each a haunch, Shakespeare., Sheet trimmed to thread margins of plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literary quotation: Shakespeare -- Obese man -- Warts., and Mounted to 37 x 25 cm.
Publisher:
Pubd. for the proprietor by W. Moore, No. 48 New Bond Street
"A composite figure with two heads, one that of Lord Howe, the other that of George III, stands between two groups of naval officers; both heads are in profile. The King turns to the right, taking a petition from a kneeling officer with a wooden leg and saying "I never interfere with your first Lord no never". Five officers standing behind this petitioner say (left to right): "I see I shall lose my Rank after all my long Services"; "I am set aside altho' I've lost a Son & one Eye"; "Humbugd by Jove by [the] old Jesuit"; "Had I my Arm again Fd find a better Country"; "Brothers, Our Lords & Commons will not suffer this Game". The last speaker has one leg and stands with a crutch. Howe, scowling with downcast head, says, "Go, go, I can do nothing. It is his Majesty's pleasure, that------" An officer steps forward holding out a petition, he says, "Rascall". Four others standing behind the petitioner say (left to right): "He's fond of Manoeuvres if ever so bad, you know him"; "The King's pleasure! That's a Falsity added to a mean Finesse"; "Our Navy has now two Heads & no Helm, rare Work"; "Vultus est Index Animi".--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., The last number of the year in the imprint statement has been engraved over with another number. The British Museum online catalogue suggests that a '6' was amended to a '7'., and Sheet trimmed within plate mark.
Publisher:
Published by G. Humphrey, 48 Long Acre
Subject (Name):
George III, King of Great Britain, 1738-1820 and Howe, Richard Howe, Earl, 1726-1799
Title, imprint, and printmaker from British Museum catalogue., Temporary local subject terms: Furniture -- Pictures amplify subject -- Poland and Hungary -- Wall map., and Below the image, the three figures are indentified in contemporary hand as: Lord Loughborough, Mr. Wedgwood, Earl of Portland.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Wedgwood, Josiah, 1730-1795, and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
Title from Grego., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 18 x 28 cm.
"A lady sits full-face behind a dressing-table, an open book in her hand, while a hairdresser (left) curls her hair with tongs; a cloud of smoke shows that her hair is burning, her expression shows that it is painful. She wears a dressing-gown. Beside her (right) stands another woman, her mouth open as if singing. The hairdresser stands legs astride with an expression of fierce determination. Two combs are stuck in his hair. The two side-flaps of the small folding dressing-table are open, and the small mirror stands in the centre. On the table are toilet boxes and a tress of hair. Above the design is etched a quote from George, Lord Lyttleton's Song: "Alas! by some degree of woe We every bliss must gain, The heart can ne'er a transport know, That never felt a pain."'--British Museum online catalogue
Alternative Title:
Alas by some degree of woe, we every bliss must gain
Description:
Title from British Museum catalogue. and Artist identified as C.M. Fanshawe in the British Museum catalogue.
Publisher:
Publish'd by Js. Bretherton
Subject (Topic):
Barbers, Dressing tables, Hairdressing, and Hairstyles
