"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper left corner, see no. 8639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress.
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper left corner, see no. 8639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress., and Mounted on page 87 with one other print.
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "4" in upper left corner., Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress., and Mounted on leaf 67 of James Sayers's Folio album of 144 caricatures.
"Pitt (right), as a butcher, stands arrogantly behind his block, holding up a leg of mutton to a hungry, lean, and dismayed John Bull, who stands with bent knees (left), his right hand groping in his breeches pocket. Pitt says: "A Crown, - take it, or leave't". His cleaver lies on his blood-stained block, on the front of which are two placards side by side: 'Prices of Provision. 1795 Journeymans Wages - 1795 Mutton 10 1/2d £b. Carpenters 12sh pr Week Lamb 11 D° Shoemakers 10sh D° Veal 11 1/2 D° Bakers 9sh D° Beef 12 D° Gardeners 8sh D° Small Beer - 2d pr Quart Smiths 8sh D° Bread 12d Husbandmen 7sh D° pr Quarter Loaf God save the King'. Behind Pitt is the pent-house roof of the shop or stall from the front of which hang joints of meat and pieces of offal. The lower story of a house forms a background (left). John Bull wears the dress and wrinkled gaiters of a yokel. ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse, titled Billy the Butcher's Advice to John Bull, etched on a separate plate that is printed below the plate with the image: Since bread is so dear, (and you say you must eat) ..., and Mounted to 46 x 31 cm.
Publisher:
Pubd. July 6th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Geographic):
Great Britain, England, and London.
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Food prices, Butcher's shops, and Butchers
"Pitt as hangman stands beside a fire of faggots immediately outside the door of the 'Crown & Anchor' (name on door-post). In his right hand is an axe; he drops an open book into the flames, and looks over his shoulder at Reeves who is disappearing into the tavern. On one page (right) is the trunk of a tree surmounted by a crown and the words 'The Royal Stump', on the other: 'No Lords No Commons No Parliame[nt] Damn the Revolution'. He wears a long coat with a hangman's noose tied round his waist, a round hat, and wrinkled gaiters. From his pocket protrudes a book: 'Ministerial Sincerity and Attachment a Novel'. He says:"Know, villains, when such paltry slaves presume To mix in Treason, if the plot succeeds, You're thrown neglected by: - but if it fails, You're sure to die like dogs!" Reeves, with hands outstretched in protest, says: "O Jenky! Jenky! have I gone through thick & thin for this ?" From his coat-pockets hang papers: '£400 pr Ann, To the Chairm[an] of the Crown & Anchor', and, 'List of Spies Informers Reporters Crown & Anchor Agents'. On the right Fox, Sheridan, and Erskine blow at the fire; the two former on hands and knees, Erskine, in wig and gown, between them, an arm across the shoulders of each. Smoke and the lower parts of the adjacent houses form a background. ..."--British Museum online catalogue
Alternative Title:
Crown and Anchor-libel burnt by the public hangman
Description:
Title etched below image., One line of text below title: To the charman [sic] & members of the truly loyal association at the Crown & Anchor, this small token of gratitude for favors receiv'd is respectfully dedicated by the author., Sheet trimmed within plate mark., and Mounted to 34 x 48 cm.
Publisher:
Pubd. Novr. 28th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Reeves, John, 1752?-1829., Jenkinson, Charles, 1727-1808., and Association for Preserving Liberty and Property against Republicans and Levellers (London, England)
Subject (Topic):
Axes, Bonfires, Executioners, Lamps, and Taverns (Inns)
"Stanhope swims beside a small two-masted sailing-vessel, dragging it against wind and stream. His head and chest are in the position of a figure-head, his right arm is outstretched, holding a tricolour flag, his left arm is stretched behind him holding the tiller, and he kicks at the rudder with the left foot, his leg being raised above the water from the knee. He is pushed forward by a dolphin-like monster swimming (right) behind the vessel, which prods the skirts of his coat with a trident. The monster wears a French cockade; his tail waves in the air. From a staff in the stern, surmounted by a cap of 'Liberty', flies a flag: 'Equality & Fraternity'. Stanhope breasts the rippled water, which flows strongly against him, inscribed (left) 'The Current of public Opinion'. A small vessel (left) in the background sails left to right, her sails inflated. From the upper left margin projects a head blowing a blast of 'Loyalty' against 'The Stanhope'."--British Museum online catalogue
Alternative Title:
Stanhope, a republican gunboat constructed to sail against wind and tide
Description:
Title etched below image., Signed with the monogram of James Sayers., Fifth of a set of seven prints in the series "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "5" in upper left corner., Temporary local subject terms: Opposition -- Boats -- Monsters -- Public opinion -- Cap of Liberty -- Loyalty., and Mounted on page 87 with one other print.
"Stanhope swims beside a small two-masted sailing-vessel, dragging it against wind and stream. His head and chest are in the position of a figure-head, his right arm is outstretched, holding a tricolour flag, his left arm is stretched behind him holding the tiller, and he kicks at the rudder with the left foot, his leg being raised above the water from the knee. He is pushed forward by a dolphin-like monster swimming (right) behind the vessel, which prods the skirts of his coat with a trident. The monster wears a French cockade; his tail waves in the air. From a staff in the stern, surmounted by a cap of 'Liberty', flies a flag: 'Equality & Fraternity'. Stanhope breasts the rippled water, which flows strongly against him, inscribed (left) 'The Current of public Opinion'. A small vessel (left) in the background sails left to right, her sails inflated. From the upper left margin projects a head blowing a blast of 'Loyalty' against 'The Stanhope'."--British Museum online catalogue
Alternative Title:
Stanhope, a republican gunboat constructed to sail against wind and tide
Description:
Title etched below image., Signed with the monogram of James Sayers., Fifth of a set of seven prints in the series "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "5" in upper left corner., and Temporary local subject terms: Opposition -- Boats -- Monsters -- Public opinion -- Cap of Liberty -- Loyalty.
"Stanhope swims beside a small two-masted sailing-vessel, dragging it against wind and stream. His head and chest are in the position of a figure-head, his right arm is outstretched, holding a tricolour flag, his left arm is stretched behind him holding the tiller, and he kicks at the rudder with the left foot, his leg being raised above the water from the knee. He is pushed forward by a dolphin-like monster swimming (right) behind the vessel, which prods the skirts of his coat with a trident. The monster wears a French cockade; his tail waves in the air. From a staff in the stern, surmounted by a cap of 'Liberty', flies a flag: 'Equality & Fraternity'. Stanhope breasts the rippled water, which flows strongly against him, inscribed (left) 'The Current of public Opinion'. A small vessel (left) in the background sails left to right, her sails inflated. From the upper left margin projects a head blowing a blast of 'Loyalty' against 'The Stanhope'."--British Museum online catalogue
Alternative Title:
Stanhope, a republican gunboat constructed to sail against wind and tide
Description:
Title etched below image., Signed with the monogram of James Sayers., Fifth of a set of seven prints in the series "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "5" in upper left corner., Temporary local subject terms: Opposition -- Boats -- Monsters -- Public opinion -- Cap of Liberty -- Loyalty., 1 print : etching on wove paper ; plate mark 23.8 x 29.8 cm, on sheet 27.1 x 33.6 cm., and Mounted on leaf 70 of James Sayers's Folio album of 144 caricatures.
"Fox, as a quack doctor, addresses a mob from the front of a platform which rests upon five beer-barrels inscribed 'Whitbreads entire' (cf. BMSat 8638). Four other mountebanks are performing. Fox wears the full wig and old-fashioned laced coat and waistcoat of a doctor; he points to a young man (Bedford) behind him (left) who stands on his head, coins pouring from his pocket into a box. A Pierrot (Grey) stands behind the platform holding a trumpet and saying: "Turn me Grey Gemmen if I dont read you the particulars of his curing 30,000 Patients in one day; when Brother cit. has done tumbling". On a slack-rope stretching across the left part of the platform is little Lord Lauderdale, holding a balancing pole. He and Bedford are dressed as acrobats. On the right is the doctor's zany, Sheridan, wearing a fool's cap and a tunic and trousers dotted with representations of the Devil. He scatters, and kicks towards the spectators below him, a shower of paper scrolls inscribed: 'An Infaliable cure for a bad constitution'; 'Aether for Arguments'; 'Caustics for Crimps' [cf. BMSat 8484]; 'Mercury for Ministers'; 'Preparations against Prosecution'; 'Powder [cf. BMSat 8629] for Placemen' [twice]; 'Pain for the Poor' [cf. BMSat 8146]; 'A Rope for Reeves' [cf. BMSat 8699]; 'Gibets for Justices' [cf. BMSat 8686]; 'Aqua Regis for Royalists'. The crowd (right), who are three-quarter length, eagerly hold out their hands to catch the papers. Next the platform is a well-dressed man resembling Grafton. The man on the extreme right is a butcher wearing a bonnet-rouge. Fox says: "Dis is de first Tumbler in de Vorld Gemmen, dat is Citoyen de Bedforado, who vas stand so long upon his head dat all de money vas Tumble out of his pockets; de Next is Citoyen Van Lathertalo, who's trick upon de slack rope are delightfull it is expected he vil von Day dance on de Tight Rope ha ha!!" The men and women composing the crowd on the left all raise a hand in affirmation; all are shouting. A man dressed as a militiaman, standing prominently beside the platform, raises a hand from which two fingers are missing; he shouts "All. All." Perhaps Edward Hall, 'Liberty Hall'."--British Museum online catalogues
Alternative Title:
Palace yard pranks
Description:
Title from item., Printmaker identified by British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following imprint: NB folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Quacks' zanies -- Acrobats -- Pierrot -- Rope-walking -- Musical instruments: trumpet -- Reference to the meeting in Palace Yard, November 16, 1795 -- Bills: reference to Seditious Meetings and Treasonable Practices bills -- Fool's cap - Money: coins -- Allusion to Samuel Whitbread, 1764-1815., Watermark: Strasburg lily with initials E & P 1794 below., and Mounted on top and bottom to 32 cm.
Publisher:
Published No. 20, 1795, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Bedford, Francis Russell, Duke of, 1765-1802, Grey, Charles Grey, Earl, 1764-1845, and Lauderdale, James Maitland, Earl of, 1759-1839
Subject (Topic):
Medicine shows, Quacks & quackery, Politicians, Acrobats, Aerialists, Clowns, Money, Barrels, and Spectators
"A design in two adjacent circles, with inscriptions above and below the circles on an aquatinted ground. In the manner of genre, not satire. [1] The kitchen of a young English farmer who sits with his arm round a little boy (right) who stands at his knee eating an apple, while his pretty wife (left) holds out a buxom child to kiss him. He holds a sickle. A dog sits at his feet. Behind (right), before a blazing fire, a young woman places a sirloin of beef upon a round table, laid for a meal, with a large pitcher beside it. A pestle and mortar and other brass utensils are neatly ranged on the chimney-piece, beside which is a spit. A ham and string of onions hang on the wall. Through an open door (left) are a hen and chickens, two pigs feeding in a stye, and a haystack. The title continues: 'Prosperity & Domestick-Happiness.' [2] A young farmer lies stabbed to the heart by a bayonet, surrounded by his despairing and terrified wife and three children. Behind (right) is a ruined house. In the background (left) French soldiers are driving off sheep and cattle, and a village (right) is in flames. Behind is the sea with ships of war at anchor. ..."--British Museum online catalogue
Alternative Title:
"Curs'd be the man who owes his greatness to his country's ruin!!!!! and "Cursed be the man who owes his greatness to his country's ruin!!!!!
Description:
Title from text below images., Text below title: To the people & the parliament of Great-Britain, this print is dedicated, by the Crown & Anchor Society., Text above images: Such Britain was! Such Flanders, Spain, Holland, now is! From such a sad reverse, O Gracious God, preserve our country!!, Temporary local subject terms: Kitchens -- Fireplaces -- Farmers -- Wars -- Peace vs. war., and Mounted to 38 x 44 cm.
Publisher:
Pubd. Jany. 12th, 1795, by H. Humphrey, No. 37 New Bond Street
