"Queensberry (right), walking beside a buxom young milliner, puts out an arm to touch her. His left hand is in a large muff. He wears a star and from his coat-pocket issue bottles labelled 'Renovating Balsam' and 'Velno's Vegetable Syrup' (see British Museum Satires No. 7592). She carries an arched-topped coffer (as in British Museum Satires No. 4923) and seems not unwilling."--British Museum online catalogue
Alternative Title:
Old Quiz the old goat of Piccadilly
Description:
Title etched below image., Two lines of text below title: A shining star - in the British Peerage, and a usefull ornament to society. Fudge., Temporary local subject terms: Male dress -- Trades: Milliners -- Velno's vegetable syrup -- Renovating balsam -- Containers: Milliners' coffer., Temporary local Medical Library subject terms: Sex behavior -- Velno's Syrup., and 1 print : etching on wove paper, hand-colored ; image and text 240 x 192 mm.
Publisher:
Published Feby. 25th, 1796, by R. Dighton, Charing Cross
"Queensberry (right), walking beside a buxom young milliner, puts out an arm to touch her. His left hand is in a large muff. He wears a star and from his coat-pocket issue bottles labelled 'Renovating Balsam' and 'Velno's Vegetable Syrup' (see British Museum Satires No. 7592). She carries an arched-topped coffer (as in British Museum Satires No. 4923) and seems not unwilling."--British Museum online catalogue
Alternative Title:
Old Quiz the old goat of Piccadilly
Description:
Title etched below image., Two lines of text below title: A shining star - in the British Peerage, and a usefull ornament to society. Fudge., Temporary local subject terms: Male dress -- Trades: Milliners -- Velno's vegetable syrup -- Renovating balsam -- Containers: Milliners' coffer., and Temporary local Medical Library subject terms: Sex behavior -- Velno's Syrup.
Publisher:
Published Feby. 25th, 1796, by R. Dighton, Charing Cross
Title from item., From the Laurie & Whittle series of Drolls., Two lines of text below image: Why damme! Messmate you're done up ..., Plate numbered '173' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Naval uniforms: sailors' uniforms -- Beer barrels -- Dishes: tankards -- Drunkenness.
Publisher:
Published 24th Octr., 1796, by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Sailors, British, Military uniforms, Barrels, Beer, Drinking vessels, Pipes (Smoking), Smoking, and Intoxication
Title from item., Sheet trimmed within plate mark., Plate numbered '176' in lower left corner., Two lines of text below title: Distress compels, pray Sir, relieve my want ... ., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 12th Decr. 1796 by Laurie & Whittle, 53 Fleet Street, London
"Pitt (right) stands stiffly in profile to the left, holding open a large sack-like wallet inscribed 'Requisition Budget'. He addresses John Bull, the central figure, a stout yokel, who holds out his breeches in his left hand to Pitt, while he touches his hat. The budget and the breeches pockets are full of guineas. Pitt says: "More Money, John! - more Money! to defend you from the Bloody, the Cannibal French - They're a coming! - why they'll Strip you to the very Skin - more Money. John! - They're a coming - They're a coming." Dundas, Grenville, and Burke kneel on the right, bending towards the 'Budget', each with his left hand in an opening in a vertical seam, eagerly grabbing guineas. Behind them is the stone archway of the 'Treasury', with its high spiked gate. Dundas, the most prominent, wears Highland dress and holds a Scots cap full of coins. Grenville wears a peer's robe; Burke is behind. They echo Pitt: Dundas says "Ay! Ay! They're a coming! They're a coming!" Grenville: "Yes! Yes, They're a coming." Burke: "Ay They're a coming." John says: " - a coming? - are they? - nay then, take all I've got, at once, Measter Billy! - vor its much better for I to ge ye all I have in the World to save my Bacon, - than to stay & be Strip'd stark naked by Charley, & the plundering French Invasioners, as you say". His coat and waistcoat are sound, but the pockets hang inside out, empty. His lank hair, knotted kerchief, and wrinkled gaiters denote the small farmer. Behind (left), on the shore, stands Fox looking across the water towards the fortress of 'Brest' flying a tricolour flag. He hails it with upraised arms, shouting: "What! more Money ? - O the Aristocrat Plunderer! - Vite Citoyens! - vite! - vite! depechez vous! - or we shall be too late to come inn for any Snacks of the I'argant! - vite Citoyens! vite! vite!""--British Museum online catalogue
Alternative Title:
John Bull giving his breeches to save his bacon
Description:
Title etched below image., Sheet trimmed to plate mark on left and bottom edges., and Temporary local subject terms: Yokels -- Money: guineas -- Treasury -- Male dress: Highland dress -- Budgets: Pitt's speech, Dec. 7, 1796
Publisher:
Pubd. Novr. 7th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Burke, Edmund, 1729-1797
"Twelve single figures arranged in two rows, their complacent soliloquies etched above their heads, e.g. [3] An ugly woman dressed in a travesty of the fashion, with one large feather in her hair, large ear-rings, and an enormous oval miniature slung from her neck, holds up a small parasol, projecting at an angle from its clumsy stick. She says: "True happiness undoubtedly consists in an elegant taste for the Bon Ton." [4] A stout ugly woman says: "Though I am none of your flan dan Ladies I believe I can buy one half of them." One of a set."--British Museum online catalogue
Description:
Title from caption below image., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Design consists of twelve figures in two rows, each with lines of text etched above., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: Vol. 1, pl. 15., and Restrike. Watermark: J. Whatman 1824.
Publisher:
Pubd. Jany. 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Jewelry, Military uniforms, and British
Title engraved below image., Imperfect; sheet trimmed within plate mark with loss of imprint and song verses below title. Imprint statement supplied from: A catalogue of 18th-century British mezzotint satires in North American collections., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Cherry venders -- Irishmen -- Female costume: high-waisted dresses -- Reticule -- Miniature portrait as a brooch -- Pets -- Architectural details -- Wrought iron fences -- Songs: Patty O'Blarney.
Publisher:
Published 20th Sepr. 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Peddlers, Baskets, Hats, Miniatures (Paintings), Dogs, Doors & doorways, Fountains, and Children
"Time stands behind an oval table covered with a cloth on which is an hour-glass, its sands nearly run out, standing on a large flat book inscribed 'Traitè de Paix', from which five seals hang evenly. Behind him is a doorway in a stone wall, covered with a curtain, one side of which he holds. With his left forefinger he points upwards at the inscription above the door: 'L'avenir', which is decorated with seven (drooping) ears of corn. The seals are inscribed (left to right): 'F.W.' [Frederick William of Prussia]; 'G Rx', with its ribbon inscribed 'God save the King'; France; a crowned 'C' [Catherine II]; 'Fr. Imp.' [Francis Imperator] (prophetic of the powers that decided the fate of Holland in 1815). 'Le génie du Terns garde la porte de l'avenir;... Qui est le mortel assez hardi, pour oser le penetrer? . . .' Text, 'Proverbs', x. 28. To this is added, in English only, 'St. Matthew', v. 9, 'Blessed are the peacemakers!'"--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "20" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Emblems: hour-glass -- Personifications: Time -- Seven ears of wheat-corn as United Provinces., and Letterpress explanation lacking.
A bust of George III in an oval medallion, the profile (left) an obtuse angle, the face blank, giving an impression of complacent imbecility. The background is shaded to simulate a cameo. From behind the medallion two figures look out: 'Averice' (left), a hag with pendent breasts and serpents for hair, leans forward in profile to the left, holding up a money-bag. On the right is Famine, a thin man wearing a shroud; both are shouting
Description:
Title from text above image., Place of publication based on subject., Publication date from Thomas Kirgate's manuscript note on Horace Walpole's impression., A date of 1794 is suggested in the British Museum catalogue, but their online catalogue suggests 1795 based on the reference to a famine., and Sheet trimmed to plate mark.
