"A buxom girl pushes (left to right) her barrow of carrots along the pavement of Bond Street, looking over her right shoulder at Lord Sandwich ('Jemmy Twitcher'), who overtakes her and twitches her apron. He is in profile to the right, leering at her. Her elegant shoes and clocked stockings are inconsistent with her occupation. The background is a bookseller's shop at the corner of 'Little Maddox Street' (left) and 'New-Bond Street' (right), displaying the royal arms. Over the door, in Bond Street, is 'Faulder' and above the two windows, 'Bookseller & Book Binder'. Pamphlets or open books fill the panes of the windows: 'Rules of the Order of Sr Francis' [an allusion to Sir Francis Dashwood and the profligate order of Medmenham Abbey]; 'List of Servant Maids'; 'A Chip of the old Block'; 'Doe Hunting an Ode by an old Buck Hound'; 'The Beauties of Bond Street' (cf. BMSat 8377); 'A Journey through Life - from Maddox Street unto Conduit Street & back again'. The side of a third shop-window in Maddox Street appears on the extreme left. Cf. BMSat 7080."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Young women -- Wheelbarrows -- Carrots -- Booksellers' shops: Robert Faulder's shop, 42 New Bond Street -- Allusion to Sir Francis Dashwood and Order of Medmenham Abbey.
Publisher:
Pubd. Decr. 3d, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Sandwich, John Montagu, Earl of, 1718-1792 and Faulder, Robert, 1747 or 1748-1815.
Two riders have trouble with their mounts on a country road with a sign on the left "to Rumpford 2." The rider on the left has lost his stirrups and is hanging onto the horse's head. The rider to the right is taking a header; his horse has stumbled and gone down
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Horses -- Satire on horsemanship -- Signs: milestones -- Reference to Rumford -- Male dress: riding habit -- Dogs., and Watermark: Strasburg lily.
Publisher:
Pubd Decemr. 14, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
"A design in four compartments. [1] THE SULTAN RETIRING The Prince of Wales in flowered dressing-gown and night-cap stands arrogantly with folded arms, saying "Va-ten" [sic], as in BMSat 8807, to the dwarfish Lord Jersey (right), who stands deferentially before him, holding a candle, and raising his hand to his forehead with a senile grin. The Prince stands at the foot of Lady Jersey's bed (left), where she lies expectantly. It is decorated with two earl's coronets, but under it is a chamber-pot ornamented with the Prince's feathers. On the wall (right) is a picture of a turbaned and arrogant Turk, standing among the ladies of his harem, who are seated around him. Probably imitated from BMSat 8807. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[2] FASHIONABLE PASTIME Lady Jersey sits on a settee, holding her arms above her head, two fingers in each hand extended to simulate horns. Before her is Lord Jersey, bending under the weight of the Prince, who sits on his shoulders; he supports himself by resting his hands on his wife's lap. The Prince, very fat and complacent in his Light Horse uniform (see BMSat 8800), wearing a helmet, with slippers and ungartered stockings, holds Jersey by the head, his fingers extended like Lady Jersey's (as in BMSats 8811, 8816), and putting a hand over Jersey's eyes and mouth. Lady Jersey wears a loose high-waisted dress, with uncovered breast, and flowing hair. Both say: "Buck-Buck how many Horns do I hold up". Jersey answers "one you say & two there is Buck Buck". A cat (left) slinks off to the left. On the wall behind the Prince (right) is a picture of 'Sir Rd Worsley', a free copy of BMSat 6109, the right portion being cut off by the margin of the design. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[3] THE DISCOVERY The Princess (right) draws aside the fringed curtains of a bed in which lie the Prince (awake and dismayed) and Lady Jersey (asleep). She looks aside, weeping. Above her head are the words 'Give me [sic] all you can & let me Dream the Res [sic]'.[From Pope's 'Heloise to Abelard', often reprinted in the eighteenth century (cf. BMSat 9283).] Behind her head is a half length portrait of the Duke of Brunswick, his head turned towards his daughter but hidden by the Prince's helmet, which hangs from the frame. [4] CONFIDENCE BETRAYED The Prince is seated full-face, with a distraught expression, his left hand on his forehead, his right hovers above a pistol which lies on a table beside him. Lady Jersey stands on his left, holding an open letter addressed 'The D------ of B------c'. She puts her forefinger to her nose, saying, "Here would have been a rare Kettle of Fish to have served up to a German Prince". Through an open window (or perhaps in a picture) behind the Prince a landscape is indicated with forked lightning."--British Museum online catalogue
Alternative Title:
The sultan retiring, Fashionable pastime, The discovery, and Confidence betrayed
Description:
Title from item., Sheet trimmed within plate mark., Plate divided into four compartments, each with caption title., One line of text below title: The very Stones look up to see, Such very Gorgeous Harlotry, Shameing an Honest Nation., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., Temporary local subject terms: Cuckold's horns -- Coronets -- Guns: pistols., Names of the printmaker and subjects of satire printed on mat below image., and 1 print on wove paper : etching, hand-colored ; sheet 45 x 31 cm., window mounted to 53 x 39 cm., matted to 62 x 47 cm.
Publisher:
Pub. May 28, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
Subject (Topic):
Adultery, Bedrooms, Candlesticks, Chamber pots, and Interiors
"A design in four compartments. [1] THE SULTAN RETIRING The Prince of Wales in flowered dressing-gown and night-cap stands arrogantly with folded arms, saying "Va-ten" [sic], as in BMSat 8807, to the dwarfish Lord Jersey (right), who stands deferentially before him, holding a candle, and raising his hand to his forehead with a senile grin. The Prince stands at the foot of Lady Jersey's bed (left), where she lies expectantly. It is decorated with two earl's coronets, but under it is a chamber-pot ornamented with the Prince's feathers. On the wall (right) is a picture of a turbaned and arrogant Turk, standing among the ladies of his harem, who are seated around him. Probably imitated from BMSat 8807. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[2] FASHIONABLE PASTIME Lady Jersey sits on a settee, holding her arms above her head, two fingers in each hand extended to simulate horns. Before her is Lord Jersey, bending under the weight of the Prince, who sits on his shoulders; he supports himself by resting his hands on his wife's lap. The Prince, very fat and complacent in his Light Horse uniform (see BMSat 8800), wearing a helmet, with slippers and ungartered stockings, holds Jersey by the head, his fingers extended like Lady Jersey's (as in BMSats 8811, 8816), and putting a hand over Jersey's eyes and mouth. Lady Jersey wears a loose high-waisted dress, with uncovered breast, and flowing hair. Both say: "Buck-Buck how many Horns do I hold up". Jersey answers "one you say & two there is Buck Buck". A cat (left) slinks off to the left. On the wall behind the Prince (right) is a picture of 'Sir Rd Worsley', a free copy of BMSat 6109, the right portion being cut off by the margin of the design. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[3] THE DISCOVERY The Princess (right) draws aside the fringed curtains of a bed in which lie the Prince (awake and dismayed) and Lady Jersey (asleep). She looks aside, weeping. Above her head are the words 'Give me [sic] all you can & let me Dream the Res [sic]'.[From Pope's 'Heloise to Abelard', often reprinted in the eighteenth century (cf. BMSat 9283).] Behind her head is a half length portrait of the Duke of Brunswick, his head turned towards his daughter but hidden by the Prince's helmet, which hangs from the frame. [4] CONFIDENCE BETRAYED The Prince is seated full-face, with a distraught expression, his left hand on his forehead, his right hovers above a pistol which lies on a table beside him. Lady Jersey stands on his left, holding an open letter addressed 'The D------ of B------c'. She puts her forefinger to her nose, saying, "Here would have been a rare Kettle of Fish to have served up to a German Prince". Through an open window (or perhaps in a picture) behind the Prince a landscape is indicated with forked lightning."--British Museum online catalogue
Alternative Title:
The sultan retiring, Fashionable pastime, The discovery, and Confidence betrayed
Description:
Title from item., Sheet trimmed within plate mark., Plate divided into four compartments, each with caption title., One line of text below title: The very Stones look up to see, Such very Gorgeous Harlotry, Shameing an Honest Nation., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., and Temporary local subject terms: Cuckold's horns -- Coronets -- Guns: pistols.
Publisher:
Pub. May 28, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
Subject (Topic):
Adultery, Bedrooms, Candlesticks, Chamber pots, and Interiors
Title from item., Printmaker identified in the British Museum catalogue., Publisher's advertisement following imprint: Folios of caracature [sic] lent out for the evening. Prints & drawings lent out on the plan of a circulating library., Temporary local subject terms: Male dress: spencers -- Female dress: spencers., Watermark: (countermark) E & P., and Printseller's stamp in lower right corner of plate: S.W.F.
Publisher:
Pub. March 13, 1796, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville St.
"A coach without passengers or driver proceeds (right to left) with the wheels sunk in sand (resembling water). Beside it trudge the driver (left), the guard with his blunderbuss, and two men passengers. On a bank above the road, two ladies and two men run in the same direction. On the roof of the coach are band-boxes and a turtle; on the door a swan with two necks (sign of the famous coaching-inn in Lad Lane)."--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed to plate mark on left and right sides., Plate from: Woodward, G.M. Eccentric excursions, or, Literary & pictorial sketches of countenance, character & country in different parts of England & South Wales. London : Published by Allen & West, 15, Paternoster Row, 1796., "Plate 45" etched in upper left; "Page 109" etched in upper right., Printed on paper watermarked "1813". Window mounted to 44 x 28 cm., and Mounted opposite page 18 in an extra-illustrated copy of: Lysons, D. Magna Britannia. London : T. Cadell and W. Davies, 1813.
"George Hanger bestrides a pile of calves with which his pony is laden, high above his mount's head. He sits in profile to the left, carrying a bludgeon; his right leg thrust forward over the calves. The fore-feet and hind-feet of the calves are tied and lie across the pony and each other. Eleven heads are visible. Hanger says: "Here they are my Lord, here's the slunk Calves, by Gxx - no allusion, dxm'me! - almost forgot you was a North-Countrey-Man! - Runt carries weight well! - no less than Thirteen damme! - come push about the Bottle, & I'll tell you the Story; - In Scotland they eat no Veal, by Gxx! nothing but Staggering-Bobs, - by Gxx! - on my Honor & Soul I mean no insult! - but Tattersal he swore, d------n me, if he didn't, - that on a small Scotch Runt, he saw, Gxx dxxn my blood, - how many d'ye think he saw? - ( - "Saw what, Georgey? - ) - why Calves! - Staggering-Bobs to-be-sure! - why d'ye think he saw Seventeen? - no! - but dxxme, by Gxx, he saw Thirteen!!! - & all just upon such another little Cock-Horse as my own!!!' ..."--British Museum online catalogue
Alternative Title:
Munchausen driving his calves to market
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of text below title: This print is dedicated to Lord Exxxl [i.e., Errol], his party, & the frequenters of Steevens's in general., and Temporary local subject terms: Calves -- Reference to Steevens's Coffee House -- Reference to Baron Munchausen -- Dedication to George Hay, 16th Earl of Errol.
Publisher:
Pub. Decr. 1st, 1796, by H. Humphrey, New Bond Street
"A grotesque body of tradesmen, &c, march in close formation, with fixed bayonets. They wear military coats and crossed bandoliers with very unsoldierly foot-gear and appurtenances. Their leader (right) marches in profile to the right, a very short and fat butcher in over-sleeves wearing a feathered cocked hat above his butcher's cap, a military sash (from which hangs his steel) over an apron. He carries a banner on which St. George is killing the dragon. The front rank consists of (left to right): a cobbler wearing an apron, with the twisted shins known as cheese-cutters, and tattered stockings; a bricklayer, with thick gouty legs, a trowel thrust through his apron-string; an artist, his palette inscribed 'R.A', very thin and with a grotesquely thin neck; his toes project through a tattered boot of fashionable shape; a tailor with shears and tape-measure, a hairdresser with scissors and combs wearing a fashionable stock. On the left of this front rank a dwarfish drummer, an old campaigner with two wooden legs and one eye, beats his drum. Behind, the men recede in perspective, densely packed together."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text following title: "The French invade us, hay? Damme, who'se afraid?", Temporary local subject terms: Militias -- Trades: cobblers -- Butchers -- Tailors -- Hairdressers -- Brick-layers -- Artists -- Drummers -- Wooden legs -- Eye patches -- Banners: St. George and the dragon -- Reference to Pitt's proposal (Oct. 1796) for supplementary militia., and Mounted to 32 x 48 cm.
Publisher:
Pubd. Novr. 25, 1796, by H. Humphrey, New Bond Street
Title etched below image., Attributed to Cruikshank by George., From the Laurie & Whittle series of Drolls., Plate numbered '171' in lower left corner., Three lines of text below image: Pray Sir lay your hand on this book ... ., and Temporary local subject terms: Lawyers: justices -- Food: bacon -- Civil uniforms: epaulettes with aglets -- Male dress: aglets -- Customs: claiming the flitch of bacon.
Publisher:
Published 12th Sepr. 1796 by Laurie & Whittle, 53 Fleet Street, London
Volume 2, page 94. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Two sailors stand behind a stout woman with a mischievous look on her face and eagerly attempt to embrace her. A soldier wearing a tricorne and carrying a musket stands on the right and watches the scene. An arched passageway is visible on the wall in the background; a low pylon with chains attached is seen on the far left
Description:
Title etched below image., Sheet trimmed to plate mark., One of a set of six plates by Shepheard after Bunbury that were first published by Thomas Macklin., For a mention of the reissued set of plates published 1 January 1809 by J. Deeley, see no. 11456 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Mounted on page 94 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Jany. 10th, 1796, by Thos. Macklin, Poets Gallery, Fleet Street
