"The volunteer, full-face, stands at attention, holding a musket. He wears a grenadier's cap with the letters 'E.I.C' in place of 'G.R', and further decorated with a tea-pot. Round his shoulders is knotted a small flowered shawl. The fingers of his left hand are spread to display a large ring on the fourth finger. He wears gaiters drawn above the knee. He stands on a grassy mound; from the right margin projects the head of an elephant with raised trunk. In the background is a town with domes and spires, inscribed 'Golconda'. Two tiny figures carry a palanquin down a hill."--British Museum online catalogue
Alternative Title:
Leadenhall Volunteer dressed in his shawl
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Volunteer corps: East India Company -- Golconda, India -- Symbols: teapot -- Guns: boyonetted musket -- Elephants., and Watermark: 1794.
Publisher:
Pubd. March 8th, 1797, by H. Humphrey, Bond Street
Title from item., Sheet trimmed within plate mark., Eight lines of verse below title: Nymphs! who beneath old Lansdown's blood-stain'd Hill ..., Temporary local subject terms: Lilliputians -- Dutton, Honor (Gubbins) -- Panton, Mary (Gubbins) -- Parasols., and Watermark: I Veiledar (?).
Publisher:
Pub. June 22d 1797 by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
"The Tree of Liberty (cf. BMSat 9214), often (in fact) a pole surmounted by a bonnet-rouge, is here a pike on which is the bleeding head of Fox, the eyes covered by a cap inscribed 'Libertas'. Round the base of the pike and on a grassy mound are heaped the heads of the Foxites. The six heads at the base of the pile are (left to right): Thelwall, a little apart from the others; beside him is a paper: 'Lectures upon the Fall of the Republic by J. Thelwall' (see BMSat 8685); against his head lies the blade of a headsman's axe; Derby (in 'profil perdu'), Lauderdale, Stanhope, M. A. Taylor, and Hanger. The two central heads are Erskine and Sheridan; next the latter is Horne Tooke. Behind, and forming the apex of the pile, are the head of (?) Grey [Incorrectly identified in Wright and Evans as Wilkes. It is possible that the head here identified as Grey is Byng, and that identified as Bedford is Grey.] in profile to the left and the handsome head of (?) Bedford. In the background are clouds, and below (right) the top of a hill."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Tree of Liberty -- Foxites -- Clubs: Whig Club -- Weapons: spears -- Executioner's axe -- Allusion to Thelwall's Political Lectures.
Publisher:
Pubd. Feby. 16th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Bedford, Francis Russell, Duke of, 1765-1802, Grey, Charles Grey, Earl, 1764-1845, Tooke, John Horne, 1736-1812, and Thelwall, John, 1764-1834
Title engraved below image., Three lines of text below title: C-o-r-n-e-r. What does it spell ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Interiors: school rooms -- Schools -- School children -- School mistresses -- Architectural details: wall panelling -- Schools: Yorkshire.
Publisher:
Publish'd Jany. 1, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
"Hand-to-hand encounters between surgeons, indicated by their instruments and their old-fashioned dress, and barbers, wearing aprons and also with the tools of their trade. In the centre a barber seizes the wig and neck-cloth of his antagonist, who says: "Take care of my Wig I had it new to go down to the House". The other answers: "I ll dress your wig for you Master Bolus - you Bleed indeed - why I let as much blood for a penny, as you charge a pound for". A barber (left) bends over his prostrate victim (who cries murder murder), saying, "I'll teach you to despise Gentlemen Barbers you pitiful Pill monger." A stout well-dressed surgeon (right) raises his tasselled cane to strike a terrified and ragged barber, saying: "Ill teach you, you beggarly Scoundrel to call yourself Barber-surgeon & poking out your Damn'd Pole - when I am riding in my Chariot". The other screams "O Dear Brother Dressum youll throttle me I take in my Pole Damn the Cutting Part of the business". Behind (left), under a barber's pole from which hangs a barber's basin, a surgeon raises his cane to smite a fleeing barber. In the background two other couples are fighting. See British Museum Satires No. 9092, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Surgeons -- Barbers surgeons -- Company of Surgeons.
Publisher:
Pub. August 14, 1797, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Royal College of Surgeons in London. and Barbers Company (London, England)
"An elaborate design. The Prince of Würtemberg, grotesquely corpulent, conducts his bride in the procession (right to left) towards the bridal chamber which is led by the King and Queen. George III, plainly dressed and wearing a hat, partly concealed by a pillar, hurries forward; in each hand is a candle-stick holding a guttering candle-end (cf. BMSat 8117). The Queen, covered with jewels and her face hidden by a poke-bonnet, carries a steaming bowl of 'Posset'. On the back of the Prince's coat are slung five ribbons from which dangle the jewels of orders; three garters encircle his leg; a star decorates the bag of his wig. The Princess gazes at him from behind her fan. Round her waist is the ribbon of an order, to which is attached a jewel containing a whole length miniature of her husband, which exaggerates his corpulence. Behind the Princess is a group of princes: the Prince of Wales, in regimentals, is fat and sulky. Prince William of Gloucester stands with splayed-out feet as in BMSat 8716. The Duke of Clarence (caricatured) puts a hand on the right arm of the Prince of Wales. Behind is the more handsome head of the Duke of York. These four heads are clever juxtapositions of variations on the family features. Behind them is the grotesque profile of the Stadholder with closed eyes. The sharp features of Lady Derby tower above the Stadholder. Next him is the Princess of Wales, not caricatured. Two princesses hold up their sister's train, and, behind, a sea of feathered headdresses recedes in perspective under a lighted chandelier. Salisbury (left), the Lord Chamberlain, standing stiffly in profile to the right, much caricatured, with wand and key as in BMSat 8649, holds open the door through which the King is about to pass. Pitt, on the outskirts of the procession, carries a sack inscribed '£80,000' (the amount of the Princess's dowry). On the wall is a large picture, inscribed 'Le Triomphe de l'Amour', of an elephant with a little cupid sitting on his neck blowing a trumpet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: posset -- Furnishings: carpets -- Pictures amplifying subject: a cupid riding an elephant -- Male dress: court dress., and Mounted to 31 x 46 cm.
Publisher:
Pubd. May 18th, 1797, by H. Humphrey, 27 St. James Street
Subject (Name):
Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Salisbury, James Cecil, Marquess of, 1748-1823, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Pitt, William, 1759-1806
A scene inside a barbershop with dandies and other citizens awaiting service. The man in the barber chair looks on with horror as a chimneysweep enters the shop wtih his bag over his shoulder. On the wall is a sign "Shave for a penny" and shelves with wig boxes labeled "Aldmn. Grizzle" and "Mr. Rumfit."
Description:
Title from item., One of the series of Laurie & Whittle drolls., Three lines of text below title: A knowing young sweep, after finishing a chimney at barbers ..., Numbered '195' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Interiors: barber's shop -- Barbers -- Chimney-sweeps -- Wigs -- Signs: Shave for a penny., and Watermark (partial): Strasburg bend.
Publisher:
Published 19th August 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Barbers, Barbershops, Chimney sweeps, Signs (Notices), and Wigs
Title etched below image., One of the series of Laurie & Whittle drolls., Three lines of text below image: An impatient old gentleman was kept waiting for his dinner ..., Numbered '189' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Chop houses -- Bills of fare -- Barmaids.
Publisher:
Published 1st August 1797 by Laurie & Whittle, 53 Fleet Street, London
Title engraved below image., Five lines of text below title: Come, my dear, begin ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Interiors: cottages -- Country schools -- School children -- Farmyards -- School mistresses.
Publisher:
Publish'd Jany. 1, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
