Title from item., Sheet trimmed to plate mark., Printseller's statement following the imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: cock broth -- Lighting: candlesticks -- Dress: court dress -- Pictures amplifying subjects: Bacchus riding an elephant -- Cupid: Prince of Orange as sleeping Cupid., and Watermark: Portal & Bridges.
Publisher:
Pubd by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Pitt, William, 1759-1806, Smith-Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
Title from item., Printmaker from earlier state. See Catalogue of prints and drawings in the British Museum, v. 7, no. 9015., Sheet trimmed within plate mark., Printseller's statement following the imprint: Folios of caracatures [sic] len [sic] out for the evening., Reworked state, with an additional figure riding the elephant. Cf. No. 9015 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: cock broth -- Lighting: candlesticks -- Dress: court dress -- Pictures amplifying subjects: Bacchus riding an elephant -- Cupid: Prince of Orange as sleeping Cupid., and Matted to 47 x 62 cm.; printmaker's name printed on mat below image. Subjects identified by numbers with a key printed on mat below image.
Publisher:
Pubd by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Pitt, William, 1759-1806, Smith Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
"John Bull stands full-face, supporting a monstrous burden; he is short in proportion to his breadth by reason of the weight which presses on him, drops fall down his face; his breeches pockets, inscribed 'Empty', hang inside out. On his shoulders sits Pitt, his slim ankles crossed under John's chin. On his back, behind Pitt and extending far beyond his shoulders, is a vast burden inscribed (left): 'Subsidies - Taxes!! Taxes - More Taxes!! More Taxes!!!!'; and right: 'Subsidies - Taxes - Debt- More Money!!' On one end (left) sits Dundas, looking to the left, in Highland dress; on the other sits a schoolboy, evidently intended for Canning. On the top of the burden stand seven men, all wearing ribbons and evidently representing placemen and pensioners; they support on their hands and heads a long treasure-chest, heavily padlocked and inscribed: 'Benefices - Candle ends and Cheese Parings.' On the right and left of this sit jauntily two corpulent parsons, hands on hips. Between them, a hand on the head of each, stands, full-face, a stout and grinning bishop, with inflated lawn sleeves. His mitre forms the apex of the monstrous pyramid. Pitt turns his head in profile to the left, he and Dundas have expressions of concern; all the others appear complacent or pleased."--British Museum online catalogue
Title from caption below image., Plate from: Bridges, T. A burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book ix, page 265 in unidentified edition., Sheet trimmed to plate mark., Temporary local subject terms: Night clothes -- Candles., No. 63 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Title from caption below image., Plate from: Bridges, T. Burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book viii, page 35 in unidentified edition., Sheet trimmed to plate mark., Temporary local subject terms: Crowns., No. 66 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Title from caption below image., Plate from: Bridges, T. A burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book viii, page 35 in unidentified edition., Sheet trimmed to plate mark., Temporary local subject terms: King -- Throne -- Fear., No. 67 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
"A face, wearing a plumed military hat, looks to the right out of a ferociously spurred military jack-boot which stands in profile to the left. The back of the head is concealed by the peak of the boot, which protects the wearer's knee. ..."--British Museum online catalogue
Description:
Title etched below image., Title continues: ... and nobody can say, Mistress Cole, why did you so?, Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Literature: reference to Samuel Foote's Minor., and Watermark: Edmeads & Co.
Publisher:
Pubd. 16 Decr. 1797 by H. Humphrey, 27 St. James's Street
"An elaborate composition, divided by the arc of a rainbow which supports a woman who stands at a large dark canvas daubing at a goblin-like bearded figure intended for Titian. She holds a palette and brushes, but her paints are mixed together in an earthenware pot like those used by house - or sign-painters (as in BMSat 7770); this stands on the rainbow at her feet; an ass with the wings of Pegasus kneels to drink greedily from it. His wings are covered with words: 'Review', 'Magazines', 'Advertis[er]', 'Squib', 'Herald', 'Times', 'True Briton', 'Puff' [repeated many times], 'World', 'Morning Chronicle', 'Evening Post', 'Star', 'Sham Abuse', 'Squibbs', 'Oracle', 'Courier'. Above the canvas, and at the apex of the design, is an eagle surrounded with flames, and the centre of rays which illuminate black clouds in the upper part of the print; in its claws is a scroll: 'Venetian. Manuscript'. The artist is poised on high-heeled shoes, her quilted petticoat is ragged, but from her waist hangs a vast train which drapes the rainbow and terminates in peacock's feathers. This is held up by three naked Graces. Along the rainbow is etched: 'redeunt Titianica regna, jam nova progenies coelo demittitur alto'. Part of a reflected rainbow issues from the painting on the canvas, with a fainter version of the inscription '. . . va pro[gen]ies . . . demittitur alto', letters being concealed by the hair of the artist and by a flamboyant winged figure seated on the rainbow; he blows his trumpet, from which issue the words: 'You little Stars, hide your diminish'd Head[s].' These words terminate in thick clouds from which five stars fall like meteors, leaving trails inscribed: 'Rubens', 'Correggio', 'Michael Angelo', 'Raphael', 'Parmegiano'. Beneath the rainbow is a paved floor. In the foreground (left) the head and shoulders of (the ghost of) Sir Joshua Reynolds emerge, pushing up one of the stones; he is draped in a shroud, but wears spectacles; in his right hand is his ear-trumpet, his left is raised admonishingly ..."--British Museum online catalogue
Alternative Title:
Seven-wise-men consulting the new Venetian oracle
Description:
Title etched below image., Text above image: Ah! ha! Ah! ha! Messrs. Van-Butchell! Ireland! Charles! Lane & Lackington! What are you now? ah! ha! ah! ha! ha! ha! ha!!!, Sheet trimmed within plate mark., and Matted to 72 x 56 cm.
Publisher:
Pubd. Novr. 2d, 1797, by H. Humphrey, St. James's Street
"Count Haslang sits alone in profile to the left at a small oblong table on which is a decanter. He holds a wineglass in his right hand; his left is slightly raised as if gesticulating, in response to some person (not depicted) at whom he looks sourly. He wears a star and ruffled shirt."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Coffee houses: Stevens's -- Count Haslang, fl. 1797.
Publisher:
Pubd. June 9th, 1797, by H. Humphrey, 27 St. James's Street
