Pitt as a peepshow man stands in front of his box while John Bull, drawn here as a simpleton, looks inside. Pitt pulls a string on the box with his right hand and with his left hand pulls a bag from John Bull's pocket. Slung over John Bull's shoulder is a trumpet with a fringed a banner decorated with the royal arms. The flag above Pitt's pagoda-like box reads: "Licensed by authority the Grand Exhibition by moving mecanism or deception of the senses."
Alternative Title:
Billy's raree-show or John Bull enlighten'd, John Bull enlightened, and Billy's rare-show
Description:
Title from item., Attributed to Ansell. Cf. Catalogue of prints and drawings in the British Museum, v. 7, no. 9030., A preliminary drawing for print entitled Billy's raree-show or John Bull enlighten'd? Date of production inferred from the publication date of the etching., and Paper that has been oiled possibly to be translucent for the transfer process. Edges are tattered with old folds in the corners.
Subject (Geographic):
England.
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
Anglo-French War, 1793-1802, John Bull (Symbolic character), and Peepshows
"A stout officer sits on a charger in profile to the left, his head turned from the spectator, his right arm outstretched, holding a cane, as if directing manoeuvres."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: officers' uniforms (Guards) -- Sir Harry Burrard, 1755-1813, or John Reid, 1721-1807.
Publisher:
Pubd. Novr. 15th, 1797, by H. Humphrey, 27 St. James's Street
Title from item., Sheet trimmed within plate mark., Printseller's statement following imprint: NB. Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: French military uniforms: Bonaparte & soldiers., Mounted to 37 x 47 cm., matted to 47 x 62 cm.; printmaker's and subjects' names printed on mat below image., and Watermark.
Title from caption below image., Plate from: Bridges, T. A burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being from book xi, page 149 in unidentified edition., Sheet trimmed to plate mark., No. 64 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
"Miss Farren (left) sits at her dressing-table, contemplating with rapt admiration an earl's coronet on a wig-block which is a caricature of Lord Derby's head. The voluminous draperies of her dress define a thin and angular figure, with a long thin neck. At her feet is an open book: 'Tabby's Farewell to the Green Room'; near it is a torn paper: 'Elegy to the Memory of an Unfortunate Lady. How Lov'd how valued once avails thee not To whom Related or by whom Begot.' A pad for inflating the figure (cf. BMSat 8388, &c.) lies across a stool (right). A 'Genealogical Chart of British Nobility' hangs from the dressing-table; the tree issues from the recumbent figure of 'Willm Conqr'; on it lies a small-tooth comb beside which is an insect. Behind Miss Farren are the closed curtains of an ornate bed, whose valance is decorated with the cap of Libertas and the words 'Vive la Egalite'. On the wall hangs a 'Map of the Road from Strolling Lane to Derbyshire Peak'; the places, from S. to N., are: 'Strolling Lane', 'Beggary Corner', 'Servility Place', 'Old Drury Common', 'Affectation Lane', 'Insolence Green', 'Fool-Catching Alley', 'Derbyshire Peak viz Devils Ar.' A jewel-box, bottles, &c, are on the dressing-table, some inscribed: 'Bloom de Ninon', 'For Bad Teeth', 'Cosmetick', 'For the Breath'. On the ground, under the valance of the table, is a large bottle of 'Holland[s]'. After the title: '"A Coronet! - O, bless my sweet little heart! - ah, it must be mine, now there's nobody left to hinder! - and then - hey, for my Lady Nimminney-pimmenney! [see BMSat 8888] - O, Gemmini! - no more Straw-Beds in Barns; - no more scowling Managers! & Curtsying to a dirty Public! - but a Coronet upon my Coach; - Dashing at the Opera! - shining at the Court! - O dear! dear! what I shall come to!'"--British Museum online catalogue
Description:
Title etched below image., Printmaker's signature is repeated, the second signature located below lower right margin of design and in a slightly different form: Js. Gy. inv. & ft., Additional publication line, with slightly earlier date, is etched below lower left margin of design: Pubd. March 20th, 1797, by H. Humphrey, Bond Street & St. James's Street., Sheet trimmed within plate mark., and Temporary local subject terms: Hat-stands -- Mirrors -- Coronets: earl's coronet -- Cosmetics -- Pincussions -- Female dress: cork rumps -- Genealogy: British nobility -- Maps: satiric map of Derbyshire -- Allusion to Derbyshire -- Allusion to the Green Room -- Spirits: Hollands gin -- Boxes: jewelry boxes -- Furniture: stools -- Furnishings: bed curtains -- Emblems: bonnet rouge -- Elegies.
Publisher:
Pubd. March 25th, 1797, by H. Humphrey, New Bond Street & St. James's Street
Subject (Name):
Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829 and Smith-Stanley, Edward, 1752-1834
"A small ugly man rides a galloping horse in profile to the left, his leg thrust forward. He wears spectacles, his complexion is dark. There is a background of grass and trees, and in the distance a building with a pediment, evidently the new Knightsbridge Barracks (see 'Gent. Mag.', July 1797, p. 545, pl.)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: Vide Hyde Park., Sheet trimmed within plate mark., Temporary local subject terms: Horseback riding -- Buildings: Knigthsbridge Barracks., and Watermark: Turkey Mills / J Whatman.
Publisher:
Pubd. June 5th, 1797, by H. Humphrey, 27 St. James's Street
Title from item., Sheet trimmed within plate mark, resulting in loss of second imprint below verse., Eight lines of verse in two columns below title: O love! What a Proteus thoug art! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in Joseph Grego's Rowlandson the caricaturist. London, Chatto and Windus, 1880., and Temporary local subject terms: Couples -- Farmers -- Male dress: smock.
Title from item., Publication date from Grego., Sheet trimmed within plate mark at bottom., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Clowns -- Magic lantern shows.
[16 February 1797] and [printed approximately 1828]
Call Number:
797.02.16.02++
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Restrike. Date of printing based on watermark., Publisher's advertisement following imprint: Folio's of caracatures [sic] lent out for the eveng., Design consists of eight groups of figures in two rows, with lines of dialogue etched above each group., Companion print to: The days we live in!!, Plate numbered in upper right corner: Vol. 2, pl. 13., and Watermark: J. Whatman 1828.
Publisher:
Pubd. Feby. 16th, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
"Lord Kenyon (left), in wig and robes, flogs with great vigour the scarred back of Lady Buckinghamshire, whose wrists are tied to the back of a cart. He has a scourge in the right hand, a birch-rod in the left; from his pocket issues a paper: 'Laws against Gambling'. His head is in back view. His fat victim wears a feathered turban and fashionably dressed hair; her profile and gestures indicate shrieking protest. The horse plods (left to right) away from the spectator. On a pitchfork lashed to the cart is a placard: 'Faro's Daughter's Beware'. Behind is a crowd, divided between those (right) who watch the cart, grinning, in front of whom stands a constable with his staff, and those in back view who surround a pillory in which stand two ladies, closely confined, under a rain of missiles flung by the mob. Both wear feathers in their hair, one (left) has a profile somewhat resembling that of Lady Archer, but is perhaps Lady Elizabeth Luttrell; the other is probably Mrs. Concannon."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., and Temporary local subject terms: Vehicles: carts -- Punishment: flogging -- Scourge -- Birch-rod -- Pillory -- Constables -- Judges -- Reference to gambling -- Mrs. Concannon, fl. 1797 -- Lady Elizabeth Luttrell, d. 1799 or Sarah, Baroness Archer (1741-1801).
Publisher:
Pubd. March 25th, 1797, by H. Humphrey, New Bond & St. Jamess [sic] Street
