Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[12 September 1797] and [printed ca. 1821]
Call Number:
797.09.12.01++
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Artist from British Museum cata+logue., Date of printing based on watermark., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Design consists of six groups of figures in two rows, with lines of dialogue etched above each group., Temporary local subject terms: Mrs. Damer?, and Watermark: Fellows & Sons 1821.
Publisher:
Pubd. Sepr. 12th, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Title etched below image., Plate from: Bridges, T. A burlesque translation of Homer. London, 1797?, Manuscript annotation citing illustration as being the frontispiece in unidentified edition., Sheet trimmed to plate mark., No. 57 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
"Captain Morris (left) sits in profile to the right, singing from a broadside which he holds out in his left hand: 'A new Song to the Tune of the Plenipoy'. In his right hand is a full glass. He wears a round hat and fashionable half-boots; his coat, breeches, and stockings are tattered. From his pocket projects a pamphlet: 'Captain Morris's Songs by Subscription' (cf. BMSat 9240). Fox and Sheridan sit on opposite sides of a small round table, on which is a decanter of 'Brandy'. Sheridan, left, with Bardolph's fiery face, cf. BMSat 7528, &c, holds his glass and looks delightedly at Morris, as does Fox (as Falstaff), who says: "Come sing me a Boosey-Song, [A misquotation from 'I Henry IV', III. iii, where Falstaff says, "Come, sing me a bawdy song; make me merry."] to make me merry". Part of the face of a fourth man appears on the right."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Furniture: chairs -- Wine bottle and glasses -- Spirits: brandy -- Literature: Shakespeare's Henry IV, Part I -- Allusion to the secession of the Opposition.
Publisher:
Pubd. June 16th, 1797, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Morris, Charles, 1745-1838
"Portrait after a drawing by Lawrence; bust-length to front, head turned in three-quarter profile to look right, wearing a short wig curled at the sides."--British Museum online catalogue, registration no.: Q,2.58.
Description:
Title etched below image., Proof state, with scratch lettering and lacking engraved frame. For later state, see the Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 3, p. 377., and Sheet trimmed within plate mark.
"Portrait after a drawing by Lawrence; bust-length to front, head turned in three-quarter profile to look right, wearing a short wig curled at the sides."--British Museum online catalogue, registration no.: Q,2.58.
Description:
Title etched below image., Proof state, with scratch lettering and lacking engraved frame. For later state, see the Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 3, p. 377., Sheet trimmed within plate mark., 1 print : stipple engraving with roulette on wove paper ; sheet 37.4 x 24.8 cm., Sheet trimmed within plate mark on three sides., and Inscribed in ink at bottom of sheet, in Mary Berry's hand: To Lord Sheffield from M. & A. Berry.
"Portrait after a drawing by Lawrence; bust-length to front, head turned in three-quarter profile to look right, wearing a short wig curled at the sides."--British Museum online catalogue, registration no.: Q,2.58.
Description:
Title etched below image., Proof state, with scratch lettering and lacking engraved frame. For later state, see the Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 3, p. 377., Sheet trimmed within plate mark., 1 print : stipple engraving with roulette on wove paper ; sheet 34.2 x 25.7 cm., Sheet trimmed within plate mark on three sides., Inscribed in ink at bottom of sheet, in Mary Berry's hand: To Mr. Bull from M. & A. Berry., and Pencil annotation in lower left corner, in Richard Bull's hand: Only 60 proofs were taken off.
Volume 1, page 1. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait after a drawing by Lawrence; bust-length to front, head turned in three-quarter profile to look right, wearing a short wig curled at the sides."--British Museum online catalogue
Description:
Title from text below image, within engraved border., Attribution to William Evans (as opposed to the stated "T. Evans") and date of publication from the signature "Wm. Evans sculpt. 1797" on proof state. See Lewis Walpole Library call no.: Portraits W218 no. 4., Sheet trimmed within plate mark., and Mounted on page 1 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[27 May 1797]
Call Number:
797.05.27.07 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
A grotesque demon-like figure looks toward the viewer with terror in his huge eyes; his left thumb in his mouth. In front of him is a raging fire in a pot and a snake with a barbed tongue and sharp teeth who raises its head towards the demon's right arm. Below the pot are two lines: Let thy eyes, little saucers be, Frigthen all the world but me!
Description:
Title etched above image., Numbered 'Plate 5' in upper left corner., Plate from: Woodward, G.M. Olio of good breeding. London : Printed for the author, [1797]., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. May 27, 1797, by G.M. Woodward, Berners Street
A family of peddlers camp beside the road. A boy sleeps while an old woman heats a cauldron over an open fire. A man standing beside a donkey leans on a walking stick
Description:
Title etched above image., Sheet trimmed to plate mark on top, bottom and right side., Numbered 'Plate 97' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales, by G.M. Woodward, 1796., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Plate 71 to 'Eccentric Excursions, or. Literary & Pictorial sketches of Countenance, Character and Country, in ..... England & South Wales'. Four stage-coach interiors as above. The occupants, by holding the straps by the windows or above the seats, and planting their feet in different positions, are taking the best means to protect themselves against the four types of jolt depicted in BMSat 9133."--British Museum online catalogue
Description:
Title etched above image., Numbered 'Plate 71' in upper left corner., and Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796.
