"Bust portraits of seven leaders of the Opposition, each with his almost identical double, arranged in two rows, with numbers referring to notes below the title. The first pair are Fox, directed slightly to the left, and Satan, a snake round his neck, his agonized scowl a slight exaggeration of Fox's expression; behind them are flames. They are 'I. The Patron of Liberty, Doublûre, the Arch-Fiend' (cf. BMSats 6383, 9263, &c). Next is Sheridan, with bloated face, and staring intently with an expression of sly greed; his double clasps a money-bag: 'II. A Friend to his Country, Doubr Judas selling his Master'. The Duke of Norfolk, looking to the right, scarcely caricatured, but older than in contemporary prints. His double, older still, crowned with vines, holds a brimming glass to his lips, which drip with wine: 'III. Character of High Birth, Doubr Silenus debauching' (cf. BMSat 8159). (Below) Tierney, directed to the right, but looking sideways to the left: 'IV. A Finish'd Patriot, Doubr The lowest Spirit of Hell.' Burdett, in profile to the right, with his characteristic shock of forward-falling hair, trace of whisker, and high neck-cloth, has a raffish-looking double with similar but unkempt hair: 'V. Arbiter Elegantiarum, Doubr Sixteen-string Jack' [a noted highwayman]. Lord Derby, caricatured, in profil perdu, very like his simian double, who wears a bonnet-rouge terminating in the bell of a fool's cap: 'VI. Strong Sense, Doubr A Baboon.' The Duke of Bedford, not caricatured, and wearing a top-hat, has a double wearing a jockey cap and striped coat (see BMSat 9380): 'VII. A Pillar of the State, Doubr A Newmarket Jockey'."--British Museum online catalogue
Alternative Title:
Striking resemblances in phisiognomy
Description:
Title etched below image., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 612., Sheet trimmed within plate mark., and Temporary local subject temrs: Judas -- Highwaymen: Sixteen-String Jack -- Jockeys.
Publisher:
Publish'd Novr. 1st, 1798, by J. Wright, Piccadilly, for the Anti Jacobin review
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, and Bedford, Francis Russell, Duke of, 1765-1802
"Bust portraits of seven leaders of the Opposition, each with his almost identical double, arranged in two rows, with numbers referring to notes below the title. The first pair are Fox, directed slightly to the left, and Satan, a snake round his neck, his agonized scowl a slight exaggeration of Fox's expression; behind them are flames. They are 'I. The Patron of Liberty, Doublûre, the Arch-Fiend' (cf. BMSats 6383, 9263, &c). Next is Sheridan, with bloated face, and staring intently with an expression of sly greed; his double clasps a money-bag: 'II. A Friend to his Country, Doubr Judas selling his Master'. The Duke of Norfolk, looking to the right, scarcely caricatured, but older than in contemporary prints. His double, older still, crowned with vines, holds a brimming glass to his lips, which drip with wine: 'III. Character of High Birth, Doubr Silenus debauching' (cf. BMSat 8159). (Below) Tierney, directed to the right, but looking sideways to the left: 'IV. A Finish'd Patriot, Doubr The lowest Spirit of Hell.' Burdett, in profile to the right, with his characteristic shock of forward-falling hair, trace of whisker, and high neck-cloth, has a raffish-looking double with similar but unkempt hair: 'V. Arbiter Elegantiarum, Doubr Sixteen-string Jack' [a noted highwayman]. Lord Derby, caricatured, in profil perdu, very like his simian double, who wears a bonnet-rouge terminating in the bell of a fool's cap: 'VI. Strong Sense, Doubr A Baboon.' The Duke of Bedford, not caricatured, and wearing a top-hat, has a double wearing a jockey cap and striped coat (see BMSat 9380): 'VII. A Pillar of the State, Doubr A Newmarket Jockey'."--British Museum online catalogue
Alternative Title:
Striking resemblances in phisiognomy
Description:
Title etched below image., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 612., Sheet trimmed within plate mark., Temporary local subject temrs: Judas -- Highwaymen: Sixteen-String Jack -- Jockeys., and 1 print on wove paper : mixed method ; sheet 26 x 36 cm., mounted to 31 x 41 cm.
Publisher:
Publish'd Novr. 1st, 1798, by J. Wright, Piccadilly, for the Anti Jacobin review
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, and Bedford, Francis Russell, Duke of, 1765-1802
Title engraved above image., Printmaker identified from the original drawing in the Huntington Library., Plate numbered '224' in lower left corner., Two columns of the first stanza of the song printed below title: Drink to me only with thine eyes, And I will pledge with mine ..., From Laurie and Whittle series of drolls., and Temporary local subject terms: Glass: decanters -- Female dress: fans -- Pictures amplifying subject: Cupid -- Furniture: slip-covered chairs -- Furnishings: carpet -- Literature: To Celia, by Ben Johnson (1572-1637).
Publisher:
Published 4th Jany. 1799 by Laurie & Whittle, 53 Fleet Street, London
"The Duke of Norfolk walks (right to left) in round-shouldered dejection immediately before two Grenadiers, one, Pitt, beating a drum, the other (? Windham) playing a fife. On his back is a placard: 'Washington \ 2000 Men \ make the \ Application. \ Champion of \ Liberty. \ Sovereign \ Majesty. \ People & &.' In front of him Dundas marches stiffly, holding a pike; he wears tartan with a plaid and feathered hat, with advocate's wig and bands. In the background (left) are two spectators: Fox, full-face, his handkerchief to his eye, and Sheridan, turning towards him with a monitory forefinger. From a window on the extreme right looks the King, a telescope to his eye, saying: "Drum away, Billy!! I wish they were all drummd out!!""--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: Grenadiers' uniform -- Spying glasses -- Drummers -- Signs: placards.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Str
Subject (Name):
George III, King of Great Britain, 1738-1820, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Bishop of Durham strides across the footlights on to the stage, his left foot on the shoulder of one of the orchestra below. He wears a mitre and holds his crosier in both hands, as if to attack four danseuses holding garlands of roses who pirouette derisively. He says: "Avaunt the Satan, I fear the not assume whatever shape or form thou wilt I am determined to lay the thou black Fiend." The heads of some of the orchestra appear behind his left leg. A profile head on the extreme left says "Thats right down with them". Against the wall (left) are a carved satyr and a playbill: 'The Divil of a Lover - Hes much tlame' [to blame] and 'Peeping Tom' (by O'Keefe, 1784). The first was a musical farce played once only on 17 Mar. 1798, the second was first played on 13 Feb. 1798. Genest, vii. 360, 361."--British Museum online catalogue
Alternative Title:
Durham mustard too powerful for Italian capers, or, The opera in an uproar and Opera in an uproar
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue of a plate originally published ca. March 1798 by J. McQuire; original imprint statement has been scribbled over with etched lines and Tegg's imprint statement added below it. See British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Sheet trimmed to plate mark on bottom edge., Watermark: Basted Mill., and Leaf 62 in volume 1.
Title from item., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., and Temporary local subject terms: Clergy: bishops -- Dancers --Female dress: petticoats -- Female dress: stays -- Tools: measuring stick.
Publisher:
Pubd. March 19th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Barrington, Shute, Bishop of Durham, 1734-1826 and Porteus, Beilby, 1731-1809
Title etched below image., Attributed to Richard Newton on unverified card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Lewis Walpole prints 798.03.14.01: Sheet trimmed within plate mark at bottom resulting in loss of part of title. Remainder of title transcribed from the Library of Congress record (cf. LC PC 3 - 1798).
"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
Title etched below image; the word "bookseller" is scored through and the word "blacksmith" is etched above, inserted with a caret., Printmaker from British Museum catalogue., Text following imprint: Price 6 d., for the benefit of the Philanthropic Society., One line of text below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., Sheet trimmed to plate mark on bottom edge., and Temporary local subject terms: Interiors: Bow Street Court -- Emblems: scales of Justice -- Blacksmith's tools -- Bundle of books -- Porter's knot.
"French soldiers, who have just landed, are being bayoneted and ridden down by English troops. They flee in terror-stricken confusion. Among the Englishmen are yokels with pitchforks. Three Frenchmen, dead or painfully dying, lie in the foreground ; beside them is a drum. The scene is a grassy slope leading to the sea, where distant ships are in action and where four French troop-carrying rafts, cf. BMSat 9160, are foundering. Tiny figures flee into the sea (right)."--British Museum online catalogue
Alternative Title:
Frenchmen naturalized
Description:
Titles etched below image., Sheet trimmed to plate mark on top and bottom edges., Temporary local subject terms: Invasions: French invasion., Watermark: 1794., and Mounted to 34 x 44 cm.
Publisher:
Pub. March 16, 1798, at Ackermann's Gallery, No. 101 Strand
Title from item., Printmaker identified from the original drawing in the Huntington Library., From Laurie and Whittle series of drolls., Two columns of verse below image: Smoak [sic] is the order of the night, this a tete a tete enjoyment , but smoaking is my friends delight / When he has no great employment ..., Plate numbered '222' in lower left corner., and Temporary local subject terms: Furniture: table -- Lighting: chandelier -- Dishes: tankards.
Publisher:
Published August 21st 1798 by Laurie & Whittle, 53 Fleet Street, London
