"The Duke of Norfolk walks (right to left) in round-shouldered dejection immediately before two Grenadiers, one, Pitt, beating a drum, the other (? Windham) playing a fife. On his back is a placard: 'Washington \ 2000 Men \ make the \ Application. \ Champion of \ Liberty. \ Sovereign \ Majesty. \ People & &.' In front of him Dundas marches stiffly, holding a pike; he wears tartan with a plaid and feathered hat, with advocate's wig and bands. In the background (left) are two spectators: Fox, full-face, his handkerchief to his eye, and Sheridan, turning towards him with a monitory forefinger. From a window on the extreme right looks the King, a telescope to his eye, saying: "Drum away, Billy!! I wish they were all drummd out!!""--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: Grenadiers' uniform -- Spying glasses -- Drummers -- Signs: placards.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Str
Subject (Name):
George III, King of Great Britain, 1738-1820, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Bishop of Durham strides across the footlights on to the stage, his left foot on the shoulder of one of the orchestra below. He wears a mitre and holds his crosier in both hands, as if to attack four danseuses holding garlands of roses who pirouette derisively. He says: "Avaunt the Satan, I fear the not assume whatever shape or form thou wilt I am determined to lay the thou black Fiend." The heads of some of the orchestra appear behind his left leg. A profile head on the extreme left says "Thats right down with them". Against the wall (left) are a carved satyr and a playbill: 'The Divil of a Lover - Hes much tlame' [to blame] and 'Peeping Tom' (by O'Keefe, 1784). The first was a musical farce played once only on 17 Mar. 1798, the second was first played on 13 Feb. 1798. Genest, vii. 360, 361."--British Museum online catalogue
Alternative Title:
Durham mustard too powerful for Italian capers, or, The opera in an uproar and Opera in an uproar
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue of a plate originally published ca. March 1798 by J. McQuire; original imprint statement has been scribbled over with etched lines and Tegg's imprint statement added below it. See British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Sheet trimmed to plate mark on bottom edge., Watermark: Basted Mill., and Leaf 62 in volume 1.
Title from item., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., and Temporary local subject terms: Clergy: bishops -- Dancers --Female dress: petticoats -- Female dress: stays -- Tools: measuring stick.
Publisher:
Pubd. March 19th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Barrington, Shute, Bishop of Durham, 1734-1826 and Porteus, Beilby, 1731-1809
Title etched below image., Attributed to Richard Newton on unverified card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Lewis Walpole prints 798.03.14.01: Sheet trimmed within plate mark at bottom resulting in loss of part of title. Remainder of title transcribed from the Library of Congress record (cf. LC PC 3 - 1798).
"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
Title etched below image; the word "bookseller" is scored through and the word "blacksmith" is etched above, inserted with a caret., Printmaker from British Museum catalogue., Text following imprint: Price 6 d., for the benefit of the Philanthropic Society., One line of text below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., Sheet trimmed to plate mark on bottom edge., and Temporary local subject terms: Interiors: Bow Street Court -- Emblems: scales of Justice -- Blacksmith's tools -- Bundle of books -- Porter's knot.
"French soldiers, who have just landed, are being bayoneted and ridden down by English troops. They flee in terror-stricken confusion. Among the Englishmen are yokels with pitchforks. Three Frenchmen, dead or painfully dying, lie in the foreground ; beside them is a drum. The scene is a grassy slope leading to the sea, where distant ships are in action and where four French troop-carrying rafts, cf. BMSat 9160, are foundering. Tiny figures flee into the sea (right)."--British Museum online catalogue
Alternative Title:
Frenchmen naturalized
Description:
Titles etched below image., Sheet trimmed to plate mark on top and bottom edges., Temporary local subject terms: Invasions: French invasion., Watermark: 1794., and Mounted to 34 x 44 cm.
Publisher:
Pub. March 16, 1798, at Ackermann's Gallery, No. 101 Strand
Title from item., Printmaker identified from the original drawing in the Huntington Library., From Laurie and Whittle series of drolls., Two columns of verse below image: Smoak [sic] is the order of the night, this a tete a tete enjoyment , but smoaking is my friends delight / When he has no great employment ..., Plate numbered '222' in lower left corner., and Temporary local subject terms: Furniture: table -- Lighting: chandelier -- Dishes: tankards.
Publisher:
Published August 21st 1798 by Laurie & Whittle, 53 Fleet Street, London
Reduced copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar without "Whitfield" etched on it echoes the preacher
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery & ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, & on the same piece of copper engraved the plate which is copied on the opposite page., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., "Page 233"--Above image, right., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
Publisher:
Published March 1798 for John Ireland, Poets Corner, Palace Yard
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Signs: milestones -- Coachmen -- Travellers -- Vehicles: gigs., and Watermark: Edmeads & Pine 1794.
Publisher:
Pubd. Jan. 15th, 1798, by S.W. Fores, 50 Piccadilly
