"Bonaparte (right) sits at a small table writing with fierce decision; the second and third consuls sit facing him, biting their pens in pompous indecision, their papers are blank. The latter wear the flamboyant dress of the Directors (see BMSat 9199), Cambacéiès (left) has thick gouty legs. Bonaparte wears similar dress, but with a more fantastic cocked hat, in which, besides enormous feathers, is a large sheaf of olive-branches tied with tricolour (symbol of his overture to George III, see BMSat 9512); he wears jack-boots and a large sabre inscribed 'Liberté'. He writes the 'Nouvelle \ Constitution \ Grand Consul Buonaparte \ Tout en Tout Buonaparte \ Bu . . .' Beside him are papers docketed: 'Constitution pour l'Avenir: Buonaparte Grande Monarque' and 'Confiscations'. On the ground are torn papers: 'Vielles Constitutions'; 'Droit [de] l'Homme'; his foot rests on 'Constitution of 1793'. Behind, Sieyès, a lean grotesque savant, holds apart with both hands, with a violence that suggests impotence, a curtain which stretches across the design, revealing papers in pigeon-holes inscribed: 'Constitution de Parade', 'Constitution du Sang', 'Constitution de Foutre', 'Constitution de Despotism', 'Constitution de Vol[eur?]'. Above them is a model of a guillotine. Above the curtain is a festoon of tricolour, inscribed 'Vive le Constitution Une et Invisible', centred by crossed blunderbusses. The tablecloth is looped up to show a group of tiny fire-lit demons forging fetters. Beneath the design: 'The above are true Likenesses of Cambaceres, - Le-Brun - the Abbé Seiyes, and Buonaparte, drawn at Paris Novr 1799'. All are caricatured, but Bonaparte less than the others."--British Museum online catalogue
Alternative Title:
French consular triumvirate settling the new constitution
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Constitutions: reference to 1793 French Constitution -- Statesmen: French consuls -- Reference to hell -- Emblems: shackles -- Furniture: chairs -- Cabinet with pigeon holes -- Writing implements: inkstand -- Emblems: olive branches -- Male dress: cocked hats -- Jack boots -- Models: guillotine.
Publisher:
Publish'd Jany. 1st, 1800, by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Cambacérès, Jean Jacques Régis de, 1753-1824, Lebrun, Charles-François, duc de Plaisance, 1739-1824, and Sieyès, Emmanuel Joseph, comte, 1748-1836
"A winding river flows (left to right) towards a hill in the background surmounted by a temple of Fame. In the foreground (left) is a 'Dunghill of Republican Horse Turds'; in the stream float turds from the dunghill, while farther up are golden apples, crowned and inscribed. The foremost is 'English-Pippin', close behind are 'Imperial-Pippin' and 'Russian-Pippin'; they are followed by a (turbaned) 'Turkish-Pippin' and a small 'Neapolitan' [Pippin]. From a mass of floating dung emerges the profile head of Bonaparte, wearing a feathered cocked hat inscribed 'First Horse Turd'; this is the central and dominating object in the river; from his mouth issues a large label: 'A ha! par ma foi - how We Apples Swim!' Lumps of dung close behind him are inscribed 'Second Horse Turd' [Cambacérès], 'Third Horse Turd' [Lebrun], and 'Seyes' [sic]. They are followed by 'Massena', 'Jourdan', 'Talleyrand'. Bonaparte swims between 'Spanish-Pippin' and 'Prussian-Pippin', both in proximity to dung. Behind him float 'Papal P[ippin]', a triple crown, and 'Sardinian [Pippin]', both half submerged. Under water are submerged (or dead) turds: 'Robespierre', 'Marat', 'Condorcet', 'Roland'. A spreading column of thick smoke arises from the dunghill, which is composed of inscribed fragments, from which in the left foreground tiny heads emerge, the dominant one being Fox, who says: "Caira! Caira! - chacun à son tour! We shall all Swim in our turns"; next him is 'Envy'. Tierney, the second head, says: "Yes! Yes! - none of Us was born to be Drowned". The others are Sheridan, Nicholls, Erskine, and (slightly smaller) Burdett, Derby, Taylor. Those indicated by names only are: 'Voltaire', 'Rosseau' [sic], 'd'Alembert', 'Godwin', 'Price', 'Priestley', 'Holcroft', '(?) Darwin', close to (scarcely legible) 'Mo[rning] Po[st]', 'Morn. Chronicle', 'Courier [see BMSat 9194]. Larger turds are: 'Atheism', 'Falshood', 'Regicide', 'Egalité', 'Disappointment', 'Beggary', 'Poverty', 'Plunder', 'Paines Rights of Man' [see BMSat 7867, &c], 'Republican Faith', 'Theophilanthropy' [see BMSat 9240], 'Deceit [twice]', 'Lies', 'Licentiousness', 'Hypocrisy'."--British Museum online catalogue
Alternative Title:
Buonaparte among the golden pippins
Description:
Title etched below image., Two lines of text below title: Explanation. Some horse turds being washed by the current from a neighbouring dunghill, espied a number of fair apples swimming up the stream ..., Sheet trimmed within plate mark., and Temporary local subject terms: Reference to Second Coalition, 1798-1801-- Opposition: members of the Opposition -- Allusion to Voltaire -- Allusion to Rousseau -- Allusion to Paine's The Rights of Man -- Allusion to Robespierre -- Allusion to Marat -- Emblems: pippins.
Publisher:
Pubd. Feby. 24th, 1800, by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, Taylor, Michael Angelo, 1757-1834, Nicholls, John, 1745?-1832, Erskine, Thomas Erskine, Baron, 1750-1823, Burdett, Francis, 1770-1844, and Smith-Stanley, Edward, 1752-1834
Title from item., Attributed to Cruikshank in British Museum catalogue., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., Temporary local subject terms: Speeches: C.J. Fox's speech on October 10, 1800 -- Interiors: tavern -- Taverns: King's Head , London -- Jews -- Chimney-sweeps -- Butchers -- Barbers -- Waggoners -- Dustmen -- Dogs: mastif -- Dishes: pewter tankards., and Watermark.
Title engraved below image., Publication information from periodical for which the plate was etched., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1800, v. 5, page 252., Reduced copy of a print of the same title by Cawse after Woodward, published by Hixon on 27 January 1800. See No. 9511 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Numbered 'No. VII' in upper right corner., Temporary local subject terms: Interiors: House of Commons -- Opposition: return to Parliament., and Mounted to 29 x 34 cm.
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Dundas, Henry, 1742-1811, and Great Britain. Parliament. House of Commons,
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in Rowlandson the caricaturist by Joseph Grego., and Temporary local subject terms: Interiors: The Horse Armory -- Displays: The Line of Kings -- Guided tours -- Armor -- Beefeaters -- Military uniforms.
Publisher:
Pubd Jany 1st, 1800, by R. Ackermann, No. 101 Strand
Title from item., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: schoolroom -- Furniture: teachers' desks -- Fool's cap -- House of Commons as a schoolroom -- Reference to Fox's return to Parliament., and Mounted to 29 x 43 cm.
Publisher:
Publishd Febry. 7th, 1800, by S.W. Fores, Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, and Burdett, Francis, 1770-1844
A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below and Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible
Alternative Title:
Rehearsal of the Oratorio of Judith and Emblematic print on the South Sea
Description:
Titles engraved below images., Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806, Rehearsal of the Oratorio of Judith: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127., Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130., and Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.
Publisher:
Published by G.G. & J. Robinson, Paternoster Row
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Wilkes, John, 1725-1797., South Sea Company., and Great Britain. Parliament
Subject (Topic):
Dandies, British, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, Theaters, Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
Returning from the review on the fourth of June, 1800
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent., and Temporary local subject terms: Weather: downpour -- Reference to review of volunteer corps in Hyde Park, June 4, 1800 -- Umbrellas -- Quizzing glasses -- Male dress, 1800: pantaloons -- Female dress, 1800.
Title from item., Plate numbered '41' in lower right corner., Two lines of text below title: A number of disputes having arisen in the beau monde respecting the exact situation of the ladies indispensibles ..., State with a plate number added, Cf .No. 9577 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Interiors: milliner's shop -- Trades: milliners -- Female dress: undergarments -- Placards: Magazin de Lancastre.
Publisher:
Pubd Feby 12th, 1800, by H. Humphrey, 27 St. James's Street
Leaf 38. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A group of men standing outside an inn with the sign of the 'Bugle horn'. One, wearing a broad-brimmed hat, holds in his left hand a paper inscribed 'Courier / Dispatch [?]... / Stocks'. His right forefinger is extended as if laying down the law to his companions. On his right stands a man holding his chin with an expression of deep thought. Next to him (left) is an artisan, listening intently, his breeches unfastened at the knee, his stockings ungartered; he holds a short hammer and is probably a shoemaker. Behind (right) a man wearing a waistcoat over a ruffled shirt, but no coat, lounges against the stump of a tree and listens open-mouthed. On the top of the stump is an open dish of food which a dog is eating."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, published ca. 1800-1827, see British Museum online catalogue, registration no.: 1948,0214.545., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Four lines of verse in two columns below title: The rabble gather round the man of news ..., Copy of a plate engraved by James Bretherton after a design by Bunbury. Cf. No. 5086 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 38 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
