V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A slim young man, fashionably dressed, stands chapeau-bras, with clasped hands, facing a gouty invalid; he says: "Stand at ease". The invalid, wearing a night-cap, sits in an armchair, his swathed and gouty legs on a stool, his hands and fore-arms also covered with wrappings. He answers, his face distorted with pain, "Yes - its very fine talking - but if you had such a Confounded Gout, as I have young man You'd find it d----d difficult to sit at ease"."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Reissue by Tegg of a plate first published ca. 1803(?) by Piercy Roberts. Roberts's imprint is mostly obscured with etched lines but is still partially legible. See British Museum online catalogue., Plate numbered "286" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 41.8 cm., Sheet trimmed within plate mark on top and bottom edges., and Leaf 61 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A slim young man, fashionably dressed, stands chapeau-bras, with clasped hands, facing a gouty invalid; he says: "Stand at ease". The invalid, wearing a night-cap, sits in an armchair, his swathed and gouty legs on a stool, his hands and fore-arms also covered with wrappings. He answers, his face distorted with pain, "Yes - its very fine talking - but if you had such a Confounded Gout, as I have young man You'd find it d----d difficult to sit at ease"."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Reissue by Tegg of a plate first published ca. 1803(?) by Piercy Roberts. Roberts's imprint is mostly obscured with etched lines but is still partially legible. See British Museum online catalogue., Plate numbered "286" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, and Sheet trimmed within plate mark.
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Two lines of caption below title: "I am glad to see you my dear Tom, but you must excuse me asking you in this morning. I've a particular quiz with me: an old Colonel & he hates strangers." "O' very well my boy I'll excuse you: I suppose he was here last night; I see his boots.", Plate numbered '320' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Novr. 1, 1803, by Laurie & Whittle, 53 Fleet Street, London
Title from item., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Two columns of verse wrapping around title: Miss Dolly was jaunting one day in the wind, her pockets and petticoats leaveing [sic] behind,..., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., and Temporary local subject terms: Jack Frost -- Muffs -- Transparent Dresses -- Fabric: Muslin.
Publisher:
Pubd. Feby. 2nd, 1803 by S.W. Fores, 50 Piccadilly
Title and artist from British Museum catalogue., Description based on imperfect impression; sheet trimmed within plate mark with loss of title and attribution., Temporary local subject terms: Invasion prints -- Punch Bowl., Alternate title added in pencil in modern hand to lower portion of mount: The lion of the club on his legs -- "attention gentlemen"., and Mounted to 23 x 33 cm.
"A magician stands full face with uplifted sabre held over the heads of two figures from the past whom he has called up, and who stand within a magic circle. He displays them to their modern descendants, a tall stout Frenchman plainly dressed, wearing cocked hat and military boots, who stands with his arm on the shoulder of a thin, wretched, shambling, Englishman, small, ugly, and foppish, his hand thrust through an empty pocket. The magician has a beard, but features, cocked hat, consular dress, and sabre indicate Napoleon. He asks: "Are you satisfied Gentlemen?" The apparitions (left) are a grossly obese Englishman in old-fashioned dress, a cane hanging from his right wrist, and an ugly, tall, cadaverous, and foppish Frenchman holding a snuffbox. They say, respectively: "Is that my Grandson Jack? what a skeleton!!!"; "Ah mon Cousin, vat you eat de Beef & Plum Pudding!!" Their surprised successors exclaim: "Bless me! why I am a mere Stump of a man to him!!! and viable my Cousin look like de Frog & John Bull look like de Ox but Grace a Dieu times are Changed!!" Beside the magician are symbols of his art: a globe, a crocodile, a scroll, a skull. Within the circle and beside the French apparition is a frog."--British Museum online catalogue
Alternative Title:
Review of old times
Description:
Title etched below image.
Publisher:
Pub. by T. Williamson, N. 20 Strand, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Magicians, Daggers & swords, Globes, Ethnic stereotypes, and Obesity
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Plate numbered '321' on lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Nov. 18, 1803 by Laurie & Whittle, 53 Fleet Street, London
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two sailors ride (left to right) bare-back on two galloping horses, one half a length behind. The horses are rough and clumsy, with blinkers and horse-collars. One sailor (left), whose hat flies off, shouts to the other: "Hollo' you Swab, lay too a bit, can't you: I've lost part of my upper rightigging, - and the Vessel's firing signal guns of distress. - have you lost your hearing." The other says: "If the lubber had not stood to it: they were both Ponies, I should have taken mine for a Cart Horse, - by the bumping in the Stern"."--British Museum online catalogue
Alternative Title:
Pony race
Description:
Title etched below image., Later reissue by Tegg of a plate originally published ca. 1803 by Piercy Roberts. Roberts's imprint in lower right corner of design is totally obscured by etched lines; Tegg's imprint was added above title for the initial reissue but was burnished from the plate for this later reissue. See British Museum online catalogue., Publication information inferred from earlier state with the imprint: London, Pubd. Janry. 1, 1807, by T. Tegg, 111 Cheapside. See British Museum catalogue., Plate numbered "249" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Sheet trimmed within plate mark on top and bottom edges., and Leaf 29 in volume 4.
Title from item., Probably from the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Plate numbered '283' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publishd. Jany. 1, 1803 by Laurie & Whittle, 53 Fleet Street London
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The artist [a portrait of Woodward], wearing a flowered dressing-gown, sits in profile to the right. at a sloping desk, painting on a small oval a bust portrait of a sailor who sits truculently (right), smoking a pipe, arms akimbo. The sailor wears a round hat, short jacket, knotted handkerchief, striped trousers and buckled shoes. On his cheek is a round black patch. At his elbow is a punch-bowl. He says: "Come my Hearty - mind what you are at - make good use of your Eyes - you know the terms on which I set sail - ten golden quids if you come to Anchor in ten minutes - but a minute beyond time, and you have but five you know, so heave a head do you hear - and lay in plenty of the true-blue about the jacket, - and Harkee Young-one - don't forget the beauty spot on the lar-board side of my Cheek - Poll calls it her hearts delight, - well this same painting is a fine knack to be sure - but I am rather puzzled about one thing - If you can get my hulk, head, and stern into that there little bit of ivory - d------n me, but I think you would be able to tow a seventy-four through one of the cock boat Arches of London Bridge"."--British Museum online catalogue
Description:
Title etched below image., Reissue by Tegg of a plate originally published ca. 1803 by Piercy Roberts. Roberts's imprint is still present below title, with Tegg's imprint added in bottom of design. The year "1807" in Tegg's imprint is obscured with etched lines, suggesting that the plate was reissued more than once. See British Museum online catalogue., Plate numbered "241" in upper right corner, altered from "242" on earlier state. See British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark., Temporary local subject terms: Male costume: Dressing-gown -- Furniture: Desk -- Sailors -- Pipes -- Punch-bowl., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 41.8 cm., Imperfect; sheet trimmed within plate mark on bottom edge with loss of Roberts's imprint statement., Watermark: 1817., and Leaf 19 in volume 4.
Publisher:
Pubd. by P. Roberts, 28 Middle Row, Holborn and Pubd. Janry. [...] T. Tegg, 111 Cheapside