V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An auction of paintings held by tiny men with huge heads."--British Museum online catalogue
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "N. 7" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.6 x 34.7 cm, on sheet 25.6 x 41.8., Watermark: 1817., and Leaf 6 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An auction of paintings held by tiny men with huge heads."--British Museum online catalogue
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "N. 7" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman.
Title etched below image., Part of a series of reduced copies published by Fores in 1806 and etched primarily by Charles Williams., Printmaker inferred by cataloger based on other prints in the series., Plate numbered '18' in lower left corner., Three lines of descriptive text below title: Humbly submitted to the fair sex, as a great curiousity!!! and necessary to be worn by all ladies who have any regard for their health, in the cold season of the year., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark., and Watermark.
"Heading to engraved verses: 'Sung by Mr Fawcett, at Covent Garden, in the Popular Farce of We Fly by Night.' In a bare farmhouse room a married couple in a truckle-bed quarrel violently. The man kneels on the bed, threatening his wife with his fists. An infant cries in a cradle, its forehead marked with an oblong patch. The moon shines through an uncurtained casement. Check curtains hang against the wall to screen the upturned bed in daytime. The verses relate that the pair agreed to apply for the (Dunmow) flitch of bacon, but quarrelled violently as to whether it should be fried or boiled. As a result 'all the little Clarks, Were mark'd with a rasher of bacon.'"--British Museum online catalogue
Alternative Title:
Flitch of bacon
Description:
Title from item., Place of publication follows publisher's street address., From the Laurie & Whittle series of Drolls, plate numbered: 419., Six numbered verses below title: The spruce Mr. Clark, Was a young Essex spark ..., One line of text above design: Sung by Mr. Fawcett, at Covent Garden, in the popular farce of We fly by night., and Printed not before 1814 based on watermark.
Publisher:
Publish'd April 1, 1806 by Laurie & Whittle, 53 Fleet Street, London
A night scene (or early morning) in a London street. A countryman responds to the advances of two young prostitutes, one of whom takes a handkerchief from his coat-pocket. They are lit by the lantern hanging in a watchman's box; the aged watchman sleeps, leaning his arms on the half-door. Behind, in shadow, are the houses. Below the title: Careful Observers, studious of the Town, Shun the Misfortunes that disgrace the Clown. Gay's Trivia.--British Museum online catalogue
Description:
Title etched below image., Original imprint statement partially burnished out and scratched through but legible., Sheet trimmed within plate mark., For a description of the original imprint see no. 10646 Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Mounted to 39 x 28 cm.
Publisher:
Pubd. April 20, 1806, by T. Rowlandson, James St., Adelphi
"George III, in back view, seated at a writing-table, tries to fend off members of the new Ministry who beset him with conflicting plans and proposals. He exclaims "What, What, What! [his habitual phrase] all Wrong! all Wrong." On his right Fox is seated, but falls back dismayed, his chair collapsing; he holds 'Proposals for a General Peace', saying, "I am certain John Bull will like my plan better than any of them, sign mine." Next him is Ellenborough, in wig and gown, his left hand on the back of Fox's chair, which (perhaps) he is causing to fall; he proffers a 'Plan of a New Mode of Justice', and says: "The only specimen among them of a knowledge of the Subject, Sign this." (The inclusion of the Lord Chief Justice in the Cabinet was much objected to, on constitutional grounds, see 'Ann. Reg.', 1806, pp. 28-33, and BMSat 10563.) Moira, in regimentals, kneeling on a chair on the extreme right., leans forward, one hand on Ellenborough's shoulder, to present a 'Project for improveing of Ordinance'; he says: "By St Patrick now, if you was to put the whole of them together you would not be able to make a bit of sense out of them, this is the only one for John Bull." Windham, next Ellenborough, faces the King, presenting a paper inscribed 'War on the Continent', and saying, "I say nothing more or less than that they are all bad but this". Behind him Tierney stands, profferring a blank paper; he says: "Only look at mine & you'll be convinced its quite the thing." The others are on the King's l. Sheridan, a pendent to Fox, leans forward with his paper: 'Manager of the Finan[ces]'; he says: "Here sign this, this is the only good plan of management, all complete nonsense compared with this" [the hopeless confusion and debt in which the finances of Drury Lane were involved by Sheridan's management are satirized]. He wears, under his laced coat, the chequered waistcoat and breeches of Harlequin, see BMSat 9916. Behind him is Grenville, his partly obscured paper inscribed on the; he says: "This is the only well digested plan pro bona [sic] Publico, you may depend upon it." Petty's paper is blank; he says: "This petty effusion of Ideas you'll find full of weighty argument on every subject I assure you." Erskine (the arch-egotist, see BMSat 9246, &c), in wig and gown, and with the Purse of the Great Seal, leans forward with a blank paper to say: "This is the only learned plan among them, which I have arranged, I' I' I." Sidmouth stands on the extreme left., clutching, but not proffering, a paper; he flinches from we clamouring Ministers, saying, "If this is the Union of Parties, I'll be disunited.""--British Museum online catalogue
Alternative Title:
Principles of democracy too prevalent
Description:
Title from item., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caricatures lent out for the evening., Sheet trimmed to edge of plate mark on two sides., and Watermark: Strasburg Lily.
Publisher:
Pubd. March, 1806 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Tierney, George, 1761-1830, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Erskine, Thomas Erskine, Baron, 1750-1823, and Sidmouth, Henry Addington, Viscount, 1757-1844
The interior of a bare and plainly furnished room in a country inn; a number of middle-aged and plainly dressed men stand waiting for dinner to be served. Through a door in the back wall a serving-boy enters with a tureen, followed by a stout woman carrying a turkey, who is followed by a man-servant. A man (left), wearing spurred jack-boots, stands in profile to the left to hang his hat on a peg. He faces a framed notice: 'Club Law". In the centre two men, one wearing top-boots, the other in quasi-military dress, face each other, grinning. A third tries to insinuate himself into the conversation. On the right a stout man stands at a table before a punch-bowl and a sugar-basin: his hands are folded and his eyes closed as if in prayer; between his legs sits a large cat. Beside and behind him a man with a bottle in one hand sniffs at another bottle. An irate man (left) stands at the end of the table, watch in hand. Above the door a picture of a mounted huntsman hangs askew. On the wall are (left) hats and sticks, (right) a map of the world in two hemispheres
Description:
Title from caption below image., Printmaker and publication dates from Grego. See: Grego, J. Rowlandson the caricaturist, v. ii, p. 58, 214., Artist from earlier print of which this is a reduced copy. See no. 7452 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Description based on imperfect impression; sheet trimmed within plate mark on upper edge, and text erased from lower left corner of sheet., and Additional shading added in pencil to lower left corner of design.
Title from item., Sheet trimmed within plate mark., Printmaker and artist from British Museum catalogue., Plate numbered in upper right corner: N. 8., and Earlier state. Cf. no. 10900, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of later state with altered imprint statement.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two sailors carry (right to left) a sedan-chair, in which sits a young prostitute, with one leg out of the front window, as if to kick the bearer, who smokes with closed eye. A third sailor sits tipsily on the roof, smoking; he says: "Come Messmates heave a head". Two sailors wear striped trousers, the third a short petticoat and a large fur cap. Behind (right) is the portico of St. Paul's, Covent Garden, with two men, one a Jew, the other a (?) tipsy parson. On the left. is the corner of the Piazza, the wall inscribed 'Covent Garden'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Cruise to Covent Garden
Description:
Title etched below image., Printmaker identified as I. Cruikshank and artist questionably identified as Woodward in the British Museum catalogue., Probably a second reissue, with imprint removed, of a plate first published in 1806. For earliest state, see Lewis Walpole Library call no.: 806.12.01.02+, Publication information inferred from earlier reissue with the imprint: Pubd. by T. Tegg, 111 Cheapside, Decr. 1, 1812. Cf. No. 10900 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satire, v. 8., Plate numbered "121" in upper right corner, Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Sheet trimmed within plate mark on top and bottom edges., Watermark: 1817., and Leaf 60 in volume 2.
Title from item., Sheet trimmed withing plate mark., Two lines of verse below title: The buisiness of his church he did by proxy and loved al doxies but the orthodoxy., Printmaker from British Museum catalogue., Plate numbered '21' in lower left corner., and Temporary local subject terms: Parsons -- Young women -- Furniture: slipcovered love seat.
Publisher:
Pubd. Feby. 1st, 1806 by S.W. Fores, No. 50 Piccadilly