Title from item., From the Laurie & Whittle series of Drolls., Two lines of text directly below title: Sung by Mr. Emery, with unbounded applause at the Theatre Royal Covent Garden. (Written by Mr. John Major)., Five numbered verses of a whimsical song arranged in two columns in lower portion of print: Oh! gentlefolks waht do you think! Oh! where do you think I ha' been? ..., One line of attribution above design: The music publish'd by Purday & Button, No. 75 St. Paul's Church Yard., Plate number '446'., Temporary local subject terms: Theatre -- Orchestra -- Stage -- Lighting -- Purday & Button -- Emery, John -- Major, John., 1 print : etching & engraving on wove paper ; plate mark 27.2 x 23 cm, on sheet 29 x 24 cm., and Second impression may be a variant state or copy. Plate mark and design measurements vary significantly between both impressions.
Publisher:
Publish'd Novr. 8, 1806 by Laurie & Whittle, 53 Fleet Street, London
Title from item., From the Laurie & Whittle series of Drolls., Two lines of text directly below title: Sung by Mr. Emery, with unbounded applause at the Theatre Royal Covent Garden. (Written by Mr. John Major)., Five numbered verses of a whimsical song arranged in two columns in lower portion of print: Oh! gentlefolks waht do you think! Oh! where do you think I ha' been? ..., One line of attribution above design: The music publish'd by Purday & Button, No. 75 St. Paul's Church Yard., Plate number '446'., and Temporary local subject terms: Theatre -- Orchestra -- Stage -- Lighting -- Purday & Button -- Emery, John -- Major, John.
Publisher:
Publish'd Novr. 8, 1806 by Laurie & Whittle, 53 Fleet Street, London
"Melville (l.) stands by a pile of bricks, each marked with a coronet (except one with a mitre), and the words 'Not Guilty'. These he is hurling with great vigour at (some of) the managers of the impeachment who flee in disorder, to the right., putting up their arms to fend off the missiles. He wears Highland dress with a magnificently feathered bonnet; his plaid swirls out. He says, the words in a large label: '"Self-preservation's Heaven's eldest law. "Imprest upon our Nature with our life, "In Characters indelible, who shrinks "From this great cause is wanting to his righteason: "But when our Honor is traduc'd and stab'd at, "T'is Virtue, t'is heroic Fortitude, "Then to encounter violence with Force.' His bricks are stacked on a fringed carpet on which is the motto 'Dieu et m[on] Droit'. Sheridan, the hindmost, protects himself with his hat, and says: "Why Charley! I am afraid we have drank too much of this cursed Entire." Just in front of him is Whitbread, an 'Essay on Brewing' [cf. BMSat 10574] projecting from his coat-pocket. Fox, next, turns to protect himself; in front Howick (Whitbread's brother-in-law) grovels on the ground, grasping the edge of a large upright cask of 'Whitbread's Entire' [see BMSat 10421]. Into this Lord Temple, one of the Managers of the Impeachment, is plunging head first, displaying bulky breeches inscribed 'Temple of Hymen'. Behind stands a man in gown and bands, evidently Dr. Laurence. Beside Whitbread and Howick are overturned tankards of 'Whitbreads Entire' [a few letters only of the inscription being visible], spilling their contents. In the background, against the corner of Westminster Hall, whose doorway is behind Melville, is a rectangular tank: 'Brown Stout Cooler'; in this men are frantically splashing. The sun emerges from a gap in dark clouds irradiating Melville; in its disk is the profile head of George III. After the title: '"And Haman prepared a Gallows 100 Cubits \ "high for Mordecai, but behold Haman was \ "hanged thereon himself - '."--British Museum online catalogue
Alternative Title:
Managers poisened with a beer of their own brewing and Managers poisoned with a beer of their own brewing
Description:
Printmaker from British Museum catalogue. and Watermark: Strasburg Lily.
Publisher:
Pubd. June 24th, 1806 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and George III, King of Great Britain, 1738-1820
"Melville and Trotter, both in Highland dress, rush into each other's arms. Trotter waves his bonnet, that of Melville falls off. Behind Trotter (left) John Bull, an obese carbuncled 'cit', with a bludgeon under his arm, and wearing a hat, watches them in sour disapproval, saying: "I say Nothing." Trotter, his eyes turned toward John, says: "Ill trot for you - Ill gallop for you all over the globe - Oh happy day for Scotland - and see how pleas'd John Bull looks - ah Johny, Johny, this is indeed a glorious triumph!" Melville says ecstatically: "What is life without a Friend". In his exuberance he kicks over an enormous tankard inscribed with the Royal Arms and 'Whitbreads Intire Butt' ... which stood on a low table. Its contents pour to the ground: 'Impeachment', 'High Crimes', 'Misdemeanors', 'Peculation'."--British Museum online catalogue
Alternative Title:
Up setting the porter pot and Upsetting the porter pot
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 39 of volume 8 of 14 volumes.
Publisher:
Pubd. June 20th, 1806, by T. Rowlandson, No. 1 James St., Adelphi
Subject (Geographic):
Scotland.
Subject (Name):
Dundas, Henry, 1742-1811 and Whitbread, Samuel, 1764-1815
Subject (Topic):
Impeachment, John Bull (Symbolic character), and Clothing & dress
"Grenville (r.) displays a dancing bear with the head of Fox enclosed in a muzzle. He holds a chain attached to the muzzle and a long heavy staff: 'Cudgel for Disobedient Bears'. The bear obediently and clumsily repeats the dancing-step of his master; he holds in both paws his bonnet rouge trimmed with tricolour, and tramples upon two torn and discarded songs: 'Caira, Ca . . .' [see BMSat 9735] and 'A Begging we will go' [an allusion to the subscription raised for Fox in 1793 [This is confirmed by Lord Holland.]: see BMSat 8331, &c., and cf. BMSat 9885]. The bear and Grenville face each other in profile; the latter is neatly dressed, wearing top-boots with round hat and bag-wig. In his pocket is a book: 'Rewards for Obedient Bears'. He says: "dont be afraid of my Bear, Ladies & Gentlemen! \ "I have tamed & muzzled tarn, & reformed his Habits." The rest of the troupe is on the left, behind the bear's back. An ape with the head of Lord Henry Petty, and wearing the gown of the Chancellor of the Exchequer, capers in time, clasping the bear's stump of tail, and holding up, with a delighted grin, a fool's cap trimmed with bells. The music is provided by Sidmouth, a ragged fiddler, with a patch over eye. He stands on the pavement, his head in profile to the right., wearing cocked hat, bag-wig, and Windsor uniform, with tattered breeches, and a foot projecting through a remnant of boot. His r. knee rests on a wooden leg or stump. He plays 'God save the King' [as a protégé of George III]; from his the pocket hangs a paper: 'Pray remember your poor and Old Blind-Fiddler'. On the wall behind him are three bills: (1) 'Pro Bono Publico - Superbly fine Exhibition, at the Bear Garden, Broad-bottom'd Alley. - Orpheus Charming the Brutes, with a Grand Accompaniment by Dr Sangrado [Sidmouth]'. (2) 'in the Press. - Pease Soup or Bruins Delight - a Ballad [cf. BMSat 9848]'. (3) 'Bubble & Squeak, a Duet.' ..."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text following title: "What tho' I am obligated to dance a bear, a man may be a gentleman for all that. My bear ever dances to the genteelest of tunes.", and Mounted on leaf 24 of volume 6 of 12.
Publisher:
Pubd. May 19th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863
"The beam of a pair of scales is suspended from a vertical bar terminating in a ring which encircles one of many solid rays from a large sun (l.) surmounted by the Prince of Wales' coronet and feathers. The 'Rising-Sun' (see BMSat 10258) is partly obscured by dark clouds, but its rays extend across the design and illuminate especially Sidmouth and Ellenborough. The former is poised triumphantly on the cross-beam, depressing the r. scale with his foot, while he holds on his shoulders Ellenborough in judge's wig and gown, who manipulates the scale in the same direction. This lower scale contains the 'Broad-Bottomites' ie the Grenvillites, or New Opposition, the other, the 'No-Bottomites', i.e. the Foxites, or Old Opposition. In the latter (l.) the occupants hold the ropes with expressions of anxiety; the inscription suggests that they lack 'bottom' or endurance (a pugilistic phrase). Fox is the most prominent, between Erskine (l.), in Chancellor's wig and gown and with the Purse of the Great Seal, and Grey (r.). Moira, in cocked hat and regimentals, stands stiffly behind. Fox and Grey have bonnets rouges but do not wear them. The other bowl contains Grenville, one hand on his fat nephew Lord Temple; the heavy posteriors for which the family were noted take up much of the bowl. Windham waves his hat triumphantly. Of two other partly obscured occupants one resembles Lord Henry Petty. The scales are suspended above the curve of the globe on which Great Britain and the Continent are indicated. Behind the North Pole (r.) is a setting sun containing a royal crown; its feeble rays are outshone by the heavy beams of the rising sun (or son). Above it, among clouds, flies the ghost of Pitt, weeping."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of text following title: NB. The representation of the astonishing strength & influence of the rays from the rising-sun is taken from Sir Isaac Newtons theory of light., and Mounted to 45 x 32 cm.; figures identified by ms. annotations in modern hand along lower margin of print.
Publisher:
Pubd. Feby. 16th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Ellenborough, Edward Law, Baron, 1750-1818, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, and Pitt, William, 1759-1806
"The beam of a pair of scales is suspended from a vertical bar terminating in a ring which encircles one of many solid rays from a large sun (l.) surmounted by the Prince of Wales' coronet and feathers. The 'Rising-Sun' (see BMSat 10258) is partly obscured by dark clouds, but its rays extend across the design and illuminate especially Sidmouth and Ellenborough. The former is poised triumphantly on the cross-beam, depressing the r. scale with his foot, while he holds on his shoulders Ellenborough in judge's wig and gown, who manipulates the scale in the same direction. This lower scale contains the 'Broad-Bottomites' ie the Grenvillites, or New Opposition, the other, the 'No-Bottomites', i.e. the Foxites, or Old Opposition. In the latter (l.) the occupants hold the ropes with expressions of anxiety; the inscription suggests that they lack 'bottom' or endurance (a pugilistic phrase). Fox is the most prominent, between Erskine (l.), in Chancellor's wig and gown and with the Purse of the Great Seal, and Grey (r.). Moira, in cocked hat and regimentals, stands stiffly behind. Fox and Grey have bonnets rouges but do not wear them. The other bowl contains Grenville, one hand on his fat nephew Lord Temple; the heavy posteriors for which the family were noted take up much of the bowl. Windham waves his hat triumphantly. Of two other partly obscured occupants one resembles Lord Henry Petty. The scales are suspended above the curve of the globe on which Great Britain and the Continent are indicated. Behind the North Pole (r.) is a setting sun containing a royal crown; its feeble rays are outshone by the heavy beams of the rising sun (or son). Above it, among clouds, flies the ghost of Pitt, weeping."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of text following title: NB. The representation of the astonishing strength & influence of the rays from the rising-sun is taken from Sir Isaac Newtons theory of light., 1 print : etching on wove paper, hand-colored ; plate mark 35.4 x 25.0 cm, on sheet 39.1 x 27.9 cm., Watermark: J. Whatman 1813., and Mounted on leaf 14 of volume 6 of 12.
Publisher:
Pubd. Feby. 16th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Ellenborough, Edward Law, Baron, 1750-1818, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, and Pitt, William, 1759-1806
"Heading to engraved verses: 'The Words written by Peter Pindar Esqr.' A countryman, in shirt and breeches, rushes furiously from his cottage (l.) towards a complacent bagman with a sack over his shoulder and razors projecting from his coat-pocket. He stanches his bleeding face and holds out a bundle of razors to the man who has sold them. The salesman answers angry protests: "Upon my soul I never thought "That they would Shave." .... "What were they made for then, you dog?" he cries "Made!" quoth the fellow, with a smile, "to Sell!""--British Museum online catalogue
Description:
Title engraved below image., Plate numbered '426' in the lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Four columns of verse below title and attribution: A country bumpkin the great offer heard, being well lathered from a dish or tub ...
Publisher:
Publish'd June 9, 1806 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Sheet trimmed within plate mark., Reduced copy of a print originally published by S.W. Fores in 1804., Part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Printmaker from British Museum catalogue., Plate is numbered '16' in the lower left corner., and Temporary local subject terms: Door Knocker -- Sword -- Shoe Scraper -- Spurs -- Jack Boots -- Capt. Birch.
Title from item., Sheet trimmed within plate mark., Reduced copy of a print published by S.W. Fores in 1792., Part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Printmaker inferred by cataloger based other prints from the series., Plate numbered '12' in lower left corner., and Temporary local subject terms: Interiors: cottages -- Poverty -- Old women -- Children -- Sewing: mending clothes -- Spectacles -- Furniture: upholstered armchair -- Wooden ladderback chair -- Pets: cats.
