V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Six elderly volunteers in uniform, with pigtails, sit at dessert. The host (left), holding a decanter and small glass, says: Come Gentlemen Volunteers to the right and left--Charge if you please to the King [these words are linked to the mouth of the butler, but this seems inconsistent with the dialogue]. His vis-à-vis, rising from his chair, answers: I should be very happy to obey your Orders Colonel, but really your glasses are so small that d------n me if theres enough for a Prime [a specialized meaning of the word not in the O.E.D.] . . At the Colonel's feet are papers: A Penny saved is a 2 Pence got and Current Price of Port Shery--To one Pipe Old Port £120. The butler behind his chair grins delightedly. On the wall is a placard: Maxims--How to get Rich--Pinch Sque[eze], Gripe, Snat[ch]. The room has Gothic mouldings and a window on which are the arms of the City of London, suggesting that the host may be the Lord Mayor (John Ainsley 1807-8)."--British Museum online catalogue, description of an earlier state
Alternative Title:
Not enough for a prime
Description:
Title etched below image., Later state; imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. May 21, 1808, by Thos. Tegg, No. 111 Cheapside. Cf. No. 11136 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "227" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed to plate mark on three sides., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 86., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 25 x 35.1 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 5 in volume 4.
"A thin, sharp-featured man walks in the teeth of the wind, holding on his hat, and with his left hand in his breeches pocket. His hat-brim, hair, cravat, coat, the tail of his shirt, the strings of his breeches and shoes, all fly backwards. He walks (right to left) up a rough sandy road edged by windswept bushes. A milestone is inscribed 'To Hampstead Hill'. On the horizon (right) is St. Paul's, dominating the spires of London, and backed by dense cloud."--British Museum online catalogue
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, No. 27 St. James's Street
"Whitelocke stands passively, directed to the left., with flexed knees while two little drummer-boys complete his humiliation. One (l.) stands on tip-toe to cut off his epaulet, while the other stands on a drum behind him, breaking his sword over his head. Sword-belt, scabbard, gorget, epaulet, regimental buttons, and gold lace lie on the ground, as does a music-book open at 'The Rogue March', with a fife lying across it, to indicate that he has been drummed out of the army. On the left. the Devil, half length, emerges from the ground, surrounded by fire and smoke; he offers Whitelocke a cocked pistol, saying, "Now fellow if thou hast a spark of courage left take this." Whitelocke answers: "Have you taken the flint out." See BMSat 10974, &c."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Print executed by either Isaac Cruikshank or George Cruikshank. See British Museum catalogue., Watermark: Strasburg Lily., and Mounted to 29 x 17 cm.
An obese doctor in a dressing gown and slippers stands in the center looking right at a group of three male patients, all elderly and with diseased and contorted faces. He hands a small bowl to one patient; medical supplies are laid out on the table at his side as well as on the floor near the table. Another patient while another leaves the room leaning on a crutch. In the background two women in obvious pain await their turn; behind them, an open cupboard reveals a skeleton
Description:
Title from item., "One of a set of copies of watercolours by Rowlandson, all with an imitation of his signature and the same imprint"--British Museum online catalogue., and Temporary local Medical Library subject terms: Eady, Dr.
Publisher:
Published by Reeve & Jones, No. 7 Vere Strt
Subject (Topic):
Quacks and quackery, Medical equipment & supplies, Pain, Physical characteristics, Physicians, Sick persons, and Skeletons
An obese doctor in a dressing gown and slippers stands in the center looking right at a group of three male patients, all elderly and with diseased and contorted faces. He hands a small bowl to one patient; medical supplies are laid out on the table at his side as well as on the floor near the table. Another patient while another leaves the room leaning on a crutch. In the background two women in obvious pain await their turn; behind them, an open cupboard reveals a skeleton
Description:
Title from item., "One of a set of copies of watercolours by Rowlandson, all with an imitation of his signature and the same imprint"--British Museum online catalogue., Temporary local Medical Library subject terms: Eady, Dr., 1 print : etching and aquatint on wove paper, hand-colored ; sheet 34 x 26 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge.
Publisher:
Published by Reeve & Jones, No. 7 Vere Strt
Subject (Topic):
Quacks and quackery, Medical equipment & supplies, Pain, Physical characteristics, Physicians, Sick persons, and Skeletons
"A man wearing a black and red gown with bands stands in profile to the left, holding his mortar-board, with an expression of wary deference. He has short hair and bushy eyebrows."--British Museum online catalogue and "William Parsons (1746?-1817), a singing-master, Master and Conductor of His Majesty's Band of Music from 1786, matriculated Magdalen College, 23 June 1790, aged 42, was B. and D.Mus. 26 June; he was knighted in Ireland 1795. The portrait does not resemble a more flattering bust portrait "a painting in water-colours by Francis Wilkin, Jun." in the 'European Mag.', Aug. 1808."--Curator's comments, British Museum online catalogue
Description:
Title from British Museum catalogue., Leaf 46 in an album with the spine title: Characatures by Dighton., and Figure identified as "Dr. Parsons, late Vice Chancellor, Oxford" in pencil at bottom of sheet.
Publisher:
Robert Dighton
Subject (Name):
Parsons, William, 1746?-1817 and University of Oxford
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted on page 106.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted to 43 x 31 cm.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., 1 print : soft-ground etching and stipple engraving on wove paper ; plate mark 26.2 x 17.7 cm, on sheet 28.2 x 19.7 cm., and Mounted on leaf 88 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
