V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Six scenes, arranged in two rows, each with an inscription above the design. The figures are realistic, not 'Lilliputian', as in British Museum Satires No. 11134, &c. [1] 'Lilliput is situated a considerable distance from the Island of Great Britain, and the Natives have many singular manners and customs, one in particular is swearing to give a vote according to conscience with one hand, and receiving a bribe with the other--what a happy thing it is that nothing of the kind ever occured in England.' A scene at the hustings, showing one of the posts inscribed 'St M . . .' indicating the polling-place for one of the Westminster parishes, cf. British Museum Satires No. 10619, &c. An elector takes a book (Testament) from a poll-clerk, while a man slips coins into the hand which he holds behind his back. There are spectators (or voters) outside and inside the hustings; a woman sells a ballad. [2] 'They have a litte [sic] man in Lilliput call'd John Bull, we suppose in humble imitation of that Gentleman so named in our Country but the comparison can never hold good, the Lilliputian John Bull though overburthened with Taxes is continually visited by the collector for more--we well know that is not the case in England!!' John Bull, a fat 'cit', is seated in an arm-chair wearing a hat, with a tankard and pipe on a table beside him. He looks up angrily at a lean tax-collector who stoops towards him, holding an open book. On the wall is a (damaged) picture, 'Liberty', holding her cap on a staff. [3] 'There we frequently see Merit in distress, and Ignorance, rolling in affluence, if such facts were mention'd in England, they would not be believed!! their manners are so different.' A street scene. A small thin man (left), his eyes on the ground, and a fat, vulgar, arrogant fellow walk towards each other on the pavement. The former has his hand in his coat-pocket in which is a pamphlet: 'Poem[s] on var ....' They are identified by two bills on the wall: 'By Permission of the Lord Chamberlain--for the Benefit of Peter Prose authour of several Pieces' and (headed by the Royal Arms) 'Slushbuckett Nightman to his Majesty'. [4] 'In Lilliput it is well known that a Female throug [sic] certain influence has disposed of situations in the Army and Church, what would our John Bull say to that!!' Mrs. Clarke receives her clients seated at a small round table; she holds out her hand to take a money-bag from a parson (O'Meara, see British Museum Satires No. 11258, &c.). Behind, an officer advances, sweeping the ground deferentially with his cocked hat, a money-bag in his hand. The head of a third applicant is on the extreme right. A window and a folding screen form a background. The Duke of York inconspicuously watches from behind the screen. See British Museum Satires No. 11216, &c. [5] 'A certain Nobleman in Lilliput is said to have become a jobber and disposed of a seat in Parliament; a pretty Parliament that must be!! O John Bull you are a happy man!' Castlereagh and another well-dressed man sit facing each other across a small round table. Castlereagh hands over a document, the other a money-bag. [6] 'In Lilliput it is common for a boy of fifteen through interest, to leap over the shoulders of a vetran Hero!--Ay John Bull you may well be suprized--but such things are practiced there we assure you.' A boyish officer poised on the bent back of an elderly one, is about to leap over his head; he wears a fashionable crescent-shaped cocked hat; the elder man's old-fashioned tricorne falls to the ground. In front of them is an open door set in a stone arch, probably that of the Horse Guards. John Bull, a fat 'cit', stands in profile to the right, gazing in astonishment. This long-standing abuse came into notice over the proceedings against the Duke of York, see British Museum Satires No. 11281."--British Museum online catalogue
Alternative Title:
Sketches of Fairyland, or, A comparison between England & Lilliput. Pl. 1, Comparison between England & Lilliput, and Comparison between England and Lilliput
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Decr. 1810 by Thos. Tegg, 111 Cheapside. See British Museum catalogue., Plate numbered "201" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 56 in volume 3.
Publisher:
By Thos. Tegg, 111 Cheapside
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Castlereagh, Robert Stewart, Viscount, 1769-1822
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Six scenes, arranged in two rows, each with an inscription above the design. The figures are realistic, not 'Lilliputian', as in British Museum Satires No. 11134, &c. [1] 'In Lilliput, cases of Crim Con, are so common that they are considered as fashionable by all ranks of people.--How John Bull would grumble, if that was the case in England.' A fashionably dressed pair sit side by side on a settee, embracing while an elderly husband gapes in astonished dismay. Cf. British Museum Satires No. 11119, &c. [2] 'The Lilliputian Ladies, sit up all night ruining their healths and Families, at cards, pharoah, and Hazard. Fie for shame!!' Four ladies play cards at a round table lit by two candles in an ornate branched candlestick. A wall-clock, surmounted by a figure of a sleeping Cupid, shows that the time is 1.55. [3] 'It is a well known fact in that country, that Church Wardens, Overseers. &c, sit down to splendid feasts at the expence of the poor, we know John Bull would not believe it, if he had not received it from such respectable authority.' Five men guzzle at a small table; the two who face each other in profile have tucked the ample table-cloth under their chins; one man gnaws a bone which he holds in both hands. There are two waiters, one serving wine, the other bringing in a steaming capon. For the parish feast see British Museum Satires Nos. 2474, 6877, 8770, 9639. [4] 'There a young man of Fashion apes the slang and manners, of a Stage Coachman, so unlike the naturel refinement of our own Country.' A scene in the yard of the 'Bang-up-Livery Stables. C. Cypher' (the name over a wide doorway). Two men stand in conversation, one fashionably dressed and wearing top-boots, the other wearing a coat reaching to the ankles, with four capes and a high collar; he holds a coachman's whip. Behind is the back of a coach with two men in the dickey. A satire on the Four-in-hand Club, see British Museum Satires No. 11700, &c. 'Bang up' was a new catch-phrase connected with coaching. [5] 'In Summer the Beaus are buttoned to the chin, and the Ladies go half naked, can any thing be more absurd!!' A fashionably dressed couple walk together in a landscape, the lady holding a small fringed parasol, and a reticule; she wears a very decolletee dress, and long gloves on her bare arms, with tiny slippers. He wears a heavily swathed neck-cloth, double-breasted tailcoat, and Hessian boots. [6] 'But what is worse than all, the Lilliputians are fond of sending out expeditions, and as soon as they are out calling them back again, it is true they are slow and sure, slow to depart, and sure to be too late!--how different from the alacrity, and prompitude of our own country'. A fleet of ships in full sail. For the Walcheren Expedition see British Museum Satires No. 11364, &c."--British Museum online catalogue
Alternative Title:
Sketches of Fairyland, or, A comparison between England & Lilliput. Pl. 2, Comparison between England & Lilliput, and Comparison between England and Lilliput
Description:
Title etched below image., Printmaker from British Museum catalogue., Series title and series numbering are separated at top of plate, with "Teggs caricatures no." in upper left and "51" in upper right., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Sheet trimmed to plate mark on bottom edge., and Leaf 2 in volume 2.
Publisher:
Pubd. Decr. 1810 by Thos. Tegg, 111 Cheapside, Apollo Library
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[December 1810?]
Call Number:
810.12.00.01.2+
Image Count:
1
Resource Type:
still image
Alternative Title:
Sketches of fairyland or a comparison between England and Lilliput, plate 2
Description:
Title from caption below image., Publication date from British Museum catalogue., Sheet trimmed to plate mark., Variant without publicatino date of no. 11582 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "202" in upper right corner., and Temporary local subject terms: Lilliputions.
"Two timorous duellists face each other at close quarters in a saw-pit, trembling and dropping their weapons, namely pistol and blunderbuss; each has a heap of weapons at his feet: sabres, rapier, pistol, more blunderbusses. The hair of both rises on their heads. One (left) is in uniform, the other (right), who is smaller, wears fashionable civilian dress with tasselled Hessian boots. A scroll extends above their heads inscribed: 'Did you mean to Offend me? indeed Sir not I.--indeed Sir I'm very glad on't!!!' A spectator (right) looks over the edge of the pit, holding a bowl from which he blows soap bubbles, which float over the head of the civilian. The bubble in the pipe is inscribed 'Puff', suggesting a publicity campaign."--British Museum online catalogue
Alternative Title:
Direful courage of Dolla Lolla
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., and Watermark: Portal & Bridges 1802.
Publisher:
Pub. Jan. 1810 by S.W. Fores, Picadilli [sic]
Subject (Topic):
Daggers & swords, Dueling, Fear, Guns, Military uniforms, British, and Pipes (Smoking)
"A scene on Clerkenwell Green, outside the 'Sessions House Crerenwell' [sic], whose door is on the extreme left. Two termagants face each other in the foreground; one spits at her enemy, arms akimbo, the other tries to use her fists but is held back by an elderly man who grasps her round the waist and kicks her, losing his tie-wig. The former woman is fashionably, the latter roughly, dressed. Both have coarse faces with a certain comeliness. In the background constables with staves are shepherding women through the door of the Sessions House, where the Middlesex magistrates sat. Other constables and women are suggested behind the 'Spit Fires'. On the right are old-fashioned gabled houses."--British Museum online catalogue
Description:
Title from caption below item., Date from state with imprint. See British Museum online catalogue, no. 1872,1012.4951., Sheet trimmed to plate mark leaving thread margins., and "Price on shilling coloured."
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene on Clerkenwell Green, outside the 'Sessions House Crerenwell' [sic], whose door is on the extreme left. Two termagants face each other in the foreground; one spits at her enemy, arms akimbo, the other tries to use her fists but is held back by an elderly man who grasps her round the waist and kicks her, losing his tie-wig. The former woman is fashionably, the latter roughly, dressed. Both have coarse faces with a certain comeliness. In the background constables with staves are shepherding women through the door of the Sessions House, where the Middlesex magistrates sat. Other constables and women are suggested behind the 'Spit Fires'. On the right are old-fashioned gabled houses."--British Museum online catalogue
Alternative Title:
Spitfires
Description:
Title etched below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling coloured.", and Leaf 40 in volume 1.
Publisher:
Pubd. October 25th, 1810, by Thos. Tegg, No. 111 Cheapside
"Dundas, tall and elegant, stands directed to the left, right hand on a cane, left on his scabbard. He wears a cocked hat with side-peaks, with loop, cockade, and small plume, double-breasted uniform, coat with star, boots of Hessian pattern, a sword-belt under, and a sash over his coat."--British Museum online catalogue
Alternative Title:
Sir David Dundas, KB, Commander in Chief
Description:
Title etched below image. and Leaf 74 in an album with the spine title: Characatures by Dighton.
Publisher:
Robert Dighton
Subject (Name):
Dundas, David, Sir, 1735-1820
Subject (Topic):
Generals, British, Staffs (Sticks), and Daggers & swords
A view of the east front of Strawberry Hill from across the lawn, with a line of potted plants mid-view. To the right a group of three -- two gentlemen and a lady with a parasol -- stand conversing
Description:
Title engraved below image., Copy of a 1806 print with alterations in the costume., Plate from: Ambulator. London : Scatcherd and Letterman, 1811, opp. p. 239., and Sheet trimmed on top and bottom edges.
Publisher:
Published June 4, 1810, by Scatcherd & Letterman, Ave Maria Lane
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequel to No. 11384. A fantastic scene in Oxford representing Grenville's installation as Chancellor, which took place at Commemoration, 3 July 1810. Grenville rises in a balloon above a vast applauding crowd; his inflated and spherical posterior fits into the shallow bowl which forms the car. He wears a papal tiara and his Chancellor's gown; a large cross is on his posterior. He extends his arms horizontally, scattering symbolical objects. These are (left): a Cardinal's hat, a rosary, a mitre set in a ducal coronet, and a book, 'Liber Regis . . . Oxford . . .'; (right): three books: 'Letter to the Earl of Fingal'; 'Irish Mass Book'; 'Liber Valorum'. The spherical gas-bag of the balloon represents an inflated Lord Temple, the crown of the head at the summit, with upturned profile in the arc just below (left); shoes emerge from the opposite pole; from the posterior issues a tail or cloud, streaming upward, inscribed 'Promisses'. The car, decorated with Popish emblems, the Host between winged heads, hangs from cords suspended from a net covering the balloon. Three bishops, seated on asses which crouch in neighing obeisance towards Grenville, reach up eagerly towards the Cardinal's hat, &c. They are in back view, and in the foreground on the extreme left. Behind them is part of the Radcliffe Camera, the greater part being cut off by the left margin. By the door is a placard: 'Order'd That No Doctor of Laws shall be admitted without Bag Wig'. Two men are leaving the building: Lord George Grenville, followed by (?) Thomas Grenville. [Not Windham (as Wright and Evans say) who died in June. Lord Holland says Lord Grenville, but he does not resemble him, and his double appearance is unlikely.] The Marquis of Buckingham looks from the principal window under the dome; Lord Stafford leans from a smaller window below. All four wear bag-wigs and gowns. On a projection above the door stands a chicken with the head of M. A. Taylor (the 'Chick of Law', see No. 6777) puffing a blast up at the balloon. Spectacled and bewigged owls perch on the balustrade surrounding the dome. In the foreground on the right is a large group, many of whom wear doctor's gowns with black masks over their features, tied over bag-wigs that perch awkwardly on their heads. Three of them wave their mortar-board caps towards the balloon: Erskine, Tierney (without a mask and especially deferential), and Lord Holland, his face completely blackened by a mask and wearing a mob-cap. Behind (right) are Lord Grey, Sidmouth holding a clyster-pipe behind his back (cf. No. 9849), Lord Cholmondeley, whose wig is back to front and tilted tipsily over one eye, and Whitbread, who clutches his mortarboard in both hands. In front little Lord Lansdowne capers, holding up the brush and shovel of a chimney-sweep (as Lord Henry Petty he was satirized as an inveterate dancer, cf. No. 10589). Next him, but walking off to the right, is Sheridan, who, unlike the others, does not wear a gown and bag-wig, but is naked except for tattered Harlequin trousers (cf. No. 9916), shoes, and ruffles fastened round his wrists to indicate genteel poverty; he clutches his head with a despairing gesture. In the foreground on the extreme right. Dr. Crowe, the Public Orator, sits on the ground, leaning against a milestone with closed eyes and a contented smile; beside him are an overturned tankard inscribed 'Whitbread Entire' [cf. No. 10421], and papers, 'Oratio Croweiana', which a dog is befouling. The stone is inscribed [blank] 'Miles from Oxford to Rome'. The middle distance is filled with a dense crowd of spectators, receding into a sea of heads. Those in front are doctors in red gowns bowing low as Grenville ascends. In front of the crowd Sir W. W. Wynn and his two brothers (Grenville's nephews), sit together in a little chaise drawn by three galloping Welsh goats (as in No. 9760); they wear bag-wigs and gowns and raise their caps to Grenville. One of the goats gallops over a prostrate man in doctor's wig and gown. A bishop (the Archbishop of York) drives through the crowd (left to right) in an open barouche; he doffs his mitre; the coachman and three fat footmen standing behind wave their cocked hats. The crowd surrounds a wooden booth (left) and a high wagon which serves as platform for a rustic family group to view the display. The booth is placarded: 'Wonder of the World the biggest Flying Elephant in the Whole Fair'. Inside it, tiny figures peer at the posterior of a vast elephant with little wings and the head of Grenville. The background is a fantastic view of Oxford towers, which resembles, and is perhaps based on, a drawing by Rowlandson (reproduced, C. Hobhouse, 'Oxford', 1939, p. 60). The crowd fills a space between the Radcliffe Camera and the wall of All Souls abutting (right) on the west end of the Chapel. Behind (left) is the cupola over the gate of All Souls with (right) Hawkesmoor's twin towers flanking a 'Popish' cross. Tom Tower, Christ Church, much heightened and enlarged (right), behind the chapel, flies a Popish flag decorated with tiara and keys, and is traversed from top to bottom by a great fissure. Bats and carrion birds fly round it. Below the design: '-He steers his flight Aloft, incumbent on the dusky air That felt unusual weight,-Par, Lost, Lib: I. l, 225-'"--British Museum online catalgoue
Alternative Title:
He steers his flight aloft, incumbent on the dusky air that felt unusual weight. Par. Lost and Tentanda via est qua me quoque possim tollere humo. Virgil, Geor. ...
Description:
Title etched below image., Date based on publication date of the original print by Gillray, of which this is a reduced copy. Cf. No. 11570 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "34" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 93 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Nugent, George Nugent Grenville, Baron, 1788-1850, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Taylor, Michael Angelo, 1757-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Harcourt, Edward, 1757-1847, Fingall, Arthur James Plunkett, Earl of, 1759-1836, Crowe, William, 1745-1829, Cleaver, William, 1742-1815, Randolph, John, 1749-1813, Grenville, Thomas, 1755-1846, Holland, Henry Richard Vassall, Baron, 1773-1840, Whitbread, Samuel, 1764-1815, Tierney, George, 1761-1830, Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Moss, Charles, 1763-1811
