V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An aged surgeon leans over a bag of instruments on a table (right), selecting a knife; he wears an old-fashioned wig, hat, coat, &c. A pretty girl seizes him by the arm; she shouts at him, pointing behind her to his subject, a young man lying on a trestle-table, fully dressed and apparently in perfect health, who has just wakened, horrified. In an open cupboard stands a skeleton (left). On the wall is a notice: 'A Course of Anatomical Lectures accompanied with Dissections will be delivered tommorrow Even[ing] by Professer Sawbone.' [An early use of the word 'Sawbone'. Partridge gives the date as from c. 1835, citing Sam Weller in 'Pickwick' (1837).] Two lighted candles stand on the table. On the lintel of the door is a bust of (?) Hippocrates frowning down at the scene."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with first half of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. March 12, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11800 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "60" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling.", Sheet trimmed within plate mark on three sides., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 202., and Watermark: Charles Wise.
Publisher:
By Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Candlesticks, Eyeglasses, Medical equipment & supplies, and Skeletons
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Lambeth Nanny's opinion of a blessing
Description:
Title etched below image., Printmaker and date of publication from unverified data in local card catalog record., Text below title: For an account of Old Nanny the Lambeth apple-woman, vide Wonderfull Mage. vol. 2., Plate numbered "305" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male costume: Archbishop -- Female costume, 1803 -- Clergy -- Applewomen., Watermark: 1817., and Leaf 81 in volume 5.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A man and woman sleep in a rough wooden bed, heads thrown back so that their nostrils face the spectator. Bare feet projecting from the bed-clothes attract a rat. A cat lies on a chair in the disordered room. An antique musket and broadsword hang horizontally above the bed, on a wall from which much plaster has fallen. A makeshift curtain hangs across a casement window (left). On a chair by the bed (right) is a punch-bowl. On the wall is a placard: 'Hush every Breese let nothing move My Celia sleeps and dreams of Love'."--British Museum online catalogue
Alternative Title:
Bassoon with a French horn accompaniment
Description:
Title etched below image., Probably a reissue; imprint statement has likely been removed from plate., Publisher and date of publication from Grego., Plate numbered "75" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Watermark: 1817., and Leaf 21 in volume 2.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
John Lumps progress in city honors
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Design consists of six scenes arranged in three rows, each with four lines of verse etched below., Plate numbered "306" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male costume: Livery-man -- Walking-sticks -- Councilmen -- Aldermen -- Mayor of London., and Leaf 82 in volume 5.
Title from caption below image., Publication date from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Cansell 18[22?], and Mss. note following title: Sterne.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The infant King of Rome sits on the lap of his Governess to receive the compliments of a long procession of deputies. She offers the child's bare posterior, from which issues an explosion, to the lips of the foremost deputy who kneels obsequiously on a cushion. The child has his father's face, as in British Museum Satires No. 11719, &c., and wears a cocked hat and military tunic; he flourishes a rattle, ignoring the homage. The deputies all wear long robes over court dress with sword and are burlesqued; the second holds his nose, many take snuff. The long procession recedes in perspective (right). The Governess is also grotesque and elderly, wearing old-fashioned dress and an elaborate frilled cap. She sits on the little King's throne which is on a dais. It is topped by the iron crown of Italy with a sceptre and baton; on the back is an imperial eagle above a wreath enclosing the letters 'R R' [Rex Romae]. The leading deputy: "Madam Governess. not one of us can behold without a most lively interest, that August Infant--on whom rest so many Destinies, and whose Age and Charming--Qualiteys, inspires the Most tender Sentiments in the French and Surrounding Nations." She answers with a staring grin: "Monsieurs, --I thank you for the polite and flattering encomiums, You are pleased to bestow on me--I thank you in the Name of the Young Prince, Whoes Charms are Inexpressible. and regret that he can not add his personal sentiments to those which I entertain, to the--Legislative Body." Napoleon (left) watches the homage from behind a curtain which divides the child's throne from women who are washing the infant's napkins; he holds up a forefinger and stares intently. A disreputable old woman washing a tub-full of 'Shi--en Clouts' also watches; her tub rests on a low stool under which a dog urinates, and on which are bottle, glass, and snuff-box. Another, behind Napoleon, hangs 'Royal Clouts' on a line in front of a steaming copper. She says, "The Stench from the Young Urchin is intolerable--he smells like a pole Cat." A basket of 'Foul Linen' is on the ground."--British Museum online catalogue
Alternative Title:
Debuteys apointed by the legislative body doing homage to the King of Rome in the nursery at St. Cloud and Deputies appointed by the legislative body doing homage to the King of Rome in the nursery at St. Cloud
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "81" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Watermark: 1817., and Leaf 27 in volume 2.
Publisher:
Published August 20th, 1811, by Thoms. Tegg, No. 111 Cheapside, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from Grego., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 26.9 x 21 cm., and Imperfect; sheet trimmed within plate mark on two sides, and artist's signature mostly erased from sheet.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a barber's shop, a ramshackle room with a raftered ceiling. An elderly military officer, seated in the middle of the room between the barber and his wife, causes general dismay; he points to a gash on his cheek and shakes his fist at the barber who flinches back, razor in hand. The barber's wife, bending over the customer with a bowl of soap-suds, is terrified. The assistant, his own hair in curl-papers, trims the hair of a customer (right), holding a bowl on his head. At a table (left) a man washes, stanching his head. Water is supplied from the tap of a bucket on a shelf above the basin. Part of the table serves as dressing-table; on this a monkey sits before the mirror, lathering its head. On a high shelf (right) are wig-boxes and wig-blocks; the latter have inscriptions characterizing their (carved) features, and each having its appropriate wig: 'Clarkes Block', 'Parsons Block', 'Docter's Block', 'Lawyers Block'. On the back wall are a roller-towel and four prints: Absalom hanging from a tree while his horse gallops off, inscribed: 'Oh Absolom My Son My Son--hadst thou Wore a Wig this neer . . .' ; two profile heads, nose to nose, roughly resembling Rowlandson's 'Mock Turtle' [British Museum Satires No. 11639]; a narrow broadside headed by a gibbet, such as were sold in London on execution days; a bewigged caricature head."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. April 20th, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11805 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "67" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 205., and Leaf 15 in volume 2.
Caricature of a young surgeon undergoing questioning by his peers. A satire on the Royal College of Surgeons, London and "Plate from the 'Scourge', ii. 263 (second state). Members of the Court of Examiners of the Royal College of Surgeons sit on the outer side of a horse-shoe table, four on each side of the Master, who sits in a raised chair, wearing a gown, bands, and hat. On the table before him are a skull and bone. The examinee, trembling and insignificant, stands on the extreme left, facing a man who has risen from his chair to say angrily, "Describe, the Organs of Hearing"; the latter's neighbour listens intently through an ear-trumpet. The next Examiner sleeps with folded arms; next, and on the Master's right, is a man turning his back on the Master and holding his nose while he studies a book: 'Question upon Wind I Suppose a man was to . . . What w . . . you . . .' The aged and toothless Master (Sir Charles Blicke, 1745-1815) listens with senile intensity through an ear-trumpet. On his left two Scots, ungainly fellows wearing tartan, are absorbed in conversation; one says: "you paid too dear for it brother Sergeant," the other takes snuff from a mull. Next is a fat man with swathed gouty legs; crutches lie on the ground beside him; he has a paper 'THH [sic] COW POX CRONICLE', suggesting that he is Jenner (not a surgeon). He has a pen in his mouth, spectacles on forehead, and looks sideways at his neighbour, a lean old man who is intently counting piles of coin. In the foreground is a trough containing books; a man stands near it holding a large volume and looking towards examiner and examinee. A man leaves the room (right) looking over his shoulder with shocked distress, and exclaiming "Oh!" In his pocket is a paper: 'A Peter on the Gravel'. The Master's chair is decorated with skulls; from its back projects a striped pole supporting a skull which serves as a wig-block, emblem of the old connexion between surgeons and barbers, see No. 9092, &c. Under the chair are money-bags, one inscribed '£50', the other 'For Shirt'. Behind the chair are two niches or alcoves in each of which a skeleton is suspended by the neck from a rope; one (left) is 'Govenor [sic] Wall' [see No. 9845], the other 'Lady Brownrigg'. These are symmetrically flanked by four pictures: [1] a prizefight between a black pugilist and a skeleton at which the Master of the College presides, standing before his chair. [2] Saartjie Baartman, 'the Hottentot Venus', see No. 11577, &c., stands in profile to the right while 'Nobody', a man whose legs are jointed to his shoulders as in No. 12438, &c., points with amusement at her huge posterior. [3] A young woman without arms or legs, placed on a bergere, is inspected by an ugly man, who points at her. [4] A brazen cow (or golden calf) is supported on a garlanded pillar on whose base is a crown; round this men, apparently surgeons, dance gleefully, holding hands in a ring. On the extreme left of the wall is an ornate clock, showing that the time is eleven. It is topped by a grinning figure of Time holding an hourglass. On the ground is a paper: 'At the sign of the Cow's Head Lincolns Inn Feilds'."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 2 (October 1811), page 263., and Temporary local Medical Library subject terms: Examination for license -- Vaccination controversy.
Publisher:
Pubd. October 1st, 1811, by M. Jones, 5 Newgate Strt
Subject (Name):
Blicke, Charles, Sir, 1745-1815, Blizard, William, Sir, 1743-1835., Earle, James, Sir, 1755-1817., Home, Everard, Sir, 1756-1832, Dundas, David, Sir, 1735?-1820., Biffin, Sarah, 1784-1850., Baartman, Sarah, Jenner, Edward, 1749-1823, Wall, Joseph, 1737-1802., Brownrigg, Elizabeth, 1720?-1767., and Royal College of Surgeons in London.
Subject (Topic):
Medicine and art, Physicians, Questioning, Surgery, Surgeons, Table, Deafness, Gout, Medical students, and Hearing aids
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A grotesque night scene in a churchyard. An old woman has fallen, shrieking, over the ghost, the head and shoulders of a grotesque corpse-like creature, wearing a night-cap, which seem to emerge from the ground on which he folds his arms. An elderly countryman crouches towards her, holding out his lantern. Behind him (left) is a tombstone: 'Here Lies . . .' against the railings of a handsome tomb."--British Museum online catalogue
Alternative Title:
Wither my love ah wither art thou gone
Description:
Title etched below image., Possibly a reissue; remnant of a previous imprint statement is perhaps visible behind current imprint. Letter in upper right corner may also be a later addition to the plate. Cf. British Museum impression., Open letter "D" etched in upper right corner of plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling could. [sic].", and Leaf 81 in volume 1.
