"A stout lawyer puts his left arm across the shoulders of a lean and distraught client, gripping him with a sinister show of affection, while he scrutinizes his face with the calculating smile of false friendship. He takes a sheaf of 'One' pound notes from his victim's hand. The lawyer is fashionably dressed; a brief-bag is slung from his arm. The client wears old-fashioned dress; his shoes are distended by bunions."--British Museum online catalogue
Alternative Title:
Lawyer and his client
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Law -- Brief bag -- Bunions -- Lawyers and clients.
"A grossly obese bishop, almost spherical, walks with a lean parson, right to left, and slightly towards the spectator. Both wear hat, gown, and bands. Their features are not dissimilar in type, but one is gross, carbuncled, and surly, the other lean and melancholy. One has a ticket for a 'Turtle Dinner' tucked into his waistcoat, the other holds a large Bible in both hands."--British Museum online catalogue
Alternative Title:
A master parson and his journeyman
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Parsons., Leaf 54 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.5 x 21.0 cm, on sheet 31.1 x 25.5 cm., and Watermark, trimmed: [Ed]meads 1808.
"A grossly obese bishop, almost spherical, walks with a lean parson, right to left, and slightly towards the spectator. Both wear hat, gown, and bands. Their features are not dissimilar in type, but one is gross, carbuncled, and surly, the other lean and melancholy. One has a ticket for a 'Turtle Dinner' tucked into his waistcoat, the other holds a large Bible in both hands."--British Museum online catalogue
Alternative Title:
A master parson and his journeyman
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Parsons.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two sailors, one a negro, both stripped to the waist, are seated astride a long chest, inscribed 'Arm Chest GR.', to which they are lashed, facing each other with clenched fists. Other sailors look on, amused, or fiercely intent. Behind the white pugilist stands a buxom woman clasping a bottle; she says: "Now Jack--Brail up his Peepers or Mungo --will tip you Yankey-dodle-do." A naval officer wearing a cocked hat, rests his elbow on her shoulder. All the others are rough-looking sailors and their women. In the foreground a grinning negro sailor kneels near a sailor (left) who sits on a gun smoking and drinking. The latter is the only sailor with a pigtail; it reaches below his waist. A woman looks down at the fight from a hammock. On the right two disreputable-looking women are fighting, egged on by two sailors. In the background a sailor dances with two women; he says: "I love a bit of hop--Life is ne'ar the worse for it. When in my way do drop--a Fiddl--thats your sort [cf. British Museum Satires No. 8073]." A one-legged man sitting on a gun plays a fiddle. In the foreground (right) stands a can of 'Grog.' Hammocks are slung from the roof."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Later state, with date removed from end of imprint statement., Date of publication based on complete imprint on earlier state: London, Pubd. by Thos. Tegg, 111 Cheapside, July 13th, 1812. Cf. No. 11981 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Imprint statement separated into two halves, one on each side of title., Plate numbered "164" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured."--Bottom center of design., Temporary local subject terms: Hammock -- Negro -- Fiddle -- Wooden leg -- Pugilist., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 35.1 cm, on sheet 25.6 x 41.8 cm., and Leaf 18 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two sailors, one a negro, both stripped to the waist, are seated astride a long chest, inscribed 'Arm Chest GR.', to which they are lashed, facing each other with clenched fists. Other sailors look on, amused, or fiercely intent. Behind the white pugilist stands a buxom woman clasping a bottle; she says: "Now Jack--Brail up his Peepers or Mungo --will tip you Yankey-dodle-do." A naval officer wearing a cocked hat, rests his elbow on her shoulder. All the others are rough-looking sailors and their women. In the foreground a grinning negro sailor kneels near a sailor (left) who sits on a gun smoking and drinking. The latter is the only sailor with a pigtail; it reaches below his waist. A woman looks down at the fight from a hammock. On the right two disreputable-looking women are fighting, egged on by two sailors. In the background a sailor dances with two women; he says: "I love a bit of hop--Life is ne'ar the worse for it. When in my way do drop--a Fiddl--thats your sort [cf. British Museum Satires No. 8073]." A one-legged man sitting on a gun plays a fiddle. In the foreground (right) stands a can of 'Grog.' Hammocks are slung from the roof."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Later state, with date removed from end of imprint statement., Date of publication based on complete imprint on earlier state: London, Pubd. by Thos. Tegg, 111 Cheapside, July 13th, 1812. Cf. No. 11981 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Imprint statement separated into two halves, one on each side of title., Plate numbered "164" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured."--Bottom center of design., and Temporary local subject terms: Hammock -- Negro -- Fiddle -- Wooden leg -- Pugilist.
Title etched below image., Letter "M" etched in lower left corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For a possible earlier state from 1806, see: Grego, J. Rowlandson the caricaturist, v. 2, page 63.
A sailor grasps the ears of his horse as he is hurled forward over its neck, just as they reach the edge of a cliff overlooking the ocean. In the distance is a ship at full mast. Behind them on a cliff is a castle (Dover Castle?).
Alternative Title:
Ttrip to sea
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., No. 7 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
In the center an auctioneer, hammer in hand, stands behind a podium having sold a pack of hounds with the human faces; Sheridan holds the hounds leashes. One dog sleeps on the floor as another urinates on its bone. On the left, a grey horse neighs as it is lead to the auctioneer. A clerk taking notes at a small desk to the left of the podium looks up at the auctioneer
Description:
Possibly by Williams, based on style., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., In pencil along bottom edge: Grey. P of W. Sheridan., and Mounted to 29 x 40 cm.
Publisher:
Pubd. March 17th 1812 by Wm. Holland No 11 Cockspur Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, and Sheridan, Richard Brinsley, 1751-1816
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A family conclave. A pretty young woman sits holding an infant in long clothes with curiously adult features; she turns towards an elderly man beside her (left); her sailor husband, who has risen from his chair, stares warily at his father. The old man, who wears a seaman's short jacket with knee-breeches, scowls towards his son, saying, "Why d'ye see I am an old Seaman and not easily imposed upon--I say that cant be my Son Jacks child why he has been married but three months and during that time he has been at sea--the thing is impossible you may as well tell me that my ship Nancy goes nine knots an hour in a dead calm, and now I look again its the very picture of Peter Wilkins the Soap Boiler." A dog sits beside him, much interested. The woman says: "My dear Father-in Law, Ill make it out very easily--Jack has been married to me three months--very well--I have been with child three months--which makes six--then he has been to sea three months has not he?-- and that just makes up the Nine!!" The husband: "Father, Farther [sic],--dont be too hard upon Poll--I know something of the log book myself--and d--m me but she has kept her reckoning like a true Seamans wife"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; date has been burnished from imprint statement, leaving a gap between "London, Pubd." and "by Thos. Tegg, 111 Cheapside." For an earlier state with "15 July" etched in that space, see no. 11965 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Date of publication from descriptions of earlier states in the British Museum catalogue and Grego., Plate numbered "275" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 231., and Leaf 3 in volume 4.
"A design in six compartments arranged in two rows, each with a title. [1] 'Johnnys reception by "merry Tonkanoo at Negro Ball'. The ball is in an open shed with a negro fiddler seated high on a hogshead; most of the guests watch Johnny, the only white, and 'Tonkanoo' bowing to each other. The latter is a tall negro with huge false moustache and long wig, feathered hat, and wide-cuffed coat in imitation of English dress c. 1740, with breeches and bare legs. A negro behind Johnny disperses flies with a branch. A negro couple is dancing; the ladies are fully dressed, some with tall cylindrical hats. Behind are distant mountains. [2] 'Johnny dancing with Rosa--the Planters beautiful daughter'. At the same ball all the negroes form a background of admiring spectators while Johnny, still wearing his enormous hat, dances with a pretty English girl in conventional evening dress, holding both her hands. Tonkanoo stands with his arms extended towards them. In the foreground (left) is a little naked negro Cupid with bow, quiver, and arrows, pointing to the couple. [3] 'Johnnys Courtship and professions of Love to Rosa'. Rosa reclines on a sofa under a piece of drapery looped from a tree; Johnny (left), hat in hand, kneels at her feet while the Cupid aims his bow at him. A pet monkey sits beside Rosa, and behind her (right) stands a negro girl brushing away flies with a branch. Johnny's servant is behind (left) holding an umbrella. Two cockatoos bill on a branch. [4] 'Johnny and the fair Rosa tripping to the Altar of Hymen'. The pair run hand in hand along a path which winds to a church resembling an English village church. Negro servants run after them, one holding up a large umbrella. Before them run two little negroes; one is Cupid playing a fiddle, the other, Hymen, holds up a lighted torch. In the distance, nearing the church, are the parson and his clerk. [5] 'Nuptial ceremony of Johnny and the charming Rosa'. In a Gothic church the parson with his book stands behind a cylindrical altar on which are two hearts transfixed by an arrow. Johnny puts the ring on Rosa's finger. The congregation are delighted negroes and negresses. Against the altar sit Cupid and Hymen; Cupid wears Johnny's huge hat and plays the fiddle; Hymen blows at his torch. [6] 'Johnny and his fair Bride reveling in Jollity and festive mirth'. Johnny, tipsily jovial, his father-in-law, and Rosa, sit at table, drinking, the men smoking, many bottles of 'Sangaree' on the floor. A man fiddles, and in the background a dance is in progress. Johnny wears his planter's hat, &c., as in British Museum Satires No. 11983, and has always a swarm of flies round his head. Rosa throughout wears her ball-dress, with feathers in her hair."--British Museum online catalogue, description of an earlier state
Description:
Title etched above image., State before imprint mostly burnished from plate., Plate numbered "180" in upper right corner. Also numbered in upper left: Pl. 2., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and "Price one shilling coloured."
Publisher:
Pubd. by Ts. Tegg
Subject (Topic):
Black people, Celebrations, Courtship, Dance, Intoxication, Marriage, and Musicians