V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The principal belle (right) stoops from the waist with dropped arms (the fashionable attitude), a reticule dangling from her right hand, towards a beau who is arm-in-arm with a Life Guards officer; the latter looks over his shoulder with an insolent stare. A dog shaved in the French manner barks at the lady's short petticoats. The women's dress resembles that of other caricatures of this date except that it is high to the neck. The men wear short-waisted tail-coats with loose and short trousers, generally striped, high collars, and swathed neck-cloths. Below the design: 'The Little Dog Bark'd to see such sport'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Scene in Hyde Parke
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Later state; former plate number "392" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pub. Aug. 12th, 1817, by T. Tegg, 111 Cheapside, London. Cf. No. 12939 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "192" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark on bottom edge., and Title and text following title traced over in ink, and additional text added in a contemporary hand.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Sheet trimmed within plate mark.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 48 in volume 3.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
"A dandy (left), opera-hat in hand, bends towards a lady to inspect her necklace through his glass. He has the short waist, high collar, and conspicuous watch-ribbon of the dandies, with long tight pantaloons to the ankle (cf. No. 13029). She wears a short white ball-dress, and holds up a closed fan, a shawl over her left arm. She stands at the foot of a staircase on which are flowering plants in ornamental pots. Below the title: '"Pon honor Lady Caroline, You appear a "divinity! -by Jove those Jewels are of the premiere "qualité, did Love furnish them? "On my truth Sir William You are a gay Man.'"--British Museum online catalogue
Description:
Title from caption below image., Printmaker and date from British Museum catalogue., "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819 ... She resembles Lady Caroline Lamb, the most conspicuous Lady Caroline of the day. There was a jeweller named Love."--British Museum curator's comment., Attributed to Captain Hehl in British Museum catalogue., and Sheet trimmed within plate mark.
A group of cats look at book opened to a musical score, on the right and images of mice on the left. Some of the cats are singing while one plays a trumpet; one of the cats wears spectacles. In the foreground are several other musical instruments including a violin and other volumes. The book is propped against a birdhouse from which emerges a mouse; a cloth has been draped over the birdhouse
Description:
Title from caption below image., "Vol. 3 No. 18"., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
R. Ackermann's Lithography
Subject (Topic):
Animals in human situations, Cats, Mice, Musical instruments, Musicians, and Singers
A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering "The company of undertakers". The three named quacks occupy the top, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.
Description:
Title engraved below image., Date of publication from watermark., Sheet trimmed to plate mark., Plate numbered "138" in lower left corner., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 144., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2299., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1817.
Publisher:
Printed for Bowles & Carver, No. 69 in St. Pauls Church Yard, London
Title from caption below image., Printmaker from British Museum catalogue., Plate numbered "No. 1" in upper left corner., Temporary local subject terms: Musicians -- Ballrooms -- Dancers -- Couples., and Watermark: John Hall 1816.
Title etched below image., Questionable date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female costume, 1817 -- Male costume, 1817 -- Vehicles -- Horses.
"Eight groups or couples display different dances, the names of which are in the lower margin. On the extreme left stands [1] a 'Dancing Master', thin, dandified, stooping, arms dropped, fiddle and bow in left hand, feet turned out. [2] 'Country Dance'. Three couples, 'hands across'. [3] 'Scots Reel' A man in Highland dress dances between two women in a six-hand reel. [4] 'Irish Jig'. Three bandy-legged peasants jig: man (holding up a 'Whiskey' bottle), woman, and small boy who drinks from a glass and holds a large shillelagh. [5] The centre-piece: 'La Minuet'. A very slim man in court-dress, with powdered queue, dances with a lady who holds up the train of a limp gown. Behind them is the musicians' gallery supported on two palm-tree pillars, round which serpents are twined from whose mouths gas-flames issue. A life-like 'Terpsichore' supports the drapery of the box, which is inscribed 'On the light fantastic toe'. The front of the box is decorated with fantastic dancing figures, including a Red Indian, a Harlequin, a Punch; some are in lines and dots (cf. No. 12955). The instruments are flutes, bagpipes, harp, violins, 'cello, oboe, French horn. On the right: [6] 'German Waltz', an ugly couple, her hands on his shoulders, his on her waist. [7] 'French Quadrille'. One man and three ladies face three men and one lady. [8] 'Spanish Boliero'. A couple dance, clicking castanets, the man wears slashed doublet with knee-breeches. [9] 'Ballet Italienne'. Two dancers, each poised on a toe, leg extended, holding between them a long garland of roses. Beside them dances a little Italian greyhound. The wall which forms a background is covered with pictures, flanking the gallery. 'Dancing Dogs': a man with a whip directs five dressed-up dogs on their hind-legs. 'Dancing Bear'. A man holds the muzzled bear on a chain; a dressed-up monkey capers on the bear's head; a boy plays pipe and tabor. 'Dancing Horse'. On the stage of an equestrian theatre a man in light horse uniform, a clown behind him, directs the movements of a horse. 'Rope Dancing'. A woman ascends a slanting tight-rope, while rockets explode around her. 'St Vitus's Dance'. A fat doctor, smelling his cane, holds the pulse of a capering and emaciated invalid. 'Dancing Mad'. Two men leap or prance frantically in rage or despair, while a third capers at the end of a rope by which he hangs from a gibbet."--British Museum online catalogue
Alternative Title:
Sketches of characteristic dancing
Description:
Title from caption below image. and Watermark: John Hall 1814.
Publisher:
Pubd. August 31st, 1817, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Balls (Parties), Couples, Dance, Musical instruments, Orchestras, and Trained animals
