A "line and dot" series of caricatures featuring scenes with stick figures (or "pin men"), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: "You lie, sir!", "Proceeding to blows", "Friends ending the dispute" and then a larger group of figures with the title "Dispute at cards: ending in a round game". In the second row: "In love I perceive", "Prick'd to the heart. She's gone, she's gone!", "Met to part no more", "O! Thou false wretch", "O, Sophia fairest of women", "How you teaze me Charles" and "I'll seek revenge", and a pair of designs labeled above "The effects of jealousy" and on the left "Now for the fatal blow" and "Keep your distance fellow."
Alternative Title:
Milk Street in an uproar
Description:
Title from text in upper left., Unidentified artist., Date conjectured from that of the published print of the same design., Similar to a print, published by G. Blackman in 1817, and attributed to George Cruikshank in the British Museum catalogue. Cf. Nos. 12955 and 12956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b
A "line and dot" series of caricatures featuring scenes with stick figures (or "pin men"), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: "You lie, sir!", "Proceeding to blows", "Friends ending the dispute" and then a larger group of figures with the title "Dispute at cards: proceeding to a round game". In the second row: "In love I pereceive [sic]", "Prick'd to the heart. She's gone, she's gone!", "Met to part no more", "O! Thou false wretch", "O, Sophia fairest of all women", "How you teaze me Charles" and "I'll seek revenge", and a pair of designs labeled above "The effects of jealousy" and on the left "Now for the fatal blow" and "Keep your distance fellow."
Alternative Title:
Milk Street in an uproar
Description:
Title from text in upper left., Similar prints, also published by G. Blackman in 1817, are attributed to George Cruikshank in the British Museum catalogue. Cf. Nos. 12955 and 12956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b, Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 30, 1817, by G. Blackman Junr., 362 Oxford Strt
Title from caption below image., Publication date from unverified data from local card catalog record., Eight lines of verse underneath image: Of the crafty Intriguante, I'd have you be shy, and beware of th' artillery that speakes in her eyes ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two barristers in wig and gown fight furiously with umbrellas. The aggressor (right), with outstretched left fist, rushes at his enemy with a closed umbrella which terminates in a long spike. The other, Adolphus, with legs wide astride, uses an open umbrella; his brief-bag swings from his arm. From a door on the right a constable rushes forward, holding out his crowned staff. The lower part of a staircase is on the left. Above the combatants: 'Full often we're Told & true it may be That two of a Trade can never agree'."--British Museum online catalogue
Alternative Title:
Learned Adolphus, or, A legal construction of rogues and vagrants and Legal construction of rogues and vagrants
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Later state, with altered plate number. See British Museum catalogue., Plate numbered "191" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., and Leaf 45 in volume 3.
Title from caption below image., Date of publication based on watermark., Four lines of text below image, two on either side of title: When Obadiah & his coach horse turnd. the corner rapid, furious ... Vide vol. 1st, Tristram Shan[dy]., A copy in reverse of no. 5215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Watermark: 1817., and Imperfect; artist's name mostly erased from sheet.
An image of the printing house at Strawberry Hill. A figure believed to be Thomas Kirgate stands in the road in front of the building holding a large portfolio under his arm
Description:
Title etched below image., Date from related print in the British Museum online catalogue. Cf. British Museum online catalogue. Accessions no.: 1956,1018.31., and Possibly engraved after Edward Edwards's drawing "Printing-House at Strawberry Hill 1784". The original drawing is held in The Lewis Walpole Library, Yale University.
Publisher:
publisher not identified
Subject (Name):
Kirgate, Thomas, 1734-1810,, Strawberry Hill (Twickenham, London, England),, and Strawberry Hill Press (Twickenham, London, England),
Leaf 46. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two Thames watermen stand on the river bank gaping at the explosion of a steam packet-boat, whose stern is inscribed 'For Richmond'. Wreckage flies into the air carrying with it a number of passengers, men and women, who are flung about in a dense cloud of steam high above the boat. A lady falls near an elegant wooden seat, a boy sits astride a funnel. Against the bank lies the watermen's wherry, the carved back behind the cushioned seat is inscribed: 'The Swiftsure T. Tugg Lambeth'. One says: "My Eye Ned there they go!!" The other: "Aye and a going rather out of the Road! d--ce they are got into Ayrshire insead [sic] of Surry!!""--British Museum online catalogue
Alternative Title:
Travelling by steam
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Restrike. For original issue of the plate, see no. 12920 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published in 1817; see British Museum catalogue., and On leaf 46 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
"A pretty and elegant young woman kneels on a bed supporting her elbows on the pillow. A woman stands beside her raising the girl's skirt in order to birch her, but finds her posterior covered by a life-sized mask which is a close portrait of herself. She says: "Oh ma foi! dot is mine own Head in t'oder place.""--British Museum online catalogue
Alternative Title:
Governess outwitted
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., A close copy in reverse of print published by Holland in 1799: The governess delineated, or, A pretty face spoiled. Note from Andrew Edmunds April 2019., Sheet trimmed within plate mark., and Mounted on brown paper backing to 31 x 39 cm.
Publisher:
Pubd. Jany. 1817 by S.W. Fores, 50 Piccadilly
Subject (Topic):
Governesses, Child discipline, Beds, Masks, and Young adults
