"An elderly woman, lean, old-fashioned, and spinsterish, sits on a settee, shrieking and contorted with pain. A rope is wound tightly round her waist, the ends held by vicious little demons (left and right), who tug with all their might. Four others attack her with spear, trident, needle, and knife. On the wall (right) is a picture of a fat, disreputable-looking woman drinking, bottle in hand, by a bedroom fire."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., Reissue, with new imprint statement etched above the old one that has been mostly burnished out. For an earlier state published 12 February 1819 by G. Humphrey, see no. 13438 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Year "1835" in imprint has been scored through but is still legible., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., and Temporary local Medical Library subject terms: Cholic.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
Pain, Stomach aches, Demons, Devil, Sofas, Spears, and Ropes
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., Artist identified by British Museum catalogue., and Temporary local Medical Library subject terms: Stomach disorders -- Cholic.
Publisher:
Pubd. Feby. 12, 1819, by G. Humphrey, 27 St. James's St.
Subject (Topic):
Pain, Stomach aches, Demons, Devil, Sofas, Spears, and Ropes
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The shield is a dandy's tail-coat with a pinched waist, in back view, the sleeves hooked over the left arm of the dexter supporter, and the right arm of the sinister supporter, these being dandies with the heads of apes and wearing fool's caps. From each drooping sleeve hangs a short (yellow) glove. The coat is divided by its seams, the centre-seam bisects the small figure of a dandy who is half-man, half-woman. The coat is further decorated by butterflies, stays, shirt-frill, &c. On the coat-tails are a (small) pair of breeches and two large pins. A chain is slung over the sleeves and hangs across the hips, supporting an eye-glass. The crest is a pair of tightly laced stays supporting a bulging bust, an elongated cravat, and high collar framing a wig-block with blank features and large ass's ears, and surmounted by a bell-shaped top-hat. Each supporter holds a tubular bottle of 'Eau de Cologne'. The motto: 'Dandi, Dando, Dandum' is on a scroll formed of a widely extended pair of (loose) white trousers; from this hangs, like the Order of the Fleece, a small dog. This is: 'Order of Puppyism suspended in French Siffener' [sic]. The coat is also held erect by a centre pole, and by two spurred boots, sole upwards, each resting on a toe of one of the supporters who are poised mincingly on the trousers. Below the design: 'Coat of Arms. Azure. The Sexes impaled improper between two Butterflies--Two flanches; on the dexter [i.e. sinister] flanch three pair of Stays, argent, the sinister flanch charged with Rouge Pomatm & smellg bottle, On the Canton, Dexter [sinister] a frill rampant in the sinister Canton a false collar rampant--small cloaths passive in pile supported by pins--Supporters--Two Monkies--proper-- Crest, a pr of Stays full padded--supporting a Cravat & Collar Rampant proper, holding a blockhead argent & gules, winged with asses ears proper the whole under cover of a Sable Bever'."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "326" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: Male costume: Tail-coat -- Fool's caps -- Apes as dandies -- Gloves -- Eye-glass on chain -- Stays -- Top-hat -- Trousers -- Boots., and Leaf 88 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Dandy and his postillion, or, The way to laugh up hill, Waay to laugh up hill, and Way to laugh up hill
Description:
Title etched below image., Plate numbered "354" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hobbies -- Velocipedes -- Monkey in jockey's uniform., and Watermark: J. Whatman 1819.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Dandy and his postillion, or, The way to laugh up hill, Waay to laugh up hill, and Way to laugh up hill
Description:
Title etched below image., Plate numbered "354" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hobbies -- Velocipedes -- Monkey in jockey's uniform., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 34.9 cm, on sheet 25.6 x 41.8 cm., and Leaf 67 in volume 5.
"Two designs divided by a vertical line. [1] The dandy (cf. No. 13029) sits in a squalid room, complacently adjusting his cravat in a small mirror fixed to the fire-jamb. He wears high collar, stays, with shirt-frill tied over them, short wide trousers, remnants of socks. His high-heeled spurred boots, blacking-brush, and pot stand on the boarded floor, with an open book: 'The Beau[x] Stratagem' [Farquhar's comedy]. On a small table is a paper: 'Mr Dandy for washing &c a Collar --, a -- D°, a -- D°, a-- D°'; by this is a big key (substitute for a watch) with dangling ribbon and seals. A bowl of water stands on a stool; his coat hangs from his chair, umbrella and caped overcoat (on a coat-hanger) hang against the wall. The dandy umbrella in this and other prints is tightly rolled, unlike the gamp of the period. On the chimney-piece are medicine-bottles. [2] Completely dressed, with seals dangling, he bows from the waist, looking through an eyeglass with a complacent smile. His hat conceals a bald crown."--British Museum online catalogue
Alternative Title:
At home and Dandy dressed abroad
Description:
Title from caption below images., Two separately titled images on one plate., Printmaker and date from British Museum catalogue., Publication date from unverified data from local card catalog record., and "Price 1 s".
"A bedroom scene suggesting genteel poverty, poorly furnished but with a carpeted floor. An emaciated dandy (see No. 13029) wearing a woman's beribboned cap, and a dressing-gown, with high collar, frilled shirt, and breeches, droops in a chair, attended by two friends and a visitor. The last (left) bows, holding hat and rolled umbrella, and asks "How do? Whats matt." The invalid: "Not Well--Ca-a-nt tell." One friend, wearing woman's cap, scarf, and a dangling pin-cushion, with dandy's dress, proffers a glass containing 'Dandy Water' from an effervescing bottle; he says: "Do my dear fello take this nice cordial & this pretty Gilt Pill, it will raise your delicate drooping spirits, & keep off the Hysterics, which you know distresses your tender frame so unmercifully." The other (right), who wears an apron with dandy costume, and has a medicine-bottle in a pocket, proffers the pill, supporting the shoulders of the patient. He says: "Aye my sweet fellu I will torment my own frame to death, but I will discover some new Pectoral, Balsamic envigorating tonic nervous & exhilerating Cordial for your exquisite and effeminate Constitution." All four have stick-like limbs and debased features. On the bed beside the patient lie two books: 'Ovids Art of Love' and 'Ovids Metamoposis' [sic]. On the wall hang the dandy's coat, top-boots, riding-switch, and (on a shelf) 'Wig' box, spurs, and bell-shaped top-hat. On a bare table (left) are a pin-cushion, bottles, one of 'Ruspinos Styptic' (cf. No. 10258). Under it is an open trunk heaped with articles of dress. On the ground (right) are chamber-pots and a huswife.""--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed leaving thread margins., and Watermark: Whatman.
Publisher:
Pubd. Feby. 1819 by S.W. Fores 50 Piccadilly and 112 Oxford Street
"Below each part of the procession are explanatory inscriptions beginning (left): ‘Order of Procession’. A satire on the defeat of Hobhouse by Lamb at the Westminster Election. The Rump, or remnant of Reformers, is represented by the hind-quarters of a cart-horse, with its hoofs in the air, carried on a knacker’s cart, the front of which is formed by a guillotine. This rump is on a coffin inscribed ‘Hic Jacit Rumpibus’. Two posts at the back of the cart form, with the supports of the guillotine, four uprights connected by poles, each topped by a bonnet rouge with tricolour cockade, and hung with tricolour scarves draped in black. A headsman’s axe dripping blood projects from the top of the guillotine. The cart, inscribed ‘Peter Knife Nacker Tuthill Fields’, is drawn by a miserable donkey ridden by a ragged little chimney-sweep with a bludgeon, who shouts: "Cum, hup ye xxxxx Warment or I’ll cut your xxxxx Rump off!" This is: ‘The Rump itself, borne on Mr Hobby’s Triumphal Car & drawn by an Ass.’ Two hungry dogs eye the carcass, towards which flock carrion birds. Beside the cart walk, two a side, ‘Pall bearers’, ‘Four Bum-bailiffs’, smartly dressed and vulgar-looking, whose hat-scarves are formed of writs. Behind the cart is Hobhouse riding a new velocipede or hobby-horse (see No. 13399). He weeps, holding up a handkerchief, saying: "Fare thee well, & if for ever, Then for ever Fare thee well," words appropriate to the friend of Byron, see No. 12827, &c. He wears a large tricolour mourning-scarf round his hat; a long cloak or train hangs from the collar of his coat, and is held up by Burdett and Francis Place. Captions: ‘Chief Mourner, Mr Hobbyhorse--suffering ye Tortures of the D--d!!--his Train supported by Bodkin!! & the Baronet--done over!!!’ Both wear mourning-scarves, both weep copiously, stooping forward. Place has a cabbage for a head, emblem of tailordom, cf. No. 11824, and holds a stiletto or bodkin, as if it were a dagger. Burdett says: "To think that I should have eaten salt with the Lying Chronicle!! "tis the Only act of my life,--I am ashamed of--"And, yet, it can not be for that, that all my old friends have forsaken me!!!!? "yet I could accuse me of such things, &c"-- I am very "proud, revengeful, ambitious; with more offences--at my back than I have thoughts to put them in.--" what should such a fellow as I do crawling "between earth & heaven? we are "errant Knaves beleive none of us;". At his feet is a paper: ‘Bombastes Furioso’. Place says: "What! can daunt the soul of a master Tailor?!!" yet "who would fardels bear, To groan & sweat under a weary life, When he himself might his own quietus make with a bare bodkin?" Both quote, inaccurately, ‘Hamlet’, III. i. Behind Burdett walks a dwarfish hunchback, burying his face in the former’s coat-tails; he carries a pole surmounted by ink-pot and empty purse. Long papers hang from his pocket: ‘Unpaid Bills Brooks Secty to the Rump’ and ‘Acct of money paid for Bribery &c’. He sobs: "O! Oh! Oh! O!!! The day of Reckoning is at hand!" Caption: ‘assist Mournr Master Brooke full of Cutting panes’. He is followed by four wig-blocks resting on human rumps, and having arms in which they hold poles with black and tricolour draperies inscribed ‘No Wig’. They are ‘The Rump Committee Blockheads 2 & 2--’ They are followed by a crowd of hideous ruffians, a ferocious mob led by butchers holding knives and choppers, and with candles stuck in their bonnets rouges (like sewer-men). Among them is a noseless woman; those behind have bludgeons and a broom, and hold up a (tricolour) banner inscribed: ‘No King No Lords No Coms & No Clargy No Constitution No Laws No Lamb No Nothing but Burdett & Hobby for ever & ever’. They shout: "Hob for ever!; Burdett for ever; Hobhouse; Hobhouse for ever Burdett for ever; Burdett & Hobhouse for ever no Lamb." Caption: ‘Phebotomizers 2 & 2--The rest of the followers--the Scum of Earth’. The procession (left) is headed by the hangman carrying a pole with a cross-piece inscribed ‘Equality’, from which dangle two tiny corpses; this is surmounted by a bonnet rouge. He is: ‘Mister John Ketch Esqr’. After him march four bow-legged or knock-kneed ruffians; two carry bundles of fetters, two hold banners draped with ragged black, and inscribed respectively: ‘Hold to the Laws i.e take ‘em in your own hands No Basteels’, and ‘Reform [reversed] Freedom!! and No Big Wigs’. They are: ‘Acquitted Felons two & two--’ These four wear battered hats without mourning-scarves. Behind them, and immediately in front of the ass, walks Thelwall, wearing a hat with scarf over his bonnet rouge; he holds a paper: ‘Champion’ and shambles dejectedly, saying, "If I be not ashamed of my company, I am a souc’d Gurnet:" "Ill not march through Coventry with them that’s flat". He is ‘Mr Thelwall Esqr’. Beside him is a sign-post pointing (left): ‘To the Bottom less Pit!!’ To this a rat is tied. In the foreground (right) beside the procession two ragged and disreputable women, apparently ballad-singers, sprawl on the ground. One is emaciated, under her hand is a paper: ‘The Rump for ever to the tune of Rumpt--Bum--iti’; from her mouth stream the words: "Oh! D--n my eyes I can’t stand it any longer"; in her bonnet are tricolour ribbons: ‘Hobhouse for ever’. The other, fat and angry, is supported by a hideous scavenger with a bottle inscribed ‘Bribery & Corruption’. She kicks a little ragged boy, who exclaims: "Oh! My Rump!" Caption: ‘NB The figs in ye corner represent the excessive grief of some Rumpti Tumti female Friends of the Rump’. In the background is a mound with a signpost: ‘Tothill Downs’. Down the slope a tiny figure of Hunt, wearing hunting costume, wheels (right to left) a wheelbarrow, ‘N° 38’, containing the carcass of a horse (Cartwright) inscribed ‘Universal Suffrage Annual Parliament’; he shouts "cat’s meat!" In front walks a ‘Black Dwarf’, Wooler, as in No. 12988, &c., dragging the barrow by a rope."--British Museum online catalogue
Description:
Title etched below image., Text following title: For lamentable acct. of death &c. see Rump Chronicle Extraory. March 3d, 1819., Sheet trimmed within plate mark., and Mounted on blue paper.
Publisher:
Pubd. March 22d, 1819, by G. Humphrey, 27 St. James's St., London
Subject (Geographic):
England
Subject (Name):
Great Britain. Parliament, Ketch, Jack, -1686., Broughton, John Cam Hobhouse, Baron, 1786-1869., and Melbourne, William Lamb, Viscount, 1779-1848.
Subject (Topic):
Elections, 1819, Guillotines (Punishment), Signs (Notices), Liberty cap, Political parades & rallies, Funeral processions, and Political elections
Title from caption below image., Sheet trimmed to plate mark on two sides., and Temporary local subject terms: Black servants -- Sickness -- Canope beds -- Bedrooms -- Sickness -- Gout -- West-Indians.
Publisher:
Pub. Jany. 9, 1819 by S.W. Fores 50 Piccadilly & 312 Oxford Street
