"Stoddart sits in the centre of the design blowing through a trumpet a blast of abuse towards the newly-arrived Queen (left) while holding out copies of his newspaper towards four ragged little newsboys (right), who also blow their horns with great vigour. Queen Caroline, tall, dignified, and demurely dressed in black, flinches from Stoddart's blast, and is protected by Britannia and Alderman Wood. She says: "Surely thos Fellows will not be suffered to Insult me in this manner? who is it that Sets them on? who encourages them." Britannia, seated on a very angry Lion, extends her arms, saying: "Welcome Beloved of thy People, the Mother of Englands lost -- & ever to be lamented Hope, will ever be dear to the Hearts of every true born Englishman." Wood, wearing an Alderman's gown, tries to protect her with a shield inscribed: 'No more Douglas's an Englishman's Rights, Justice & Truth'. From Stoddart's trumpet issue the words: 'Treason, Crim Con, no Rights, no Claims, no pretensions, no Prerogatives, no Patronage, no Property, no Soul to be Prayed for, no Justice, no Law, no Protection, Woe to them that espouse her Cause, Woe to them that Speak well of her!!!' At his feet lie newspapers: 'New Times', 'Morning Post', 'Courier'. Castlereagh and Sidmouth (right), who extend admonitory fingers, urge him on: the former says: "hit hard--dont spare now Dr Slop here is a fine Oppertunity for you to indulge your Spleen." Sidmouth, larger than life and shockingly malevolent, says: "Blow away my boys, spread it far and near, lay it on thick, do not stand for Trifles!!!" The biggest newsboy has a bill headed 'New Times' in his hat; another holds a bundle of the 'Courier', 'New Times', and '[Morning] Post'. A third has 'News' in his hat. Behind and between Stoddart and Castlereagh a man capers in ecstasy, waving a hat in which is a paper: 'Pardon for Edwards'. He exclaims: "Now I shall have a Job again and get better paid than before.""--British Museum online catalogue
Alternative Title:
Spies, spawns & spewers of scurrility, abuse & defamation set to work and Spies, spawns and spewers of scurrility, abuse and defamation set to work
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., 1 print : etching ; plate mark 24.8 x 35 cm, on sheet 25 x 35.5 cm., Printed on laid paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 16 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Q. Caroline," "Ald. Wood," "Dr. Slothard Ed. of New Times," "Londonderry," and "Sidmouth" are identified in ink above title; date "8 June 1820" is written in lower right. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. June 8th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Stoddart, John, 1773-1856, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Britannia (Symbolic character), Horns (Communication devices), Newspaper vendors, Newspapers, and Lions
"Seven Aldermen, with ass's ears, sit in conference (a meeting of the Court of Aldermen) in Guildhall wearing their furred gowns. The table is covered with a cloth on which are the City Arms and motto, 'Domine Direge [sic] Nos', but a turtle replaces the griffin as the sinister supporter. The arcaded wall, showing the lower part of the windows (with the City Arms), forms a background. The table is flanked by the statues of the giants, 'Gog' (left) and 'Magog' (right), on pedestals. The former, holding a staff with a spiked ball dangling from it, asks: "I say Brother what do you think of our City Asses." Magog, holding pike and shield: "Why I think Brother Gog they are a set of D--n'd Stupid Blockheads." Five Aldermen are on the farther side of the table. The other two sit facing each other at the opposite ends. In the centre sits Bridges; he says: "As late Mare I should be a Great Ass if I did not differ from those Radical Individuals who trust in their own confidence-- I say the Q--n must not go to St Pauls." On his right is Curtis, the largest and most prominent, who says with raised forefinger: "We shall have a speedy Revolution and soon [see British Museum Satires No. 11306], if she is allowed to come into the City-- I protest on my part against prayers of any description." The man at the head of the table says: "No Prayers by St Paul I say for one." The Alderman next him asks: "Where is our friend At--ns, he knows all about burning the Thames" [see British Museum Satires No. 13272]. The others (left to right) says: [1] "Let me see--Keep her out by all means." He stares through an eye-glass, shutting one eye. [2] "Oh dear we shall all be ruined if she comes." [3] "If the Q--n is prayed for we are all dished by Goles--I'll have the Caracatures taken out of the Windows." In the upper margin: 'List of the Wise Men--G. Br--s, Billy Blubber [Curtis], C. Fl--r. [Sir Charles Flower, see vol. viii], G. Sc--y [Scholey, see British Museum Satires No. 12038, &c.], S B--h [Birch, see vols. vi-ix], C. Ma--y [Magnay], W. H--y--e [Heygate].' [This list is in the order of the signatures to their letter of 28 Nov.]."--British Museum online catalogue
Alternative Title:
Seven wise men of the East, prophesying before Gog and Magog of a row in the city, November 29th, 1820
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 36 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Dec. 1820" written in black ink in lower right corner. Above the censored "List of Wise Men" at top of image are annotations in brown ink that name the men: Aldn. Bridges, Curtis, Flower, Scholey, Birch, Magnay, Heygate.
Publisher:
Published December 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bridges, George, approximately 1762-1840, Curtis, William, Sir, 1752-1829, Flower, Charles, Sir, 1763-1834, Scholey, George, -1839, Birch, Samuel, 1757-1841, Magnay, William, 1767-1826, Heygate, William, Sir, 1782-1844, and Guildhall (London, England),
Subject (Topic):
Interiors, Tables, Robes, Coats of arms, Sculpture, Arms & armament, City council members, and Hand lenses
"The King and his Ministers (with the Devil), Bloomfield, the Archbishop, and Wilberforce, proved guilty by the Green Bag, which shows that she's as innocent as we are Vile. The King tramples on [inter alia] a paper: on the necessity of punishing Bigamy, the only allusion to the latent danger that the Queen's lawyers might bring forward the marriage to Mrs. Fitzherbert. Cf. British Museum Satires No. 13305. Castlereagh claims to have done 'every thing in my power not only to deprive her of her rights and spotless name but of l-fe also'."--British Museum catalogue
Alternative Title:
Dandy of sixty severely beat by his wife
Description:
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Mounted to 39 x 58 cm., Mounted on leaf 17 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Geo. IV," "Wellington," "Sidmouth," "Liverpool," and "Leach" identified in ink below image; date "10 Nov. 1820" written in lower right corner. Typed extract of six lines from the British Museum catalogue description is pasted to the left of print.
Publisher:
Pubd. by W. Benbow, 269 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Wilberforce, William, 1759-1833, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Leach, John, 1760-1834.
Subject (Topic):
Politicians, Adultery, Devil, Bishops, Bags, and Worms
Leaf 46. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Freeborn Englishman
Description:
Title etched below image., Restrike of a plate possibly first published ca. 1820. For prints of similar title and composition, published in 1813 and 1819, see nos. 12037 and 13287 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 46 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Poor persons, Locks (Hardware), Taxes, Food, and Inkstands
"A sequel to British Museum Satires No. 13895. The Queen has reached the top of the column; she is blindfolded and wears a fool's cap; but the column is shattered by the radicals, and she falls backwards, dropping sceptre and firebrand. The pedestal tilts, the column is broken in three, and the summit is being hauled down by a rope tugged at by a cheering mob of radicals with pikes. Flames and towering clouds of smoke ascend from a large fire at its base, on which a Bible inscribed 'I H S' and books of 'Laws' and 'Religion' are burning. The Black Dwarf (Wooler, see British Museum Satires No. 12988), kneeling, blows it with bellows. Crown, Bible, and cushion fall from the column. Hunt cheers the catastrophe, waving his cap, as do others. There is a tricolour banner topped by a skull and inscribed 'Blood & Plunder'. Cobbett (?) is now on the top of the Queen's ladder, with (?) Wood who cheers from a lower rung."--British Museum online catalogue
Description:
Title etched below image., State from British Museum catalogue. For an earlier state published 28 October 1820 as a plate to The Loyalist's magazine, see no. 13902 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark on right and left sides., Companion print to: The radical ladder., and Mounted on page 5 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Wooler, T. J. 1786?-1853 (Thomas Jonathan),, and Cobbett, William, 1763-1835
Subject (Topic):
Ladders, Columns, Torches, Crowns, Bibles, Liberty cap, Blindfolds, Fires, Bellows, and Crowds
"The Princess of Wales, squat and fat, wearing a short transparent dress, adjusts her hair at a large glass above a console table on which lies her black mask. Bergami stands beside her, holding a scarf and a box of 'Essence Bergamy'; he wears orders (see British Museum Satires No. 13810, &c.). She asks: "Comment me trouves tu Mon cour" [sic]? He answers: "Je t'aime mieux comme" / "cela, mon Ange". Through a window reaching to the floor (right) is seen Vesuvius."--British Museum online catalogue
Alternative Title:
Dressing for a masked ball at Naples
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., and Mounted on page 4 of: George Humphrey shop album.
Publisher:
Pubd. October 1820 by G. Humphrey, St. James St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Obesity, Mirrors, Grooming, Masks, and Volcanoes
"The Princess of Wales, squat and fat, wearing a short transparent dress, adjusts her hair at a large glass above a console table on which lies her black mask. Bergami stands beside her, holding a scarf and a box of 'Essence Bergamy'; he wears orders (see British Museum Satires No. 13810, &c.). She asks: "Comment me trouves tu Mon cour" [sic]? He answers: "Je t'aime mieux comme" / "cela, mon Ange". Through a window reaching to the floor (right) is seen Vesuvius."--British Museum online catalogue
Alternative Title:
Dressing for a masked ball at Naples
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., 1 print : etching with stipple ; plate mark 23.4 x 26.3 cm, on sheet 23.8 x 26.6 cm., Printed on wove paper with watermark "J. Whatman 1821"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 100 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline" and "Bergami" identified in ink below image; date "Oct. 1820" written in lower right corner of sheet. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. October 1820 by G. Humphrey, St. James St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Obesity, Mirrors, Grooming, Masks, and Volcanoes
"Heading to a printed broadside. The King, on a dais, sits at a table between Eldon and Castlereagh, with Liverpool (?) under the table (from fear). All are terrified at the Bill, a creature, surrounded by clouds, with stick-like limbs, supported on broken crutches and a body formed of a rolled document: 'Bill of Pains and Penalties'. The apparition interrupts a Cabinet meeting, only three Ministers are depicted, others being mentioned; the King departs to Windsor to escape the Ghost, which has addressed them. The thirteenth and sixteenth of nineteen verses: Two crutches supported its figure so drear, Two props almost broken in pieces; And as the wan spectre advanced to them near, They saw one inscribed "Ministerial fear," On the other was, "Royal Caprices." "Ah! see to my heart how fraud-hating Gr--y His vigorous weapon home thrust: Through here the bold sword of a L--nsd--n made way: Noble H--ll--nd struck here with impetuous sway, Uprous'd in a struggle so just."--British Museum online catalogue
Alternative Title:
C-rlt-n Palace haunted and Carlton Palace haunted
Description:
Title printed in letterpress below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark on two sides., Nineteen stanzas of verse in two columns below title, printed in letterpress: 'Twas midnight! - an awful beginning, you'll say - That witching and ghost-breeding time! ..., With a key to seven symbols printed beneath nineteenth stanza, at foot of right column: * Vide Majocchi's re-cross-examination. ..., Mounted to 58 x 39 cm., Mounted on leaf 101 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Eldon" and "Londondery [sic]" identified in ink below image; date "Oct. 1820" written beneath lower right corner of image. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Scott, printer, Great New Street, Fetter Lane, London
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Politics and government, Political satire, English, Chairs, Tables, Chandeliers, Documents, Legislation, Supernatural beings, Crutches, and Fear
"A sequence of six designs in two rows. [1] 'Begging before the Door of his Benefactor.' Young Leach, as a crossing-sweeper, holds out his hat to a gentleman who amiably puts in a coin. The latter walks away from a street-door with a plate inscribed 'Sir Robt Taylor'. [2] 'In the Service of his Benefactor.' Leach, as a young footman in livery, walks behind Taylor and his wife, who are returning from a country church. He carries cane and prayer-book. [3] 'As Clerk to his Benefactor.' Leach writes at a desk in a bare room, with a shelf of books high on the wall. [4] 'Now a Lawyer!!!' He sits in a well-furnished room, smilingly giving advice to a dismayed client (cf. British Museum Satires No. 11931, &c.). [5] 'Becomes a Counsellor!!! Thanks to his Benefactor.' Scene in court, with a crowded gallery. As one of a row of barristers Leach makes an impassioned appeal to the judge. [6] 'And now a Judge!!! Thanks to the Nation.' From the bench he looks down at a row of barristers. After the title: 'Every Merit should be Awarded to a Man for having raised himself from Beggary to so prominent a Station. The utmost Hatred, does that Man deserve who would create Despotism in our Land.'"--British Museum online catalogue
Alternative Title:
Gradations of a Vice Chancellor and "'Tis better to be born lucky than rich"
Description:
Title from text below image., Publisher's statement written in ink on separate piece of paper (11 x 38 mm) pasted below lower left corner of image., Date of publication from the British Museum catalogue., Imperfect; sheet trimmed with partial loss of statement of responsibility from lower right. Missing text supplied from the British Museum catalogue., and Mounted on page 22 of: George Humphrey shop album.
Publisher:
Pubd. by Garmeson, No. 2 St. Swithins Lane, Lombard Stt.
Subject (Name):
Leach, John, 1760-1834 and Taylor, Robert, Sir, 1714-1788
"Heading to a printed broadside. An enormous leech with the head and wig of Sir John Leach (see British Museum Satires No. 13740) advances menacingly upon three little men (right) who flee. Three others (left) register disgust, holding their noses. They say: "Tom T--dman's cart is nothing to compare to it; It stinks worse than a Pole-cat; D--n it what a Stench." A woman staggers backwards, saying: "Bring me a Smelling Bottle or I shall Die." One man lies on the ground fainting or dead. The leech is backed by clouds of smoke. Below the title: "The common damn'd shun its society, and think themselves fiends less foul." The text describes 'the Great Black Leech lately discovered at Milan . . .' procured 'at a great expense, at the special instance of the State "Doctor" [Sidmouth], . . . for 'the performance of an operation to relieve the Great Man's complaint' (a troubled mind). It was abortive and he is 'worse than ever'. Attempts to check its 'vicious propensities' were vain 'until Dr. Hone skilfully applied some "printer's ink" to it'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., 1 print : etching with roulette ; plate mark 10.2 x 18 cm, on sheet 12.1 x 19 cm., Printed on wove paper; hand-colored., Imperfect; sheet has been cut in half, with bottom portion (12.6 x 18.5 cm) containing most of the letterpress text mounted separately beside upper portion containing the engraved plate. Imprint statement has also been trimmed away., and Mounted on page 23 of: George Humphrey shop album.
Publisher:
Printed and published by W. Benbow, 269 Strand
Subject (Name):
Leach, John, 1760-1834, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and George IV, King of Great Britain, 1762-1830.
