"Lyndhurst stands beside a dressing-table (left), in shirt-sleeves, wearing his Chancellor's wig. He puts one hand into the arm-hole of a coat which a footman in livery holds out, saying, 'Your Lordship's Coat is become very threadbare for you know you turned it only last year--& it has been turned before that: so I much doubt if it will bear turning any more-- Can't you afford to buy a new one now her Ladyship earns her own Expenses?-- Doodle pays all her bills and gives her every thing she can wish for.' Lyndhurst: 'Alas! she'll get no more out of Doodle! he has quite kicked her off--She is just now gone to Cumberland to try after a service there which perhaps may enable me to keep still sitting on Wool, if I can but turn this Coat once more & look decent.' On a settee (right) are the mace, Purse of the Great Seal, and the Chancellor's gown."--British Museum online catalogue
Description:
Title etched below image. and Print signed using William Heath's device: A man with an umbrella.
Publisher:
Pub. March 24, 1829, by T. McLean, 26 Haymarket
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Lyndhurst, Sarah Garay, Lady, 1795-1834., and Dudley, John William Ward, Earl of, 1781-1833.
Subject (Topic):
Dressing tables, Mirrors, Servants, Wigs, Coats, Ceremonial maces, and Robes
"Peel, as a dustman, stands with legs apart, smoking a pipe and looking to the left. In his right hand is his hand-bell, marked with the Royal Arms, in the left broom and shovel. He is handsome and stalwart, the dress is becoming. Above: 'I dont, vunder I looks black I has all the dirty work in the Parish to do.'"--British Museum online catalogeue
Description:
Title etched below image., Series title etched above image., and Paul Pry is the pseudonym of William Heath.
Publisher:
Pub. June 12 1829 by T. McLean 26 Haymarket sole publisher of P. Prys caricatures - none are original without T. McLeans name
Subject (Name):
Peel, Robert, 1788-1850
Subject (Topic):
Garbage collecting and People associated with manual labor
Title from item., Sheet trimmed within plate mark., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., and Temporary local subject terms: Catholic emancipation bill, 1829 -- Food: pudding -- Clergy: pope.
Publisher:
Pub. by Richardson & Co., 1, Birchin Lane, Cornhill
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, O'Connell, Daniel, 1775-1847, and Pius VIII, Pope, 1761-1830
Title etched below image., Text below title: He looks like a squire of high degree, when dressed in his Sunday clothe's. Rosini., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. J. 1829 by S. Gans, Southampton Street, Strand
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman.
"Four isolated characters, each surmounted by a caption. 'A Corinthian' [cf. BM Satires No. 14320]. A raffish would-be fashionable wearing a fur-collared coat, his tie passed through a ring, holds an eye-glass in one gloved hand, a long bill in the other. He looks over his shoulder to say 'I'll call and pay. A regular bad one'. A burly fellow with a squint, looking like a coachman, in battered hat, double-breasted greatcoat, and top-boots, stands full-face, saying, 'Vy I did pay!!!' An unfortunate. An old and emaciated man wearing a tattered apron over clothes once respectable, says with a hopeless gesture 'I can't pay!' A little ragged girl weeps beside him. 'Lawyer. Shark'. An elderly paunchy and truculent lawyer with a brief tied with red tape under his arm, says with a scowl 'I shan't pay!!!!'"--British Museum online catalogue
Description:
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., and Text above image: A Corinthian, a regular bad one, an unfortunate, lawyer, shark.
Title from caption below images., Print signed using William Heath's device: A man with an umbrella., and Design consists of two panels side by side, each individually titled.
"In the foreground are Wellington and Peel as grave-diggers; Eldon, a stout elderly Hamlet wearing a cloak, stands (left) holding a skull, and saying: "Here's fine revolution and [sic] we had the trick to see it." Wellington stands in a grave, in profile to the left, wielding a pickaxe. His shirt-sleeves are rolled up, he wears a small cap; his military coat, cocked hat, and sword lie beside him. He says to Peel: 'Come take off the Orange Peel [see British Museum Satires No. 15683] quickly, I can't get on without you.' Peel, wearing garments of green slashed with orange, is about to take off an orange waistcoat (cf. British Museum Satires No. 15701). He answers 'I'll change my self before you can say Jack Robinson.' On the extreme right are the posterior and left leg of George IV (as in British Museum Satires No. 12803) who is scurrying off to the right, beside a tombstone which serves as sign-post and is inscribed 'To Hanover' [see British Museum Satires No. 15704]. In the middle distance (right) is the funeral procession, the coffin carried by four bearers with a pall inscribed 'Constitution 1829'. On it stand a large crown and mitre with papers: 'Magna Charta' and 'Bill of Rights'. It is followed by one mourner in cloak and scarf (J. B.), who covers his face with a despairing gesture, exclaiming 'Oh! dear! Oh! dear, what will become of Mrs Bull, & all my little Bulls?-- We shall have nothing but the Popes Bulls. Oh my--' Behind are (left) St. Paul's and (right) York Minster. The pediment of the former is inscribed 'St Pauls now St Patricks' [cf. British Museum Satires No. 11898]. On the steps, about to enter, is the Pope, rollicking indecently between a monk (left) and O'Connell (right) in wig and gown. The Pope: 'Och! my darling you have done the job. fal lal la!!' O'Connell: 'Huzza! Huzza! Ould Ireland for ever! Huzza!!!' Behind them (left) capers a ragged Irishman, playing bagpipes and shouting 'St Patrick day in the morning!! Och! my Darlings!' An Irish crowd is indicated in the background. Farther from the spectator is York Minster, blazing furiously, flames and smoke covering the sky; an incendiary with a firebrand (Martin, see British Museum Satires No. 15658) rushes from the building, striding across a paper inscribed 'Blanco [scored through] Black is White'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Text beneath lower right corner of image: Hamlet, Act Vth, Scene a church-yard. Enter two clowns with spades., and Laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. March 1829 by T. McLean, Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, York Minster,, Shakespeare, William, 1564-1616., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, George IV, King of Great Britain, 1762-1830, Leo XII, Pope, 1760-1829, and O'Connell, Daniel, 1775-1847
Title from caption below image., Approximations of Chinese characters precede each line of text., Imprint statement mostly erased from sheet. Publication information from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Print numbered in pencil in upper right corner: 4., and Imprint statement mostly erased from sheet.
Title from caption below image., Publication information from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
