"In the centre of the design is an open grave from which a hand raises a wand topped by miniature antlers. It divides Lady Graves (left), youthful and handsome, from Cumberland, in the uniform of the Royal Horse Guards (Blues). They advance towards each other, he with arms outstretched. The title (her words) continues: 'Then come my love TO TIHS' [sic] (his words)."--British Museum online catalogue
Alternative Title:
Alas there is no happiness on this side the grave!!! : - Then come my love to this and Resurrectionist
Description:
Title etched below image; alternative title etched above image: The resurrectionist., Later state, with text added above image; for an earlier state lacking this text, see no. 16012 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., Imprint continues: ... sole pub. of W. Heaths etching., and Sheet trimmed within plate mark.
Publisher:
Pub. Feb. 1st, 1830, by T. McLean, 26 Haymarket ...
Subject (Name):
Graves, Mary Paget, Lady, 1783-1835 and Ernest Augustus, King of Hanover, 1771-1851
King William IV dressed as a sailor dances in the centre of a semicircle of ministers who have black bodies and are partially draped. Among the ministers are Peel and Scarlett on the left, Lyndhurst and Wellington on the right both of whom wear nose-rings. Scarlett encircles Ellenborough, who, with Sugden, is behind the King. Their tribal dance celebration alludes to the relief that the ministers must have felt to be able to retain their positions with the new reign. William IV was a popular King and a stark contrast to George IV and was liable to wild bursts of passion as is suggested here. He and the Duke of Wellington (then prime minister) got on very well, hence the retainment of his ministers. He is dressed in sailor garb in reference to his years in the navy. The tribal dress of the ministers refers to the far-flung shores that William visited
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pub. July 19, 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britian.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Scarlett, James, Sir, 1769-1844, Ellenborough, Edward Law, Baron, 1750-1818, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sugden, Edward Burtenshaw, 1781-1875, George IV, King of Great Britain, 1762-1830., William IV, King of Great Britain, 1765-1837., Wellington, Arthur Wellesley, Duke of, 1769-1852., Scarlett, James, Sir, 1769-1844., Peel, Robert, 1788-1850., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Ellenborough, Edward Law, Baron, 1750-1818.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[1830]
Call Number:
830.00.00.78+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Pig-keeping., and Watermark: 1828.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Indecipherable text following artist's signature., Imprint continues: ... where political and other caricatuers are daily pub., the largest collection of any house., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Date of publication from unverified datat from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman.
Design consists of two images with individual titles above. In the upper image "An obliging disposition" a gentleman in a chaise longue is asked by his visitor to cover his debt: "Sir, you will oblige me to pay this bill, if not I must oblige you". On the wall behind them is a print showing a boxer; on floor beside the chaise are a pair of epees, a portfolio, and boxing gloves and In the image below, Manors make the man, a country gentleman with a walking stick addresses a country bumpkin. They exchange in conversation: Do you know sir that you are fishing in my Manor? No sir, I thought I was fishing in my own manner
Alternative Title:
More scraps
Description:
Title from text below lower image., Plate numbered in upper right corner: No. 4., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published April 1, 1830, by R. Ackermann, 96 Strand and Printed by Engelmann, Graf, Coindet & Co.
At the door leading into a squalid room, a girl in a ragged shift asks her neighbor, "Please Mister Saveall, Father says will you lend him your bellis to blow our fire up, as he's broke our'n." He is also dressed in ragged, patched clothes and sits on an overturned, broken chair as he uses a bellows to fan the fire below a kettle in the fireplace. He turns back and says over his shoulder, "Tell your Father that I never makes a practice of lending my things out to any body, but if he likes to come here he may blow all day if he chooses."
Alternative Title:
Obliging neighbour!
Description:
Title from caption below image., Sheet trimmed to plate mark leaving thread margins., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A sleeping man on his back in a bed, is attached to a machine that is undressing him, pulling his pants off and his arms out of his sleeves, as other parts of the machine prepare to pull his nightcap and sleeping shirt over his head
Alternative Title:
Apparatus to undress and cover up when sleepy
Description:
Ttitle etched below image., Series title etched above image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman Turkey Mill.
Publisher:
Pubd. by T. McLean, 26 Haymarket and Printed by J. Netherclift
Subject (Topic):
Automation, Beds, Machinery, Sleepwear, and Undressing
