Subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and the other resting an outline portrait against a sculpture of many-breasted Diana of Ephesus
Description:
Title, printmaker, state, and date from Paulson., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Lettered below the verse with subscription receipt: "Rec'd [blank] of [blank] a half a guinea being [the] first payment for two six prints of a Harlot's progress which I promise to deliver when finish'd, on one half guinea more.", Pencilled notes in Steevens' hand. Above a group of three: Boys Peeping at Nature, a Receipt for the Harlot's Progress. See Mr. Nichols's Book, 3d Edit. p. 188. 319. On mount sheet, below print: Very scarce,, and On page 57 in volume 1. Plate cropped below design to: 103 x 125 mm, mounted to 139 x 140 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
Subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and the other resting an outline portrait against a sculpture of many-breasted Diana of Ephesus
Description:
Title, printmaker, state, and date from Paulson., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Lettered below the verse with subscription receipt: "Rec'd [blank] of [blank] a half a guinea being [the] first payment for two six prints of a Harlot's progress which I promise to deliver when finish'd, on one half guinea more.", and With ms. annotations in William Hogarth's hand indicating the receipt of a half guinea from Ebenezer Forrest, with Hogarth's signature and seal. Mounted on a sheet with a fragment of a letter from Giles Hussey addressed to "Frs. [Francis] Webb Esqr. at Sir Isaac Heard's, College of Arms, London" and stamped with a redirect to Shaftsbury. The letter can be dated to the period 1786-1788, after Isaac Heard was knighted (in 1786) and before Hussey died (in 1788).
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
The frontispiece to an enlarged version of Henry Fielding's The tragedy of tragedies ... London : Printed and sold by J. Roberts, 1731. Hogarth chose Act II, scene viii, a burlesque of the meeting of Octavia nd Cleopatra in Drydens' All for love. The Princess Huncamunca and the Amazon Glumdalca, rivals for the love of Thumb. Hogarth show Huncamunca with large breasts and heavy arms, thick neck, and cherubic countenance
Description:
Title and date from Paulson., Sheet trimmed to plate mark., Note in Steevens's hand above: Tom thumb / 171., and On page 52 in volume 1.
The prisoner Gulliver is shown being presented to the Queen of Babilary
Alternative Title:
Gulliver presented to the Queen of Babilary
Description:
Title from Paulson., Caption title below image: Gulliver presented to the Queen of Babilary., Sheet trimmed to plate mark., Ms. note above print in Steevens's hand: Gulliver 171., and On page 52 in volume 1. Plate trimmed to: sheet 14.3 x 7.7 cm.
Mr. Pulteney duels with Lord Hervey in a country road, an open field behind them and in the distance trees against a dark, cloudy sky. In the foreground on the right stands the figure of Sir Robert Walpole who points to the two duelers
Description:
Title and imprint from British Museum catalogue., Sheet partially trimmed within plate mark., Truman's notes about the print are shelved as: LWL Mss Group 1 File 1., Subjects identified below image in contemporary hand., and Window mounted to 20 x 26 cm.
Publisher:
publisher not identified
Subject (Name):
Bath, William Pulteney, Earl of, 1684-1764, Ickworth, John Hervey, Baron, 1696-1743, and Walpole, Robert, Earl of Orford, 1676-1745
