Title etched within image., Publication attributed to John Bowles and dated based on imprint from other prints in the series., Print for June. One of a series of etchings representing the months of the year. Only the image for January has the series title "Lilliputian figures"., Six lines of verse below title: So sweet you look my honey suckle, who would not to your beauty bruckle ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lilliputians., Month designation in series erased from this impression?, and Restrike date suggested in an unverified card catalog record: ca. 1810.
Title etched within image., Publication attributed to John Bowles and dated based on imprint from other prints in the series., Print for March. One of a series of etchings representing the months; only the image for January has the series title "Lilliputian figures"., Six lines of verse below title: So often Dick you take a pot, That half your business is forgot ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lilliputians., Month designation in series erased from this impression., and Restrike date suggested in an unverified card catalog record: ca. 1810.
"Satire on marriage, illustrating a riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbours in procession. The couple ride on one horse, the man facing the tail, preceded by another man on horseback who throws grain from a pannier to the crowd. Further to the right, cuckold's horns in the form of a stag's head, a ram's head and a cow's head are held aloft, the latter attached to a woman's shift, and "rough music" is played on pots and pans. In the background, is a river and a similar procession takes place on the far bank.."--British Museum online catalogue, description of an earlier state
Description:
Title from text above image., Undated later state, by a different publisher; see No.1703 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Four columns of verse below image: First pans and kettles of all keys, from trebles, down to double bass ..., Temporary local subject terms: Fairs: "Horn Fair", Charlton, Kent -- Banners: Horns and women's undergarments used as banners on stick -- Kitchen utensils: pots as noisemakers -- Ladles -- Horns: stag's head and antlers on stick -- Ram's horns on stick -- Cow's horns on stick -- Grain -- Distaffs -- Processions: Skimmington -- Buildings: cottages -- Rowboats -- Alehouses -- Signs with horns -- Tubs on poles -- Matrimony -- Countrymen -- Swans -- Shrews -- Literature: verse purported to be from Hudibras by Samuel Butler, 1612-1680., Watermark and countermark., "Hudibras" at the end of verse erased from this impression., and Mounted to 36 x 51 cm.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill
Subject (Topic):
Parades & processions, Spouses, Marriage, Dwellings, Dogs, and Horses
A "Lilliputian" couple in the costume of late 17th century walk from right to left, the verse engraved below them. The design and verse are encirled by a rococco border which incorporates objects and figures that amplify the subject verse
Alternative Title:
Sir Jeffrey Jumble and my lady Grave-airs
Description:
Title from item., Later state of one of a series of etchings representing the months of the year. The month name "January" has been burnished from the top of the image, as has the text "The twelve months represented by" that was present above the remaining text "Lilliputian figures". For an earlier state, see British Museum online catalogue, registration no.: 1874,0214.1., Date of publication based on the ca. 1840 date given in the British Museum for the earlier state of the plate., Six lines of verse below title: Dear Duck, while thus abroad we go, expos'd to chilling frost and snow ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title, including month designation, partially erased from this impression., Traces of an earlier imprint burnished from plate and replaced with John Bowles's publication line., and Suggested restrike date in an unverified card catalog record: ca. 1810.
Publisher:
Printed and sold by Iohn Bowles at the Black Horse in Cornhill
Sir Tony Watch-waters and Dame Grizell his beautiful wife
Description:
Title etched within item., Publication attributed to John Bowles and dated based on imprint from other prints in the series., Print for August. One of a series of etchings representing the months of the year. Only the image for January has the series title "Lilliputian figures"., Six lines of verse below title: Hah madam, have I caught ye napping, how luckily for me things happen ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lilliputians., Month designation in series erased from this impression., and Suggested restrike date in an unverified card catalog record: ca. 1810.
publishd [sic] according to act of Parliament, March 12 1739/40.
Call Number:
740.01.00.01++
Image Count:
1
Resource Type:
still image
Alternative Title:
European coursers, heat I
Description:
Title from item., Sheet trimmed within plate mark., "Pr. 1s."--Following imprint., Three columns of verse below image: What secret springs to action princes move Inferior mortals strive in vain to prove ..., Temporary local subject terms: Emblems: trade revived., Bowditch's ms. notes on mounting sheet., Some damage to bottom edge resulting in minor loss of text in imprint and price., and Mounted to 43 x 56 cm.
Publisher:
Printed & sold by Ed. Ryland in Ave Mary Lane, Ludgate Street, London
publish'd according to act of Parliament 25 March 1740.
Call Number:
740.03.25.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: America -- Cuba -- Havanna -- Clergy: cardinals -- Personifications: figure of Folly -- Figure of Fortune -- Robert Jenkins -- Mottoes: aut mors aut victoria., Annotation in unidentified hand below image., Restrike?, and Mounted to 34 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
"Portrait, three-quarter length directed to right, seated on a bank, left elbow leaning on a stone ledge, right hand in her lap, looking towards the viewer, wearing a loose dress, night landscape int he background."--British Museum online catalogue
Alternative Title:
Right Honourable the Countess of Jersey
Description:
Title from text below image., State from: Smith, J.C. British mezzotinto portraits., Mounted on leaf numbered 47 in an album of 49 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Publisher:
Printed for T. Bowles in St. Pauls Church Yard & John Bowles & Son at the Black Horse in Cornhil
Title from item., Sheet trimmed within plate mark at bottom., Plate numbered '45' in upper right corner., Dedication below title: To the Right Honble the Lord Walpole these four plates are humbly inscribd [sic]., Engraved song sheet with an etching at top of plate. Music for voice on two staves with interlinear words., Opening words: Fill ye bond wth [sic] flowing measure ..., Plate from: The Musical entertainer / George Bickham, v. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Plate number erased from this impression.
"Satire on butchers showing a calf as a butcher holding an axe and a cleaver, with a meat tray as a breastplate, a candle in his hat, and a steel hanging from his apron. In the background, the enclosure of Smithfield market (with street lamps against the fences) in which a group of men with sticks and dogs chase a runaway ox; the entrance to St Bartholomew's hospital and the distant dome of St Paul's Cathedral beyond. Enclosed in a delicate frame a sheep's fleece hanging between verses below; these allude to the butcher's manly strength and his wife's consequent faithfulness."--British Museum online catalogue, description of earlier state
Description:
Title etched within image., Originaly published ca. 1740 by George Bickham. See no. 2470 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., One of a series of prints representing various tradesmen made up from tools of their own trade., and Two columns of verse below image: Old Aesop who in morals did surpass, wrapt in a lion's skin, produc'd an ass ...
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Smithfield Market, and St. Paul's Cathedral (London, England),
Subject (Topic):
Arcimboldesque figures, Butchers, Equipment, and Street lights
