Portrait of philanthropist Thomas Coram, shown bust-length to right within oval frame, eyes to the right, his shoulder-length hair loose, wearing plain, open coat and white necktie; after Hogarth. Below frame, a "frontview of [the] Founding Hospital."
Description:
Title from text in image., Imperfect; sheet trimmed within plate mark with loss of printmaker's signature and imprint from bottom edge, and periodical's name and date from top edge. Missing text supplied from impression in the British Museum, registration no.: 1880,1113.4783., Plate from: The London magazine, or, Gentleman's monthly intelligencer. London : R. Baldwin, v. 18 (1749), opposite p. 239., "Engrav'd for [the] London magazine 1749"--Above image., and On page 107 in volume 2.
Publisher:
Printed for R. Baldwin Junr. at the Rose in Pater Noster Row
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Description:
Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., 1 print : engraving with etching on laid paper ; plate mark 37.8 x 28.4 cm, on sheet 43.7 x 33.5 cm., and Mounted on leaf 1 in: Album of William Hogarth prints.
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Description:
Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., and Imperfect impression; all but date erased. Sheet trimmed within plate mark.
Self-portrait after the painting in the Tate; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin, and palette. On the palette is engraved the title "The line of beauty."
Description:
Title engraved below image., State and publisher from Paulson., Earlier state of this plate was used as the frontispiece to Hogarth's Folios., and On page 1 in volume 1, used as bookplate. Sheet 380 x 285 mm.
Opposite page 15. Trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right
Image Count:
1
Resource Type:
still image
Abstract:
An engraving, showing a scene from the Venetian Ambassadors Masquerade in which Miss Chudleigh appears wearing stockings, shoes, and a tunic, the last covering only a very small portion of her person, and taking off her mask on being seized round the waist by a gentleman. "Punch", "Judy", and another masquerader, George II?, are behind
Description:
Title from text below image., Attributed to Charles Moseley in the British Museum online catalogue, registration no.: 1868,0808.3894., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., "Price 6 d."--Lower right corner of plate., and Bound in opposite page 15 in an extra-illustrated copy of: The trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right Honourable the House of Peers ... London : Printed for Charles Bathurst, in Fleet-Street, MDCCLXXVI [1776].
Publisher:
publisher not identified
Subject (Geographic):
England and England.
Subject (Name):
Bristol, Elizabeth Chudleigh, Countess of, 1720-1788 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788.
publish's according to act of Parliament, July 15th, [1749]
Call Number:
749.07.15.01+ Impression 1
Image Count:
1
Resource Type:
still image
Alternative Title:
Mars on his knees
Description:
Title etched below image., Sheet trimmed within plate mark., 'Price 6d.'--Lower right corner., Two lines of verse below title: Musick hath charms to soothe the savage breast! / To soften rocks, and bend the knotted oak. Congrave [sic]., and Temporary local subject terms: Savoyards -- Mythology: allusion to Mars -- Buildings: Eton College -- Peasants -- Royal Arms -- 'The great fat hog to be seen alive' -- Literature: quotation from The mourning bride by William Congreve, 1670-1729.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765
Subject (Topic):
Musical instruments, Organ grinders, and Signs (Notices)
The Duke of Cumberland rides a horse towards the left; in the distance are buildings which are labelled 'Eton College'. From his mouth come the words, "My all is in my possession, possession, possession. My all is in my posession. Mounted behind him on the horse is a pretty, young woman playing a hurdy-gurdy. From her mouth, the words, "Virgins are like [the] fair flowers in its lustre." A large belt labelled "The girdle of affection" encircles the two riders waists. A distressed young peasant, the girl's brother, chases the horse, crying, "My dear sister. Stop 'e. Stop 'e. Stop 'e. O, I fear she's gone for aye." He carries the box for the hurdy-gurdy on his back. An allusion to the Savoyards - and Mars. Quotation from Twelfth night, I.i.1, by William Shakespeare, 1564-1616
Alternative Title:
Mars on his journey
Description:
Title engraved below image., Sheet trimmed to plate mark., 'Price 6d.'--Lower right corner., One line of verse added after title: If musick be the food of love, play on. Gay., Temporary local subject terms: Savoyards -- Mythology: allusion to Mars., and Watermark: Strasburg bend with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765
Title from item., Sheet trimmed within plate mark., Plate from: The London magazine; or, Gentleman's monthly intelligencer. London : Printed for R. Baldwin, v. 88 (1749), p. 282., Not in the Catalogue of engraved British portraits ... in the British Museum., and Window mounted to 15 x 23 cm.
Publisher:
Printed for R. Baldwin junr. at [the] Rose in Pater Noster Row
Subject (Name):
Garrick, David, 1717-1779, and Garrick, Eva Marie, 1724-1822,
A portrait of Hogarth in profile, looking right, with a pencil in his right hand poised above an open book in his left hand. He wears a cocked hat on his head. Adapted from his self-portrait in "The Gate of Calais."
Description:
Title from engraved text in frame encicling the portrait., Numbered '12' above image., Cf. No. 3066 in the Catalogue of political and personal satires preserved in the Department of Prints and Drawings in the British Museum, v. 3., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand centered above this print and one to left: See Mr. Nichols's book, 3d. edt., p. 297., and On page 147 in volume 2.
Publisher:
Publish'd according to act of Parliament by r. Sayer opposite Fetter Lane
A portrait of Hogarth in profile, looking right, with a pencil in his right hand poised above an open book in his left hand. He wears a cocked hat on his head. Adapted from his self-portrait in "The Gate of Calais."
Description:
Title from engraved text above image. and Date based on similar print published by R. Sayer. See no. 3066 in the Catalogue of political and personal satires preserved in the Department of Prints and Drawings in the British Museum, v. 3.
