"Portrait of Frances Howard, Duchess of Richmond, three-quarter length standing in a room wearing elaborate jewellery; a deceptive copy of the late XVIIIc of the print by Willem de Passe."--British Museum online catalogue
Alternative Title:
Portraiture of the illustrious Princess Frances Duchess of Richmond and Lennox
Description:
Title etched below image., Title continues: ... daugter [sic] of Thomas Ld. Howard of Bindon, sonne of Thomas Duke of Norfok., whose mother was Elisabeth daughter of Edward Duke of Buckingham., Date of publication from British Museum online catalogue, registration no.: Y,5.116., Text below title: Anno 1623 insculptum a Guilh. Passeo Londinum., Sheet trimmed within plate mark., and Mounted on page 129 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Page 185. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Birds'-eye view down the River Thames, looking towards Westminster; Somerset House is seen on the right, with Westminster Abbey and Bridge in the mid-distance; many boats are on the water
Alternative Title:
Southeast prospect of Westminster
Description:
Title etched below image., "Engrav'd for the Universal Magazine, for J. Hinton in Newgate Street"--Above image., Date of publication from the Yale Center for British Art online catalog., Imperfect; sheet trimmed within plate mark with loss of text from upper margin. Missing text supplied from impression at the Yale Center for British Art, accession no.: B1998.14.676., Mounted to 26 x 32 cm., and Mounted on page 185 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
J. Hinton
Subject (Geographic):
London (England), Thames River (England),, and Westminster Bridge (London, England),
publish'd according to act of Parliament, June 1, 1750.
Call Number:
Topos L847 no. 117+
Image Count:
1
Resource Type:
still image
Abstract:
"View down the River Thames looking towards Westminster, with Somerset House on the right, Westminster Abbey and Bridge in mid-distance; many boats on the water, a pontoon in foreground to left"--British Museum online catalogue
Alternative Title:
Veüe de Westminster vers le sud est : depuis le Palais de Somerset au Pont Neuf
Description:
Titles from text below image, in English and French.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill
Subject (Geographic):
Westminster Bridge (London, England), and Thames River (England),
Subject (Name):
Westminster Abbey, and Somerset House (London, England),
publish'd according to act of Parliament, May 1, 1750.
Call Number:
Topos L847 no. 47+
Image Count:
1
Resource Type:
still image
Abstract:
"A bird's eye view along the Thames towards London Bridge, with the buildings on the south bank just visible"--British Museum online catalogue, description of a later state of the same composition
Alternative Title:
Veüe de Londres vers le sud ouest
Description:
Title from caption below image.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill
Verse - "You that do know what to true love belong.". -, There is no full stop at the end of the title., Title and three woodcuts are above the first two columns; the first woodcut depicts a shepherd with his crook, the second a hanged man, and the third a shepherdess also with crook; the columns of text are separated by columns of type ornaments; and there are two layers of clouds in the first woodcut., The woodcuts are also found in editions with Bow Church Yard and Aldermary Church Yard imprints; the date is based on that; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In this printing, the left edge of the first woodcut aligns with the "i" in "wandering" in the title. In another printing (ESTC N511170), it aligns with the space between "n" and "g"., Mounted on leaf 61. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Shepherds, Shepherdesses, Hangings (Executions), Gallows, and Dead persons
Ttile from item., Publication date from an unverified card catalog record; dated by costume., Sheet trimmed within plate mark., Engraved throughout, illustrated with etching by Cole at top of sheet., For voice and harpsichord. Music on 2 staves with interlinear words. Additional stanza below. Part for flute at foot of page., and Opening words: Charmer, permit me to make a surrender ...
McArdell, James, approximately 1729-1765, printmaker
Published / Created:
[between 1750 and 1765]
Call Number:
Folio 49 3582 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Portait of Thomas Ashton, half-length, in an architectural oval, slightly turned to the right, dressed in an academic gown with bands at his neck and a bob-wig on his head."--British Museum online catalogue
Description:
Title engraved below image., Date range for publication from the British Museum online catalogue, registration no.: 1886,0617.65., Sheet trimmed to plate mark., Tipped in at page 93 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Watermark, trimmed.
True love requited, or, The bailiffs daughter of Islington and Bailiffs daughter of Islington
Description:
Date of publication from ESTC., Verse - Above the woodcut: "The young man's friends the maid did scorn," and below it: "There was a youth, and a well-beloved youth,". - In three columns with the title above the first two and the woodcut in the first; the columns are separated by ornamental rules., Mounted on leaf 55. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold in Aldermary Church-yard, Bow-Lane, London
Subject (Geographic):
Great Britain and London (England)
Subject (Topic):
Broadsides, Ballads, English, Love, Man-woman relationships, Apprentices, and Social life and customs
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", Ms. note: See Mr. Nichols's book, 3d. edit. p. 284., Subscription ticket is filled in: April 10 1750 and illegible name. A scrap of paper attached at lower right with Hogarth's signature, 3 shillings, and Hogarth's wax seal., and On page 127 in volume 2. Sheet trimmed to: 18.1 x 23 cm.
