"Portrait of Mrs Cholmley after Reynolds; three-quarter length seated to front, head turned in three-quarter profile to left, and resting on her right hand, her arm leaning on pedestal to left; wearing fur-trimmed dress with pearls around her neck; trees behind."--British Museum online catalogue
Description:
Title from caption below image., State from curator., Date of publication from the British Museum online catalogue, registration no.: 1902,1011.6394., Undescribed state in: Smith, J.C. British mezzotinto portraits, v. 4, no. 30 p. 1500., Mounted on leaf numbered 32 in an album of 49 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Publisher:
Printed for Wm. Hitchcock, No. 5, Birchin Lane, Cornhill
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1761]
Call Number:
761.00.00.03.1
Image Count:
1
Resource Type:
still image
Alternative Title:
Scotch intruders 1760
Description:
"Satire on the Scots and on the supposed relationship between Lord Bute and Princess Augusta, showing on the right a curtain decroated with thistles and the Stuart royal motto "Nemo me impune lacessit" behind which the couple are seen fondling each other in company of a short man or boy and another man (identified as "B-T-FI"), both evidently Scots; five Scotsmen and a Scottish woman stand to the left hoping for posts, two of them refer to connections with France."--British Museum online catalogue., Title etched below image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., The top sheet contains the figures of the Princess of Wales, Lord Bute, and two others, that can be seen behind the screen when the print is viewed against a source of light., and Mounted.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Smollett, T. 1721-1771 (Tobias),, and Queensberry, William Douglas, Duke of, 1725-1810
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1761]
Call Number:
761.06.00.01 Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title from item., Printmaker and publication date from British Museum catalogue., Two columns of verse below image: The genius of the S[cotc]h is mutiny, they scarcely want a guide to move their madnes [sic] ... (Dryden)., Temporary local subject terms: Scottish influence -- Keys of the back stairs -- Allusion to Scotch collops -- Swords: broadsword -- Scottish costume: Highland -- Allusion to the Jacobite Rebellion, 1745 -- Allusion to William Pitt, Earl of Chatham, 1708-1778., 1 print on laid paper : etching ; sheet 19 x 31 cm., mounted to 24 x 34 cm., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Bute, John Stuart, Earl of, 1713-1792
An etching in outline representing the interior of a room, with a door on the left, a circular table on the right. On the table is a dish on which sits a boar's head; a scroll on the table to the left reads "Reprieve for murder." A crutch is propped up against the back of the table. From the ceiling above the middle of the room hangs a birdcage with a yellow bird inside. Under the birdcage sits the singer Miss Anne Ford a guitar in hand; Anne was the daughter of Thomas Ford Clerk of Arraigns, an Old Bailey lawyer. She sings "si tutti de olberi". William, the third Earl of Jersay kneels at her feet and with joined hands says, "Believe my sighs my vows my dear &c" A second crutch lies on the ground beside him; he is much older and suffers from gout. The lawyer Ford enters the room from the left, hat under his arm as he regards the scene with amusement. See British Museum catalogue
Description:
Title and publication date from British Museum catalogue., Sheet trimmed within plate mark with loss of title., Plate used for frontispiece Thicknesse, A. Letter from Miss F--d, addressed to a person of distinction. 2nd ed. London, 1761., See Gentleman's magazine, January 1761, pages 33, 79., Watermark., and Mounted to 27 x 37 cm.
Publisher:
publisher not identified
Subject (Name):
Jersey, George Bussey Villiers, Earl of, 1735-1805, Thicknesse, Ann, 1737-1824, and Ford, Thomas, -1768,
Subject (Topic):
Birdcages, Boars, Courtship, Crutches, Gout, Guitars, Interiors, Lawyers, and Singers
"Portrait, half-length seated almost in profile to left, right arm resting on a table beside him, looking towards the viewer, wearing a velvet coat and long white wig; after Hoare; printed on the same sheet as a public letter explaining the sitter's resignation."--British Museum online catalogue. See Registration number: 1902,1011.5172
Alternative Title:
Right Honourable William Pitt Esquire
Description:
Title engraved below image. and Description based on imperfect impression; sheet trimmed to plate mark with loss of letterpress text below.
Publisher:
Print'd for Jno. Smith at Hogarth's Head facing Wood Street, Cheapside
"Satire on the proposed introduction of a tax on beer showing members of the public in front of a large brewery: a brewer promises not to raise his prices thus pleasing a coachman, a soldier laments his daily pay of only 5d., a porter with a knot on his shoulder complains, a hackney coachman says he will drink good porter, two gentleman feel that the cost would be borne by the poor and so is likely to be altered, two old women think that the price of gin should be lowered if that of beer is to be raised; on a hill in the background three asses with human heads represent brewers, including Sir William Calvert, are only interested in their own promotion; a drayman hauls a barrel on a sled."--British Museum online catalogue, description of an earlier state
Alternative Title:
Brewers charity to the public
Description:
Title etched above image., Later state, by a different publisher and without date, of no. 3805 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Date of publication based on that of earlier state., Imprint from 1st state partially burnished from plate., Sheet partially trimmed within plate mark., Temporary local subject terms: Breweries., and Watermark and countermark: royal cipher.
Publisher:
Publish'd according to act of Parliament, by C. Dicey & Co. in Aldermary Church Yard, London
Plate 64. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Five rows of wigs classified as "Parsonic", "Old Peerian or Aldermanic", "Lexonic", "Composite" and "Queerinthian"; at the bottom of the sheet a row of womens heads with, on the left, that of the newly-crowned Queen Charlotte; the wigs are annotated in the manner of illustrations to contemporary architectural treatises."--British Museum online catalogue
Alternative Title:
Five orders of periwigs
Description:
Title etched above image., Title from Paulson: The five orders of periwigs., State from Paulson. The second 'e' in advertisement added above the line; the 'k' in parsonic burnished out., Caption etched below image: Advertisement. In about seventeen years will be compleated, in six volumns, folio, price fifteen guineas, the exact measurements of the perriwigs of the ancients ..., and Portraits after James 'Athenian' Stuart and Nicholas Revett.
Publisher:
Publish'd as the act directs, Octr. 15, 1761 by W. Hogarth
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Revett, Nicholas, 1720-1804, and Stuart, James, 1713-1788.
Subject (Topic):
Antiquarians, Clothing & dress, Hairstyles, and Wigs
