Title from item., Publication date probably after 1764, when Carington Bowles removed his business from Cornhil. See London book trades, 1775-1800 / Ian Maxted, p.25-26, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Families -- Children: toddlers -- Dress: peasant dress, ca. 1771 -- Dishes: bowls -- Cutlery: spoons -- Food: pease-soup .
Publisher:
Printed for John Bowles at No. 13 in Cornhill, London
Title from item., Sheet trimmed to plate mark at top., See no. 2617 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3 for another state by different publishers., Publication date inferred from Carington Bowles's separation of his business from his father's in 1764. See The London book trades, 1775-1800 / Ian Maxted, p. 25., Three columns of verse below image: Mark, hovering how the fat incumbebt lies, and like a bird of prey the quarry eyes ..., Temporary local subject terms: Canon -- Pluralists -- Buildings: churches., and Watermark: countermark W.
Publisher:
Printed for John Bowles in Cornhill, and Carington Bowles in St. Paul's Church Yard, London
A group of four scholarly-looking gentlemen is engrossed in discussion over the meaning of an inscription carved on a very large stone to their right. One of them is pointing to the inscription, another is trasncribing it into his notebook. All bear on their faces an expression of puzzled effort
Description:
Title from item., Originally published in 1756 by Thomas Bowles and John Bowles & Son., Three lines of dedication below title: To the penetrating genius's of Oxford, Cambridge, Eaton [sic], Westminster, and the learned Society of Antiquarians. This curious inscription is humbly dedicated., Below the plate mark is printed another plate, 6.5 x 15 cm., engraved wtih 5 lines of text: The inscription on the stone, without having regard to the stops, capital letters, or division of the words easily reads as follows ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Antiquarians -- Epitaphs.
Publisher:
Printed for J. Bowles at No. 13 in Cornhill, & Carington Bowles, No. 69 in St. Pauls Church Yard, London
"Portraits of George II, Queen Caroline, Prince Frederick, Princesses Anne, Amelia, Caroline, Prince William, Princesses Mary and Louise, all busts in ovals arranged in three rows of three."--British Museum online catalogue
Description:
Title engraved above images., The portraits are mainly copied from prints by Simon; see Smith, J.C. British mezzotinto portraits, and Date from British Museum online catalogue, registration no.: 1902,1011.6993.
Publisher:
Printed for & sold by Eliz. Bakewell, print & map seller, against Birchin Lane, Cornhill, London
Subject (Geographic):
Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760,, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737,, Frederick Louis, Prince of Wales, 1707-1751,, Anne, Princess, consort of William IV, Prince of Orange, 1709-1759,, Amelia, Princess, daughter of George II, King of Great Britain, 1710-1786,, Caroline, Princess, daughter of George II, King of Great Britain, 1713-1757,, William Augustus, Prince, Duke of Cumberland, 1721-1765,, Mary, Princess of Hesse, 1723-1772,, and Louise, Queen Consort of Frederick V, King of Denmark, 1724-1751,
"View of Kensington Church from the street, looking straight down the street to the right, and with part of a building on the left with an arched entrance"--British Museum online catalogue, description of a later state of the same composition
Alternative Title:
Veüe de l'Eglise de Kensington au sud es
Description:
Title from caption below image., Date of publication based on printseller's active dates. See British Museum online catalogue., and Plate numbered "76" in upper right corner.
Publisher:
Printed for and sold by Henry Overton at the White Horse without Newgate
"Row of houses next to the church of St Katherine, near the Tower."--British Museum online catalogue
Description:
Title etched below image. and Bound in after page 572 in volume 2 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
Publisher:
publisher not identified
Subject (Name):
Saint Katharine by the Tower (Church : London, England)
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., and On page 184 in volume 2. Sheet trimmed to: 40 x 34.8 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson. and After the painting in the National Portrait Gallery, London.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 40.3 x 35 cm, on sheet 57 x 42.7 cm., Mounted on leaf 59 x 46 cm., and Plate 1 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
