Leaf 107. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Plate 2 of a series of courtesans, see British Museum Satires No. 5177. Profile portrait of a young woman in profile to the left. She wears a large mob-cap, beneath which her hair appears on her forehead and below the ear. Her dress is high to the neck and defines her breasts."--British Museum online catalogue, description of an earlier state
Alternative Title:
Nun of the fourth class
Description:
Title from earlier state., Later state, with title burnished from plate. Cf. No. 5179 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Plate numbered "2" in upper left corner., and Second of three plates on leaf 107.
Publisher:
Pubd. by MDarly, (39) Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Courtesans, Prostitutes, and Hats
Leaf 107. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Plate 3 of a series of courtesans, see British Museum Satires No. 5177. A young woman in profile to the right wearing an elaborate cap, the frill of which conceals her eye. Her chin is patched. Her hair is fashionably dressed, her dress cut low; she wears a black ribbon round her neck."--British Museum online catalogue, description of an earlier state
Alternative Title:
Nun of the sixth class
Description:
Title from earlier state., Later state, with title burnished from plate. Cf. No. 5180 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., Plate numbered "3" in upper left corner., and Third of three plates on leaf 107.
Publisher:
Pubd. by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Hairstyles, Courtesans, Prostitutes, and Hats
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[not after 15 May 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 113. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the dog-dealer James Moss; whole length, walking to left on a road beside a wooden fence, carrying two puppies inside his coat, holding hat in his right hand, the left in his pocket; he appears to be blind or very short-sighted; the towers of Westminster Abbey in the background."--British Museum online catalogue, description of a later state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on later state: HWBunbury del. ; J. Bretherton f., Early (proof?) state, before lettering and before drypoint shading added to image. For a later state, published 15 May 1773 by J. Bretherton and bearing the dedication "To all encouragers of arts & sciences this portrait of the inimitable Mr. James Moss ..." below image, see no. 4721 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 3, page 287., and Mounted on page 113 of: Bunbury album.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[not after 15 May 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 113. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the dog-dealer James Moss; whole length, walking to left on a road beside a wooden fence, carrying two puppies inside his coat, holding hat in his right hand, the left in his pocket; he appears to be blind or very short-sighted; the towers of Westminster Abbey in the background."--British Museum online catalogue, description of a later state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on later state: HWBunbury del. ; J. Bretherton f., Early (proof?) state, before lettering but after drypoint shading added to image. For a later state, published 15 May 1773 by J. Bretherton and bearing the dedication "To all encouragers of arts & sciences this portrait of the inimitable Mr. James Moss ..." below image, see no. 4721 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 3, page 287., and Mounted on page 113 of: Bunbury album.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 91. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Tristram Shandy in which Susannah stands holdings her nose with her right hand while in her left she holds a candle over the cradle where the swaddled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his left fist at her while in his right he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from later state., Artist and printmaker from signatures on later state: HWBunbury delin. ; J. Bretherton f., Proof state, before any lettering and before additional shading added to the design. For the lettered state, see no. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Publisher and date of publication inferred from imprint statement on later state., Sheet trimmed within plate mark., Temporary local subject terms: Medical: Cataplasm -- 'Dr. Slop' -- Dishes: Bowls -- Lighting: Long handle candlesticks -- Domestic service: Maid -- Furniture: Hall clock -- Folding screen., and Mounted on page 91 of: Bunbury album.
Publisher:
J. Bretherton
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Cradles, Longcase clocks, Physicians, Quarreling, Screens, Servants, and Women domestics
"Satire on connoisseurs: a man holds up a candle to examine a painted landscape in a heavy frame, which is held up for him by a yawning boy; the candle flame is shielded by the man's hand."--British Museum online catalogue, description of a later state
Alternative Title:
Connoisseur
Description:
Title from later state described in the British Museum catalogue., Early state. No title is present; the names of the artist, publisher, and printmaker are engraved directly beneath image; and the publication line with date is at the bottom of the plate. For a later state with title added and artist and printmaker names removed, published in 1776 by Sayer & Bennett, see No. 4621 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark at bottom., Temporary local subject terms: Lighting: candlestick -- Yawns -- Painting: frame -- Candle lighting picture., and Matted to 72 x 56 cm.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1773]
Call Number:
Bunbury 773.02.03.05.1+
Image Count:
1
Resource Type:
still image
Alternative Title:
Overthrow of Doctor Slop
Description:
Title, printmaker, artist, and publication information from lettered state in the British Museum catalogue., Early state before letters. For a later state published 3 Feb. 1773, see no. 5215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., and Sheet trimmed within plate mark.
On a street in front of a church (right), possibly referencing the one built by George Whitfield in Tottenham Court Road and a tavern (left)with a sign identifying it as "The Old Goat New Revived", a make follower of Whitefield dressed in a quasi-Puritan dress, is assailed by two women. On the right an old woman touches his arm and points to the church with a volume, unlabeled in this working proof but later lettering "Whitefield's Hymns". On the left, a pretty, young woman lures him toward the public house. He eyes the young woman as he holds up his one hand deprecatingly toward the older woman
Description:
Title and date from British Museum catalogue., Finished print lettered with title and inscriptions: "J. Collet pinxt. / J. Goldar sculpt. / London, Printed for Robt. Sayer No. 53 Fleet Street & Jno. Smith No. 35, Cheapside, as the Act directs Jan. 1. 1773.", Sheet trimmed to plate mark., No. 52 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Robt. Sayer & Jno. Smith
Subject (Name):
Whitefield, George, 1714-1770.
Subject (Topic):
Churches, Temptation, Signs (Notices), and Taverns (Inns)
