A copy of Hogarth's design: on the shield, a naked and reclining infant raising its right arm. Supporters, dexter, a terminal figure of 'Nature', many-breasted; sinister, 'Britannia', holding a cap of Liberty on a staff, and her shield. Crest 'a Lamb'; motto 'Help'.
Alternative Title:
Armes for Foundling Hospital
Description:
Title from Paulson., Imprint from penciled inscription on the impression in George Steevens's collections., Subtitle appears in the line below printmaker's statement., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 230., Ms. note in Steevens's hand in pencil above print: Do. Proof., and On page 101 in volume 2.
Publisher:
Published as the Act directs July 31st 1781 by Rd. Livesay at Mrs. Hogarths Leicester Fields
A copy of Hogarth's design: on the shield, a naked and reclining infant raising its right arm. Supporters, dexter, a terminal figure of 'Nature', many-breasted; sinister, 'Britannia', holding a cap of Liberty on a staff, and her shield. Crest 'a Lamb'; motto 'Help'.
Alternative Title:
Armes for the Foundling Hospital
Description:
Title from Paulson., Subtitle appears in the line below printmaker's statement., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 230., Ms. note in Steevens's hand in pencil above print: First sketch of Arms for the Foundling Hospital. See Nichols's book, 3d edit. p. 288., and On page 101 in volume 2.
Publisher:
Publish'd, Decr. 22, 1781, by Rd. Livesay, at Mrs. Hogarth's Leicester Fields
"A stout man in profile with a long wig, pointing with left hand, holding his hat in the other, on the left side; a man seen from behind on the right side, wearing a sash diagonally and a long wig, holding a paddle against his right shoulder with his left arm extended to the side slightly, based on a quick line sketch given below and to the left of it."--British Museum online catalogue
Description:
Title from later state in British Museum catalogue., Later state continues: "From the Original Drawing in the Collection of the Earl of Exeter"., No longer attributed to Hogarth., Cf. No. 3587 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Not in R. Paulson's Hogarth's graphic works., On page 208 in volume 3., Ms. note in pencil in Steevens's hand above print: Proof., and Ms. note in pencil in Steevens's hand identified figures at top of print as L. Melcombe (left) and L. Winchelsea (right). At the bottom center: By Ld Townshend; at lower right, Bartolozzi sculp.
Publisher:
Published as the act directs 31 July 1781 by Rd. Livesay at Mrs. Hogarths, Leicester Fields
Subject (Name):
Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762. and Winchilsea, Daniel Finch, Earl of, 1689-1769.
A stout man in profile with a long wig (the number '4' etched over his head; below "fig.2 [illegible]), points with his left hand, holding his hat in the other, on the left side; a man seen from behind on the right wears a sash diagonally and a long wig, and holds a paddle against his right shoulder with his left arm extended to the side slightly; another quick line sketch of the second figure is given below and to the left of it.
Description:
Title from British Museum online catalogue., Formerly attributed to Hogarth but more likely by George Townshend., Caption below image: From the original drawing in the collection of the Earl of Exeter., and On page 208 in volume 3. Sheet trimmed to: 14.8 x 18.4 cm.
Publisher:
Publish'd Decr. 22, 1781 by Rd. Livesay at Mrs. Hogarths Leicester Fields
Subject (Geographic):
England.
Subject (Name):
Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762 and Winchilsea, Daniel Finch, Earl of, 1689-1769
A stout man in profile with a long wig (the number '4' etched over his head; below "fig.2 [illegible]), points with his left hand, holding his hat in the other, on the left side; a man seen from behind on the right wears a sash diagonally and a long wig, and holds a paddle against his right shoulder with his left arm extended to the side slightly; another quick line sketch of the second figure is given below and to the left of it.
Description:
Title from British Museum online catalogue., Formerly attributed to Hogarth but more likely by George Townshend., Caption below image: From the original drawing in the collection of the Earl of Exeter., and Ms. notes in ink below identifying each figure: On the left is Lord Melcombe and on the right, Lord Winchelsea.
Publisher:
Publish'd Decr. 22, 1781 by Rd. Livesay at Mrs. Hogarths Leicester Fields
Subject (Geographic):
England.
Subject (Name):
Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762 and Winchilsea, Daniel Finch, Earl of, 1689-1769
Title devised by curator., Note below image: "Mr. Walpole in his Anecdotes of Painting &c. Vol. IV, p. 22, speaking of the Cartoons at Hampton Court, observes that Sir James Thornhill "having made copious studies of the heads, hands and feet intended to publish an exact account of the whole, for the use of students: but this work has never appeared." As the present plate was found amoung others belonging to the late Mr. Hogarth, it is not impossible but that it might have been engraved by him for his father-in-law Sr. James's intended publication., Formerly attributed to Hogarth., Sheet trimmed to plate mark., On page 206 in volume 3., and Ms. note in Steevens's hand above print: (See Mr. Nichols's Book, 3d edit, p. 437).
Publisher:
Published as the Act directs May 14, 1781 by Mrs. Hogarth, at the Golden Head, Leicester Field
"Triple three-quarter length portrait of the three Waldegrave sisters, seated beside one another at a small work-table; Lady Anna Horatia at right embroidering, with Lady Charlotte Maria at left, her head turned towards front, winding silk from skein which Lady Elizabeth Laura, centre, is holding; a curtain, pillars and trees behind them; after Reynolds (Mannings 1810); proof before letters, but with scratched production and publication detail."--British Museum online catalogue
Alternative Title:
Ladies Waldegrave
Description:
Title from later state; see: Smith, J.C. British mezzotinto portraits., State from: Smith, J.C. British mezzotinto portraits., Sheet trimmed to plate mark leaving thread margins., Engraved after the painting, now in the National Gallery of Scotland (NG 2171), that was kept by Horace Walpole in the Great Parlour (Refectory) at Strawberry Hill., Formerly laid in Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and A note in pencil on verso, possibly in Frank T. Sabin's hand, mentions "Fritz Reiss Sale, 2900 guineas at Christies", in reference to the sale of another impression of the print in 1923. A second note below, in the same hand but likely written at a different time, asserts that this is the "finest impression of the 1st state known, specially selected by Horace Walpole, for whom the original picture was painted, & inserted by him in his own enlarged & illustrated catalogue of the pictures at Strawberry Hill".
Publisher:
Published Decr. 1st, 1781, by V. Green, No. 29, Newman Street, Oxford Street, London
Subject (Name):
Waldegrave, Elizabeth Laura Waldegrave, Countess, 1760-1816,, Euston, Charlotte Maria Waldegrave, Lady, 1761-1808,, Seymour, Anne Horatia Waldegrave, Lady, 1762-1801,, and Strawberry Hill (Twickenham, London, England)
"Triple three-quarter length portrait of the three Waldegrave sisters, seated beside one another at a small work-table; Lady Anna Horatia at right embroidering, with Lady Charlotte Maria at left, her head turned towards front, winding silk from skein which Lady Elizabeth Laura, centre, is holding; a curtain, pillars and trees behind them; after Reynolds (Mannings 1810); proof before letters, but with scratched production and publication detail."--British Museum online catalogue
Alternative Title:
Ladies Waldegrave
Description:
Title from later state; see: Smith, J.C. British mezzotinto portraits., State from: Smith, J.C. British mezzotinto portraits., Sheet trimmed to plate mark leaving thread margins., Engraved after the painting, now in the National Gallery of Scotland (NG 2171), that was kept by Horace Walpole in the Great Parlour (Refectory) at Strawberry Hill., With Horace Walpole's manuscript annotations in brown ink in lower margin identifying the sitters and their relationships and a note: "The original picture at Strawberry Hill.", and Sheet trimmed within plate mark: sheet 50.5 x 58.4 cm.
Publisher:
Published Decr. 1st, 1781, by V. Green, No. 29, Newman Street, Oxford Street, London
Subject (Name):
Waldegrave, Elizabeth Laura Waldegrave, Countess, 1760-1816,, Euston, Charlotte Maria Waldegrave, Lady, 1761-1808,, Seymour, Anne Horatia Waldegrave, Lady, 1762-1801,, and Strawberry Hill (Twickenham, London, England)
