On the left, a meagre Scotchman shown full-length in rags, scratching between his fingers and scratching himself against a sign-post. In the distance is on a hill is Edinburgh Castle. To the right, under a tavern sign with a picture of an ox and the words "Roast & Boil'd" stands a well-dressed, well-fed Englishman holding a large pot of "London Porter". He leans against a post; behind him is St. Paul's in the distance
Alternative Title:
North and South of Great Britain
Description:
Title etched below image., Printmaker identified as Francesco Bartolozzi, after a painting by Paul Sandby. See British Museum catalogue., Formerly attributed to William Hogarth., Sheet trimmed to plate mark., Not in R. Paulson's Hogarth's graphic works., and On page 207 in volume 3.
Publisher:
Published June the 11th 1781 at the Ancient & Modern Print Warehouse, No. 28 in the Hay Market by A. Torre and I. Thane
Subject (Geographic):
Scotland, England., England, and Scotland.
Subject (Topic):
Relations, Ethnic stereotypes, and Signs (Notices)
On the left, a meagre Scotchman shown full-length in rags, scratching between his fingers and scratching himself against a sign-post. In the distance is on a hill is Edinburgh Castle. To the right, under a tavern sign with a picture of an ox and the words "Roast & Boil'd" stands a well-dressed, well-fed Englishman holding a large pot of "London Porter". He leans against a post; behind him is St. Paul's in the distance
Alternative Title:
North and South of Great Britain
Description:
Title etched below image., Printmaker identified as Francesco Bartolozzi, after a painting by Paul Sandby. See British Museum catalogue and later state., Formerly attributed to William Hogarth., Sheet trimmed to plate mark., Not in R. Paulson's Hogarth's graphic works., On page 207 in volume 3., and Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Book, 3d, edit., p. 407.
Publisher:
Published June the 11th 1781 at the Ancient & Modern Print Warehouse, No. 28 in the Hay Market by A. Torre and I. Thane
Subject (Geographic):
Scotland, England., England, and Scotland.
Subject (Topic):
Relations, Ethnic stereotypes, and Signs (Notices)
Volume 1, page 6. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man, woman and child walking alongside a pack-horse, travelling to right on a road with mountains behind; oval design, after Bunbury, from a series."--British Museum online catalogue
Description:
Title engraved below image., Plate was engraved by either John Baldrey or his brother Joshua Kirby Baldrey, and was published by the former; see British Museum online catalogue, registration no.: 1917,1208.2314., Sheet trimmed to plate mark., Plate numbered "3" in upper left corner., Mounted on page 6 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Plate number in upper left is lightly printed and barely visible.
Publisher:
Pubd. Novr. 1, 1781, by J. Baldrey, No. 37 Green St., Grosr. Sqr. & sold by J. Wilkinson, Cornhill
Two plates on one sheet: top plate is an engraved title page with text. The plate below is a reduced copy of Hogarth's designfor the arms of the Foundling Hospital: on the shield, a naked and reclining infant raising its right arm. Supporters, dexter, a terminal figure of 'Nature', many-breasted; sinister, 'Britannia', holding a cap of Liberty on a staff, and her shield. Crest 'a Lamb'; motto 'Help'.
Alternative Title:
Arms of the Foundling Hospital
Description:
Title from Paulson., Date based on earliest edition of this collection of psalms., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 230., and On page 101 in volume 2.
"A French recruit (left), an English recruit (right) face each other in profile, both are standing erect in a soldierly way, but are in civilian clothes except for the favour in the Englishman's round hat, and except for the bulky knapsack of fur or skin which each wears. They are described in words engraved beneath the title: "Monsieur all ruffles no Shirt Wooden Pumps and Stockingless" and "Jack English with Ruddy face and belly full of Beef". The Frenchman holds a slim cane, the Englishman a stout cudgel. Behind the former (left) are frogs and rats or mice, behind the latter cows and sheep, to illustrate the supposed contrast between French and English fare."--British Museum online catalogue
Alternative Title:
Contrasted recruits
Description:
Title from item., Sheet trimmed., Reissue, with publisher's name added to the plate, of no. 5862 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Date from print of same title; See British Museum satire no. 5862 which lacks imprint.
Publisher:
Sold by W. Humphrey, No. 227 Strand
Subject (Topic):
National characteristics, French, National characteristics, British, and Clothing & dress
Title from item., Sheet trimmed to plate mark., Imprint from other prints in series. See nos. 5942-5945 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, for later states with imprints., From the series: Seven prints of the Tutelar Saints., and Dated in pencil, 1768.
"An Irishman riding (left to right) on a horse. He is dressed as a military officer, with epaulettes. In his hat is a cross in a medallion. In his right hand, and resting on his shoulder, is a sword on which potatoes are spitted. In his left hand he holds out a wineglass. Two fish are slung on his right arm, under it is a sickle. Various objects are attached to his saddle or his person including a tankard, a small set of bagpipes, a candle-stick, a large fish; a small Irish harp decorates the hindquarters of his horse. The background, seen between the horse's feet, is the sea-shore with ships. A border decorates the two sides of the print, surmounted (left) by a frowning mask, with a dagger through one eye, and (right) by a smiling mask. To a vertical line of conventional fruit and foliage are attached a number of objects, including a horn and goblet, a flute, a flail and rake, a wine-bottle and glass, a sheaf of corn and a sickle. Beneath the design is engraved: "So sweet St Patrick comes, Dear Joy to Day, Smiles on his face with Merriment & Play. With good store of Tattoes, Sweet Buttermilk, & Whisky, Small Pipes, & Usquebaugh to make us Dance Frisky. Then banish all care, and meagre sorrow, We'll Celebrate this Day not trust to morrow. Let's Rant & Roar & make the House Ring, Drink to St Patrick's Day in the Morning.""--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., Earlier state, without Carington Bowles imprint, of no. 5945 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Number 4 in series Seven prints of the Tutelar Saints., and Dated in pencil, 1768.
"Portrait (whole-length) of a man standing in profile to the right holding a violin in his right hand, a bow in his left."--British Museum online catalogue
Alternative Title:
First catgut scraper
Description:
Title etched below image., Possibly etched by Gillray. See British Museum catalogue., and First letters of imprint statement are lightly printed and illegible, possibly due to an imperfection in the plate. The letter 'S' in 'Street' in publisher's address is etched in reverse.
Publisher:
[Pu]bd. Nov. 27, 81, by H. Humphrey, No. 18 New Bond Street
"Portrait after a drawing by Hogarth; head and shoulders of a man with a prominent forehead and hooked chin, to left looking down, wearing a wide-brimmed hat set at a tilt and cravat; with another head in profile to left wearing a plumed cocked hat, behind; before plate reduced and inscription curtailed and re-engraved."--British Museum online catalogue
Description:
Title etched below image, with line break before the word 'engravers'., Date in plate has been changed from 1786 to 1781., Sheet trimmed to plate mark., For another state published by W. Dickinson see: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3099., and On page 208 in volume 3.
