"George III is seated (left) on a rectangular altar bending forward, his posteriors bare and irradiated like a sun. He wears a crown; he bends forward as if to caress three fanged serpents emerging from the altar, inscribed, 'The King of Prerogative'. A pair of hands emerges from clouds: one has taken the sceptre from the King's hand, the other is about to remove his crown. Pitt (right) kneels behind the altar, holding out a scroll, the 'Irish Propositions' ... Behind him is a bundle of papers held together by a scroll inscribed 'Provision for the Boghouse 1785'. They are: 'Petition to the [Pa]rliament'; 'Manchester Remonstr[ance]'; 'from Glasgow'; 'Rights of the People'; 'Westminst[er] Petition'; 'Popula[r] Resentment'. Behind the bundle is a pyramid inscribed 'Sacrifices to Liberty The Gracchi', 'De Witt', 'Gaveston', 'Mortimer'; a hand pointing from the apex to Pitt is labelled, 'The next to fall'. In the distance is a ruined temple: 'Temple of Freed[om] a British ruin'. On the side of the altar on which the King is seated is a medallion surmounted with crossed axes inscribed 'Prerogative of the People'. It encloses a severed head in a bowl inscribed 'Charles I'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Attribution made by George: Maria Closetool allusion to Maria Cosway., Allusion to the Irish proposition of 1785 with an allusion to Maria Cosway's painting: A Persian going to adore the sun., and Watermark in center of sheet.
Publisher:
Published by G. Humphrey No.48 Long Acre
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Great Britain. Parliament. House of Commons, and Ireland. Parliament. House of Commons
Signatures: pi⁴, A-2A⁴., At foot of titlepage: "No.", the actual number to be inserted in MS.; a variant is without "No." at the foot of the titlepage., LWL 49 3902: With "No." on t.p. with "753" in ms. 2000 catalogues were sold before the sale began., LWL 49 3902: Horace Walpole's copy with his annotations, including a four-page, signed letter providing a history of the collection., and Original marbled boards with calf back, now rebacked. Large Strawberry Hill fleuron used as Bookplate, and fleuron from Anecdotes at end. Press-mark X.7. Not in Manuscript Catalogue of 1763.
Publisher:
Catalogues may now be had on the premises, and of Mr. Skinner and Co ...
Subject (Geographic):
England and London
Subject (Name):
Portland, Margaret Cavendish Holles Harley Bentinck, Duchess of, 1715-1785
Title from item., Temporary local subject terms: Shop -- Fruit shop lounge -- Menu -- Newspaper -- Morning Herald -- Prices for food -- Military uniforms -- Officer in regimentals -- Mirrored image -- Parfait amour -- Eau de Cologne -- Ratafia., and Watermark.
Publisher:
Publish'd May 22d 1786 by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
"Fox, dressed as a woman, scowling ferociously, holds up a knife in his right hand to strike the King (right), who calmly pushes him away. A beefeater (left) seizes Fox's right arm in both hands. In the background the garden front of St. James's Palace is suggested; on the right is the side of the King's coach, seen from behind. Beneath the title is etched: 'Four presumtive Reasons- Because no two Faces in the world are so much alike! - Because the Political Proteus was seen in a Miliners shop (where no doubt he bought the Cloak and bonnet) about a month ago! Because he was seen by a Grenadier of the Guards coming out of a Cutler's shop (where no doubt he bought the knife) yesterday morning! - But the strongest reason to suppose him ye Assassin is because he was an hundred miles from London at the time!!!'"--British Museum online catalogue
Alternative Title:
Squib of the first day
Description:
Title from item., Imprint has been written by a contemporary hand in ink over the erasure from the plate., Six lines of text below title: Four presumtive reasons -- Because no two faces in the world are so much alike ..., Temporary local subject terms: Beefeaters -- Assassins -- Royal carriage., and Part of a watermark in upper left corner.
Publisher:
Pub. August 2, 1786 by W. Holland No. 66 Drury Lane
Subject (Name):
George III, King of Great Britain, 1738-1820, Nicholson, Margaret, approximately 1750-1828., and Fox, Charles James, 1749-1806
"George III and Queen Charlotte stand before the open gate of the Treasury, from which Pitt has just wheeled a barrow laden with money-bags. Pitt, the straps of the barrow round his shoulders, his coat-pocket bulging with guineas, obsequiously hands the king a money-bag. George III stands full-face, legs astride, a money-bag inscribed '£100000' under his right arm, another in his right hand and all his pockets overflowing with guineas. Queen Charlotte (left) stands on his right taking a pinch of snuff, and looking up at him with a smile of greedy and satisfied cunning; in her apron is a heap of guineas. Military officers wearing high cocked hats with feather trimmings (in a French fashion), and long pigtail queues, stand round the King and Queen, in a semicircle, in front of the spiked gates of the Treasury, playing musical instruments: fifes, bassoons, a horn, &c. The pockets of the two in the foreground (left and right) are crammed with guineas, those of the others, presumably equally full, are concealed. They represent the placemen and Ministerialists of the Treasury Bench. The most prominent (right) is probably Lord Sydney. In the foreground (left) an old sailor, armless and with two wooden legs, sits on the ground, his empty hat before him. On the right the Prince of Wales, in rags, hesitates to take a paper inscribed 'Accept £200000 from your Friend Orleans', which a slim and foppish Frenchman, in bag-wig and 'chapeau-bras', standing on the extreme right, offers him, taking his hand. He is very different from the heavily built Due d'Orléans (who succeeded his father in Nov. 1785) who had recently presented his portrait by Reynolds (now at Hampton Court) to the Prince of Wales. He had adopted the English manner of dress and made it fashionable in France ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Temporary local subject terms: Treasury building entrance -- Civil list -- National debt -- Miserliness -- Wooden legs -- Amputees -- Sailors -- Allusion to prodigal son.
Publisher:
Pubd. April 21, 1786, by Willm. Holland, No. 66 Drury Lane
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Sydney, Thomas Townshend, Viscount, 1733-1800, and Necker, Jacues, 1732-1804
"A ship-load of English courtesans has just arrived in Calcutta and is being sold by a thin and foppish auctioneer who stands on the extreme left on an improvised rostrum. The women are being inspected by Englishmen and orientals whose appearance is more Turkish than Indian. The central figure is a woman who gives her right hand to an Indian, at whom she looks languishingly, her left to a stout Englishman, over whose head a little black boy holds a tall umbrella. Papers projecting from his pocket are inscribed 'Instructions for the Governor General'. A stout oriental smoking a long pipe holds up the petticoats of a woman in back view who puts her hand on the shoulder of an elderly man wearing a jewelled turban, turning aside from a young military officer. The middle distance is crowded with figures; an enormously fat woman (right) is being weighed in a scale opposite a barrel inscribed 'Lack of Rupees' which she slightly outweighs. On the right is the side of a high warehouse into the door of which a number of weeping women are crowding. Over the door is inscribed, 'Warehouse for unsaleable Goods from Europe NB: To be return'd by the next Ship'. Behind are the masts of a ship with furled sails. In the foreground is a row of seven casks all inscribed 'Leake's Pills'; on them is a box inscribed 'Surgeons Instruments'. The auctioneer stands on a case inscribed 'British-Manufacture' and decorated with crossed birch-rods. Beside it is a smaller case supposed to contain books and inscribed 'For the Amusement of Military Gentlemen. Crazy Tales'; 'Pucelle'; 'Birchini's Dance'; 'Elements of Nature'; 'Female Flagellants Fanny Hill'; 'Sopha'; 'Moral Tales'. The auctioneer's desk is a bale placed on end and inscribed 'Mrs. Phillips (the original inventor) Leicester Field London. For the use of the Supreme Council.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Surgeon's instruments -- Leake's pills -- Turbans -- East India Company -- Auctioneer.
Publisher:
Pub'd May 16th 1786, by W. Holland, No. 50 Oxford Strt
"The reduction of the Prince of Wales's establishment at Carlton House is represented as the auction scene in 'The School for Scandal' (iv. 1). 'Lot 1', a portrait of the King and Queen, as a farmer and his wife, a copy of BMSat 6934 reversed, is being held up for sale by (?) Sheridan. The Prince, as Charles Surface, stands in the middle of the room, legs apart, his cane raised above his head, right hand in his breeches-pocket, saying, "Careless, Knock down the Farmer". George Hanger as Careless stands in a high-backed arm-chair (right), his hammer raised above his head, saying, "Going for no more than One Crown". Weltje, a stout man, stands beside the rostrum, his arms folded, looking down at a pile of plate at his feet inscribed 'Lot 6'. On the left stand three men: the bidder, pencil and note-book in his hand, saying, "Five shillings for that Lot", and two military officers, one stout, the other slim and foppish, looking through an eye-glass at the picture. 'Lot 2' and 'Lot 3' are pictures still on the wall, Three quarter length portraits of Mrs. Fitzherbert, her hands in a muff, and a lady wearing a large feathered hat, perhaps the Duchess of Devonshire, cf. BMSat 6961, &c. 'Lot 5' is a saddle on the floor beside a pair of top-boots. Through an open door (left) appears the corner of a building inscribed 'Tatersal's' (where the Prince's stud was sold) and a high phaeton which is 'Lot 1800' (see BMSats 6970, 6980)."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark with loss of imprint statement. Imprint statement from British Museum catalogue., Temporary local subject terms: Auctions -- Contents of Carleton House -- Pictures amplify subject -- Tatersal's -- Prince of Wales' debts -- Richard Brinsley Sheridan's School for scandal., and On verso in pencil: George Towneley Stubbs?
Publisher:
Published July 18, 1786, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Weltje, Louis, 1745-1810, Fitzherbert, Maria Anne, 1756-1837, and Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824
"A number of persons take shelter under the enormous hat-brim of a lady who screams, clasping her hands in alarm. An infant chimney-sweep or 'climbing boy' has climbed up her petticoats and sits astride on their lateral projection. A larger chimney-sweep is about to climb up, putting one foot on his sack of soot. A cloaked market-woman, smoking a pipe, stands under the shelter, as does a man in the dress of a naval officer. A sailor, wearing trousers, his arms folded, appears to be dancing a hornpipe under the shelter of the hat. In the background (right) a lady walks (right to left) holding up a small umbrella which shelters only a minute part of her enormous hat which extends far beyond her projecting breast and petticoats. In the foreground chickens run towards a hen for shelter. A house (left) and a high wall behind which is a tree (right) complete the design."--British Museum online catalogue
Alternative Title:
Any port in a storm
Description:
Title from item., On verso, in pencil: questionable attribution to Kingsbury., and Watermark in center of sheet.
Publisher:
Pub'd by S.W. Fores, at the Caricature Warehouse, No. 3 Piccadilly
Subject (Topic):
Chickens, Chimney sweeps, Clothing & dress, Hats, Sailors, British, Street vendors, Umbrellas, and Uniforms
Sherwin, J. K. (John Keyse), 1751-1790, printmaker
Published / Created:
[3 March 1786]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 56. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A group in a garden room listening to a girl read, seated in the centre with the book in her lap, two woman sitting on either side of her, one patting a dog at right, the other with solemn expression, which has been noticed by a man standing against the wall at right, gesturing towards her, another standing directly behind her looks on with concern, a child sitting on the floor beside a large sleeping dog, his eyes raised up; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., Four lines of verse, from William Shenstone's ballad 'Jemmy Dawson', engraved below title: Come listen to my mournful tale, ye tender hearts and lovers dear; nor will you scorn to heave a sigh, nor need you blush to shed a tear. Vide Shenston., Dedication engraved above imprint statement: To the Countess Sutherland this plate after an original Drawing by Mr. Bunbury, in her Ladyship's possession, is with the greatest respect dedicated by her Ladyship's most obliged humble servant, James Bretherton., and Mounted on page 56 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published 3 March 1786 by James Bretherton, New Bond Street
Subject (Name):
Shenstone, William, 1714-1763.
Subject (Topic):
Clothing & dress, Children, Courtship, Dogs, and Reading
