"A procession of bishops and clergy march from left to right. headed by a prelate, evidently Archbishop Markham, on a prancing horse, holding a drawn sword. After him walk two boy choristers chanting from an open music book held between them. One sings "O Lord our God, Arise", the other, "Scatter our Enemies". Next come three bishops: a lean ascetic who carries their standard, between two who are stout and gross. On the standard, which is attached to a crozier, is "To Arms O Israel", and a mitre between two crossed croziers. The prelate on the standard-bearer's left sings, "Give us good Beef in Store", the other, who carries a musket on his shoulder, sings "When that's gone, send us more". Behind them a fat bishop sings "And the Key of the Cellar Door", while the cleric next him, who wears an academic gown and cap, sings "That we may drink". Behind, the mitres of more bishops are visible, and a man in academic cap and gown, who sings, "From Labour & Industry - Good Lord deliver us"."--British Museum online catalogue, description of an earlier state of similar composition
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state, with traces of aquatint and without original imprint. Cf. No. 5553 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Publication date based on publisher's street address. See British Museum online catalogue., Sheet trimmed to plate mark., Watermark: Russell & Co. 1797., and Impression from a worn plate; publication line is faint and almost illegible.
Two head-and-shoulder portraits in separate ornamental oval frames numbered 'iv' and 'v'.
Alternative Title:
Military bishop
Description:
Title from item., Originally published for the "Histories of the téte-à-téte annexed" in the Town and country magazine, 1788, v. xx, p. 56., and Mounted to 21 x 28 cm.
"The interior of a bare and plainly furnished room in a country inn; a number of middle-aged and plainly dressed men stand waiting for dinner to be served. Through a door in the back wall a serving-boy enters with a tureen, followed by a stout woman carrying a turkey, who is followed by a man-servant. A man (left), wearing spurred jack-boots, stands in profile to the left to hang his hat on a peg. He faces a framed notice: 'Club Law Ist no Journeyman or Apprentice must belong to this society 2nd No Jokes in this society but practical ones, or forfeit 3d. 3d Any Gentleman as gives another Gentleman the lie before strangers to forfeit 6d. 4th Any Gentleman as behaves ungenteel to be fined 3d and turn'd out. 5t All fines to be spent in punch W.C. Secretary.' In the centre two men, one wearing top-boots, the other in quasi-military dress, face each other, grinning. A third, with a pen and ink-horn at his buttonhole, tries to insinuate himself into the conversation. On the right a stout man stands at a table before a punch-bowl and a sugar-basin: his hands are folded and his eyes closed as if in prayer. Beside and behind him a man with a bottle of 'Rum' in one hand sniffs at a bottle of '[Bra]ndy'. An irate man (left) stands at the end of the table, watch in hand. Above the door a picture of a mounted huntsman hangs askew. On the wall are (left) hats and sticks, (right) a map of the world in two hemispheres."--British Museum online catalogue
Description:
Title etched below image. and "Eamus. Quo ducit Gula."--Below title.
Publisher:
Publish'd June 26th, 1788, by W. Dickinson, engraver, No. 158 Bond Street
Volume 2, page 57. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"In a sitting room, a portly figure at left pushes the reluctant Sir Andrew towards his opponent Viola, in the guise of servant Cesario, at right, also ill at ease, to fight for the love of Olivia; two men standing beside Viola offer encouragement, while two more figures, one with a staff, enter through the central door behind; after Bunbury."--British Museum online catalogue
Alternative Title:
Duel between Sir Andrew Aguecheek and Viola
Description:
Title etched below image., "First state with etched title, before dedication"--British Museum online catalogue, registration no.: 1906,0419.135., Sheet trimmed to plate mark., and Mounted on page 57 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 10th, 1788, by W. Dickinson, engraver, Bond Street
Subject (Name):
Shakespeare, William, 1564-1616.
Subject (Topic):
Interiors, Dueling, Daggers & swords, and Staffs (Sticks)
George III, plainly dressed and wearing a broad-brimmed hat, stands in profile to the right, addressing a pretty young woman (Hannah Lightfoot?) seated on a stile, a bucker at her feet. They are under a large tree on whose trunk is fixed a sign pointing 'To Cheltenham Spa'. A path from the stile leads to the village of Cheltenham in the background. Behind the tree Queen Charlotte watches the conversation, her hand pointing near her cheek. On a hill (left) is a pavilion on wheels
Description:
Title etched below image., Four lines of verse inscribed in two columns on either side of title: Did you know the Lad that Courts you He not long need sue in Vain Prince of Songs of Dance of Sports: You Scarce will meet his like again. Midas., and Watermark: J Whatman.
"The Prince of Wales falls headlong, but gracefully, from his high phaeton, and is about to land on Mrs. Fitzherbert, who lies face downwards on the ground, on hands and knees, her petticoats over her head, leaving her posteriors bare. The reins have broken, the horses, which are drawn with much spirit, are running away (right to left). In the background is a wall, over which appears the head of an interested military officer. A yokel seated on the wall lifts his hands in astonishment."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted verse following title: "Th' imaginary bride with beauty glows, "for envy magnifies what e'er she shows. Ovid., Temporary local subject terms: Quotation from literature: Ovid, 43 B.C.-18 A.D. -- Vehicles: Phaeton capsizing., and Mounted to 33 x 44 cm.
Publisher:
Pub. July 1st, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
"Humphreys on the left, Mendoza on the right, squaring up in a boxing pen, with Trink in the left foreground holding a bottle, Jonson behind Humphreys, Moravia and Allen standing with pocket watches on the left and Jacobs and Isaacs standing behind Mendoza, a large crowd of spectators below."--British Museum online catalogue
Description:
Title from first words of descriptive text etched below image., Printmaker from British Museum online catalogue., Text below image continues: ... allowed by all judges of this gymnastic art to have been the most scientific ever exhibited ..., Figures in the design are identified by inscriptions etched at the bottom of the image; the Latin motto 'Sic transit gloria mundi' is etched below the four lines of descriptive text., Sheet trimmed within plate mark., Temporary local subject terms: Tom Tring, fl. 1788 -- Tom Johnson, fl. 1788 -- Jacobs -- Isaacs -- Moravia -- Allen -- Latin motto: "Sic transit gloria mundi" -- Spectators -- Boxing: Umpires -- Jews -- Boxing: Bottle holder -- Boxing ring., and Watermark: J Whatman.
Publisher:
Pubd. Jany. 11th, 1788, by S.W. Fores, No. 3 Picadilly, London
Subject (Geographic):
England
Subject (Name):
Humphries, Richard, -1827. and Mendoza, Daniel, 1764-1836.
Two tailors, stripped to the waist, fight each other with shears. One tailor has cut off the nose of his emacipated opponent ; his own ear falls to the ground. One of the seconds holds a cucumber in each hand; the other holds a cabbade while on the right another tailor holds a tape measure. On the floor are cucumbers, cabbages, garments, and a tailor's goose
Alternative Title:
Fighting tailors
Description:
Title etched below image.
Publisher:
Pub. Aprill [sic] 17, 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Tailors, Scissors & shears, Cucumbers, Cabbages, and Fighting