"Rosenhagen, fashionably dressed, stands in profile to the left, holding his hat and cane. He gazes with a complacent smile at a bust portrait of Lord Lansdowne. Beside him is etched 'In te Domine speravi'."--British Museum online catalogue
Alternative Title:
In te Domine speravi
Description:
"The Rev. Philip Rosenhagen (1737?-1798) was an intimate at Shelburne House and popular in the Prince of Wales's circle until he became a Pittite, perhaps in consequence of his repeated refusal to perform the marriage of Mrs. Fitzherbert and the Prince. 'D.N.B.'"--Curator's comments, British Museum online catalogue., Title, printmaker, and date from British Museum catalogue., This print was not published according to the British Museum catalogue., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Rosenhagen, Philip, 1737?-1798 and Lansdowne, William Petty, Marquis of, 1737-1805
"Rosenhagen, fashionably dressed, stands in profile to the left, holding his hat and cane. He gazes with a complacent smile at a bust portrait of Lord Lansdowne. Beside him is etched 'In te Domine speravi'."--British Museum online catalogue
Alternative Title:
In te Domine speravi
Description:
"The Rev. Philip Rosenhagen (1737?-1798) was an intimate at Shelburne House and popular in the Prince of Wales's circle until he became a Pittite, perhaps in consequence of his repeated refusal to perform the marriage of Mrs. Fitzherbert and the Prince. 'D.N.B.'"--Curator's comments, British Museum online catalogue., Title, printmaker, and date from British Museum catalogue., This print was not published according to the British Museum catalogue., and Mounted on page 18 with one other print.
Publisher:
publisher not identified
Subject (Name):
Rosenhagen, Philip, 1737?-1798 and Lansdowne, William Petty, Marquis of, 1737-1805
On the left a thin man stands stiffly in profile to the right his head thrown back, chapeau-bras, and holding a muff. A very stout man on the rights stands full-face, his hands behind his back, looking up quizzically
Description:
Title from manuscript note., Variant state with title provide only in manuscript in a contemporary hand; no engraved title., Plate for: Rules for drawing caricaturas / by F. Grose. London : Printed by A. Grant, 1788., and Variant state. Cf. No. 7467 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Facius, Georg Sigmund, approximately 1750- printmaker
Published / Created:
[29 September 1788]
Call Number:
Drawer 724 803B no. 79
Image Count:
1
Resource Type:
still image
Abstract:
"A man laying the seeming dead Juliet out on a bed, as the friar gestures to heaven, trying to comfort her mother, who approaches clasping her hands together."--British Museum online catalogue
Description:
Full title from British Museum online catalogue.
Publisher:
Publish'd Sepr. 29th, 1788, by John & Josiah Boydell, No. 90, Cheapside, & London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
Satire on royalty, episcopacy and the law, after a print by Hogarth; a group of nine composite figures, the most prominent of which are a king, whose head is represented by a coin, a bishop whose head is a jew's harp, and a judge whose head is a gavel
Alternative Title:
Some of the principal inhabitants of the moon
Description:
Title and imprint from Paulson., Text continues : as they were perfectly discover'd by a telescope brouhgt to [the] greatest perfection since [the] last eclipse exactly engraved from the objects, whereby [the] curious may guess at their religion, manners, &c., Copy after Hogarth. See British Museum catalogue no. 1739., Sheet trimmed within plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 56, Ms. note in pencil in Steevens's hand at top of print: The same copy, the size of the plate somewhat diminished that is might suit S.I.'s book afterwards published., and On page 301 in volume 3.
Publisher:
Molton & Co.
Subject (Topic):
Bishops, Law & legal affairs, Rulers, and Allegorical prints
Satire on royalty, episcopacy and the law, after a print by Hogarth; a group of nine composite figures, the most prominent of which are a king, whose head is represented by a coin, a bishop whose head is a jew's harp, and a judge whose head is a gavel
Description:
Title, publisher, and state from Paulson., Copy after Hogarth. See British Museum catalogue no. 1739., Sheet trimmed within plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), p. 89, Ms. note in Steeven's hand above image: Copy. Ms. note note below image: Proof of S.I.'s copy., and On page 7 in volume 1. Sheet 261 x 200 mm.
Publisher:
Molton & Co.
Subject (Topic):
Bishops, Law & legal affairs, Rulers, and Allegorical prints
"Erskine stands in profile to the left; he bends forward, resting both hands on the table of the House of Commons, part of which is visible on the left. His half-closed eyes give him an almost imbecile expression ..."--British Museum catalogue
Description:
Title from British Museum catalogue. and Signed with the monogram of James Sayers.
"Erskine stands in profile to the left; he bends forward, resting both hands on the table of the House of Commons, part of which is visible on the left. His half-closed eyes give him an almost imbecile expression ..."--British Museum catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Mounted on page 11 with three other prints.
"Erskine stands in profile to the left; he bends forward, resting both hands on the table of the House of Commons, part of which is visible on the left. His half-closed eyes give him an almost imbecile expression ..."--British Museum catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 17.5 x 11.2 cm, on sheet 19.5 x 13 cm., Mounted with three other prints on leaf 7 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Sir James Erskine.
The interior of a bare and plainly furnished room in a country inn; a number of middle-aged and plainly dressed men stand waiting for dinner to be served. Through a door in the back wall a serving-boy enters with a tureen, followed by a stout woman carrying a turkey, who is followed by a man-servant. A man (left), wearing spurred jack-boots, stands in profile to the left to hang his hat on a peg. He faces a framed notice which has not yet been filled in with text as in the finished version. In the centre two men, one wearing top-boots, the other in quasi-military dress, face each other, grinning. A third, with a pen and ink-horn at his buttonhole, tries to insinuate himself into the conversation. On the right a stout man stands at a table before a punch-bowl and a sugar-basin: his hands are folded and his eyes closed as if in prayer. Beside and behind him a man with a bottle in one hand sniffs at another bottle (both later labeled in final state). An irate man (left) stands at the end of the table, watch in hand. Above the door a picture of a mounted huntsman hangs askew. On the wall are (left) hats and sticks, (right) a map of the world in two hemispheres
Description:
Title, printmaker, artist, and publication information from later state in the British Museum catalogue., An early state, possibly a proof before letters for a later state with the imprint "London, Publish'd June 26th, 1788, by W. Dickinson, engraver, No. 158 Bond Street" and with the framed notice in the left part of the design expanded and filled with etched text, see no. 7452 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to design., and Watermark.
