"A companion print to BMSat 7797. Three stout and elderly men sit at a small round table in a small enclosure immediately outside a house (right), and bounded by a high wall with a spiked gate. One (left) sleeps, his hat and wig on the ground beside him, the other two are smoking and are about to drink a toast, as is a man who stands (right) supported on a stick. A fifth man (left) walks off in back view."--British Museum online catalogue
Description:
Title from caption etched below image., Publisher's advertisement following imprint: where may be seen the completest collection of caricatures &c. Admittance 1 shill., and Companion print to: Dry souls.
Publisher:
Pub. Dec. 20, 1790, by S.W. Fores, N. 3 Piccadilly
"Twelve standing figures arranged in two rows, their words etched above their heads. [1] A fat and prosperous citizen smoking a long pipe, smoke puffing from the corners of his mouth and his nostrils: 'I will be bound - with a dozen of our Club and a proper allowance of fire, and the best Virginia, to smoke the French Mounseers from Dover to Calais, in the turning of a Tobacco stopper, who's afraid?' (cf. British Museum Satires No. 8220). The others, who make similar boasts of their ability to resist an invasion are: [2] A shambling journeyman tailor who speaks in the name of 'all united Taylors'. [3] A ragged cobbler, knock-kneed to deformity, who is also a preacher, cf. British Museum Satires No. 8026. [4] A 'Loyal Gypsy' with an (unnecessary) wooden leg. [5] A young woman (? Mrs. Concannon) as one of the 'Host of Faro, prepared to batter the enemy, with the remnants of our Reputations!' [6] A badly maimed officer, on stumps, with amputated right arm. [7] A doctor prepared to use his 'patent pills' on the enemy. [8] A Billingsgate virago. [9] A yokel: 'they had better keep away from our village . . . for I believe in my heart, the very Turkies would rise in a mass against them, who's afraid.' [10] A foppish apprentice: 'I am a tight dashing fresh water Sailor; - keep a funny row to Putney every Sunday - let me catch them above Bridge - thats all. who's afraid.' [11] An attorney prepared to present his bill to the enemy. [12] A stout man wearing a hat stands in back view, legs astride, coat-tails raised as if with his back to the fire: 'Lets teach em good manners D------mme who's afraid?'."--British Museum online catalogue
Alternative Title:
Effects of an invasion!!
Description:
Title etched below image., Printmaker from British Museum catalogue., Imperfect; sheet trimmed within plate mark on three sides resulting in loss of title from lower edge. Title supplied from impression in the British Museum., and Manuscript title added in ink at bottom of image, above imprint: Who's afraid! or the effects of an invasion!!
Publisher:
Pub. Nov 21, 1796, by S.W. Fores, No. 50 Piccadilly corner of Sackville Street
Subject (Topic):
Public opinion, Pipes (Smoking), Tailors, Shoemakers, Disabled veterans, Amputees, Physicians, Pitchforks, Dandies, British, Lawyers, and People associated with manual labor
Title from text in image., Place of publication from publishers' known place of activity., Sheet trimmed to plate mark., and In paper frame: 317 x 254 mm.
Publisher:
Published August 21, 1790, by T. Cadell, and R. Baldwin
A collection of five botanical drawings, one with two hummingbirds (Lampornis calosoma) and twenty botanical prints (some proof state) by James Sowerby
Description:
Title devised by cataloger. and Housed in two solander boxes, with drawings in Box 1 and prints no.1-9. Box 2 contains prints nos. 12-17 and two unnumbered prints.
A preacher stands before a distinctly ill-contented congregation in a barren room. He uses as a pulpit an overturned tub inscribed "Remember the clergy"; from his pocket pokes a ballad "Black joke" and under the tub a copy of the book of Common Prayer. On the wall is a bill reading "Next Sabeth Day we shall hav a love feest it is hoped every lamb will atend ..." In the casement window a sign "Mangling done here." In the foreground a small dog urinates on paper inscribed "Repeal of Coporat[ion] & Test Act." A handbill protruding from a quack doctor's pocket reads "Doctor Henry a ever failing remedy."
Alternative Title:
Tale of a tub
Description:
Title and date of publication from British Museum catalogue., The Lewis Walpole Library Impression 1: Title lettered in contemporary hand "A tale of a tub.", and Watermark: M & J Lay.
Interior of a gambling house in Covent Garden where Tom has fallen, raving, on one knee having lost his money at dice; behind him a chaotic group of gamblers, most of whom fail to notice that flames and smoke are pouring over the panelling and through the door (left); to right, a highwayman (a gun and mask in his pocket) sits beside the hearth ignoring a small boy who offers him a drink, on the wall is a handbill advertising "R. Tustian Card Maker" -- British Museum online catalogue. On the lower left, a man is entering a note of a loan to Lord Cogg for £500. A dog with a color "Covent Gar[den]" barks at Tom
Alternative Title:
Gold, thou bright son of Phoebus, sourse of universal intercourse ... and Scene in a gaming house
Description:
Title and state from Paulson., Third state; changes have been made to the face of Lord Cog (on the far left), the shadow of Rakewell's wig lying on the floor has been extended to touch the detached queue, and a general darkening has been achieved though the addition of crosshatching in various places., Restrike of the third state of the plate, which was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). It was later reissued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835. See Paulson., "Plate 6"--Lower right corner., After the painting at Sir John Soane's Museum., and Temporary local Medical Library subject terms: Patients, Psychiatric -- Insanity.
Publisher:
Sold at [the] Golden Head in Leichester Fields London and publisher not identified
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ... and Surrounded by artists and professors
Description:
Title and state from Paulson., Fifth state; the floor under the dancing master's feet has been darkened, his coat under his violin has added hatching, and the fold of Rakewell's dressing gown behind the violin is now crosshatched., Restrike of the fifth state of the plate, which was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). It was later reissued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835. See Paulson., Caption below image in four columns begins: "Prosperity, (with Harlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", and Temporary local Medical Library subject terms: Patients, Psychiatric -- Insanity.
Publisher:
publisher not identified
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman and a warder; in the background, other inmates (including one who believes himself to be God and has cheap prints of saints pinned to his cell wall). Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on to his straw bed. The wall and the banister of a staircase to right are covered with various graffiti including calculations of longitude and an image of the reverse of a coin, lettered "Britannia/1763", and the name of a well-known prostitute, Betty Careless
Alternative Title:
Madness, thou chaos of [the] brain, what art? and Scene in a madhouse
Description:
Title and state from Paulson., Restrike of the third state of the plate, which was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). It was later reissued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835. See Paulson., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., and Temporary local Medical Library subject terms: Patients, Psychiatric -- Hospitals, Interior -- Patient restraints.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Topic):
Psychotherapy patients, Hospitals, Psychiatric hospitals, Restraint of patients, Interiors, Asylums, Mental institutions, Mentally ill persons, and Rake's progress
Simon, John Peter, -approximately 1810, printmaker
Published / Created:
[1 January 1790]
Call Number:
Drawer 724 803B no. 20
Image Count:
1
Resource Type:
still image
Abstract:
"Duke Senior watches on the right as Hymen, bearing a flaming torch, brings Rosalind forward to take the astonished Orlando by the hand, in front of a large gnarled tree in the forest, while the other couples, including Audrey and Touchstone on the right, look on; late open-letter state with center foreground incomplete."--British Museum online catalogue
Description:
Title from published state., "Shakspeare" etched below image., and Sheet trimmed on all sides.
Publisher:
Publish'd Jany. 1, 1790 by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall & No. 90, Cheapside, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
Volume 2, page 97. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman standing with a basket on her crossed arms, returning the smile of a fat monk at left with a contemptuous expression; after Bunbury."--British Museum online catalogue, description of a later state
Alternative Title:
Monk and a young maid
Description:
Title from British Museum online catalogue., Early state, before title and imprint statement added. For a later state with imprint present, see British Museum online catalogue, registration no.: 1906,0419.125., Publication information from imprint on later state: London, Publish'd June 1st, 1790, by W. Dickinson, engraver, Bond Street., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 97 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
