"The interior of an art-school. A stout woman (nude) sprawls awkwardly on an armchair on the model throne, round which fat Dutchmen are grouped. One, seated on an upturned tub (right), paints at a large canvas on an easel, the figure being realistically drawn. Others sit on the floor or on stools, drawing on smaller canvases. One stands (left) behind a high desk. Some smoke pipes. The room is lit by a smoky lamp hanging from the roof, throwing the light directly on the model. On the wall are prints, casts on brackets, and a picture. A ladder leans against a beam. The artists wear the round hats, short jackets, and bulky breeches of Dutchmen in caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., For an earlier state before the addition of Fores's name at the end of imprint, see no. 8195 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 306-7, and Mounted on leaf 44 of volume 4 of 14 volumes.
Publisher:
Pubd. by T. Rowlandson, No. 52 Strand, March 1792, & S.W. Fores, No. 3 Piccadilly
"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching on wove paper, black and white ; sheet 36 x 45.4 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 23 of volume 2 of 14 volumes.
Publisher:
Pubd. Novr. 5, 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
Foreign opinion, British, Cats, Children, Couples, Dogs, Dance, and Interiors
"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Pubd. Novr. 5, 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
Foreign opinion, British, Cats, Children, Couples, Dogs, Dance, and Interiors
Title from item., Sheet trimmed to plate mark., Four lines of verse in two columns below title: How happy could I be with either ..., Publisher's advertisement following the imprint: ... who has again opened his exhibition room to which he has added several hundred old & new subjects., Temporary local subject terms: Duplicity -- Association Against Levellers -- Sansculottes -- Music: c̦a ira -- Slogans: God save Great George our King -- Bludgeons -- Weapons: pistol -- Dover Straights., Watermark: Strasburg bend with initials G R below., and Mounted to 40 x 34 cm.
Title from item., Sheet trimmed within plate mark resulting in partial loss of ms. annotation., Four lines of verse in two columns below title: How happy could I be with either ..., In lower right corner added in contemporary hand: Sold by Fores & Co. 51 St. Pauls Churc[h Yard]., Publisher's advertisement following the imprint: ... who has again opened his exhibition room to which he has added several hundred old & new [subjects]. Also a complete model of the guillotine 4 feet high. Admite. 1.., Reissue, with additional advertisement, line of text below the verse and sale information, of No. 8142 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Duplicity -- Association Against Levellers -- Music: c̦a ira -- Slogans: God save Great George our King -- Bludgeons -- Weapons: pistol -- Dover Straights.
"A fashionably dressed man stands in back view, a round hat in his hand, a bludgeon under his left arm. He wears a tail-coat with a large cape-like collar with revers. Above this appears the high stiff collar at the back of his waistcoat. His hair falls on his coat collar and his shoulders are frosted with hair-powder (a fashion of the day), cf. BMSats 7537, 8192. He wears half-boots and breeches tied below the knee with a bunch of strings."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Companion print to: "Neck or nothing.", Sheet trimmed within plate mark., and Temporary local subject terms: Male costume: capes.
Publisher:
Pubd. March 23d, 1792, by H. Humphrey, No. 18 Old Bond Street
"A fashionably dressed man stands in back view, a round hat in his hand, a bludgeon under his left arm. He wears a tail-coat with a large cape-like collar with revers. Above this appears the high stiff collar at the back of his waistcoat. His hair falls on his coat collar and his shoulders are frosted with hair-powder (a fashion of the day), cf. BMSats 7537, 8192. He wears half-boots and breeches tied below the knee with a bunch of strings."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Companion print to: "Neck or nothing.", Sheet trimmed within plate mark., Temporary local subject terms: Male costume: capes., 1 print : etching & stipple engraving on wove paper, hand-colored ; sheet 27.6 x 21.7 cm., and Mounted on another impression of the same print, which is mounted on leaf 34 of volume 8 of 12.
Publisher:
Pubd. March 23d, 1792, by H. Humphrey, No. 18 Old Bond Street
Political satire: In a bakery, George III is shown putting into a baking oven a group of three heads wearing peers' coronets. He is assisted by Queen Charlotte and Pitt. On the table to the left are four more heads wearing coronets with more heads on the shelves to the left of the oven. Speech balloon above Pitt reads, "Blast this roll. it is the crookedest son of a bitch that ever came out of an oven." The king's speech balloon reads, "Such a batch and such a match, there never was I swear now, But how it all was brought about That's neither here nor there now. [...] doodle &c."
Description:
Title etched at bottom of image., Printmaker identified as Richard Newton in the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: I V., and Mounted to 32 x 46 cm.
Publisher:
Pubd. Jany. 6, 1792 by William Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Bugaboos -- Allusion to the Proclamation against Seditious Writings, May 21, 1792.
Publisher:
Pubd. June 2, 1792, by W. Holland, No. 50 Oxford St.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pitt, William, 1759-1806
"George III (three-quarter length) stands in profile to the left, nearsightedly examining an oval miniature of Oliver Cromwell by the light of a candle held in his left hand. The half length, looking to the right, in armour, probably derives from the pl. after Cooper in Mechell's ed. of Rapin's 'History', 1733. The candlestick is of massive plate holding a candle-end supported on a save-all (cf. BMSat 8091). The King is only slightly caricatured, but his receding forehead and chin and open mouth are exaggerated."--British Museum online catalogue
Description:
Title from text below image., Temporary local subject terms: Lighting: candlesticks -- Paintings: miniatures -- Reference to Samuel Cooper, 1609-1672., and Matted to 62 x 49 cm.
Publisher:
Pubd. June 18th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820 and Cromwell, Oliver, 1599-1658
