"Lord Lonsdale as Satan is seated in triumph, his right foot resting on a sack of 'Coals from the Infernal Pitt.' (Pitt gave Lowther his peerage, see BMSat 6579.) Peter Pindar (Wolcot) (left) kneels on one knee at his feet, with clasped hands, beseeching mercy. A lawyer (right) whose legs are twisted serpents crouches at his left hand writing 'Peter Pindar' in a book inscribed 'Black List'; he is the coachman of BMSat 8155. Lonsdale is a magnificently arrogant figure with horns, wings, and muscular legs which are bare from the knee, his toes being talons; he resembles the Satan of BMSat 6027. He wears an earl's coronet inscribed 'Evil be thou my Good', and a military coat with epaulettes. From his mouth issues two streams of flame ... In his left hand, which rests on his knee, is a flaming torch inscribed 'Epistle to Lord Lonsd[ale] by Peter Pindar'. Behind his head is a large halo from which radiate tongues of flame that reach to the margins of the design, each with an inscription. ... The last inscription points at the lawyer as the first does at Pindar. Pindar's clothes are ragged, toes protrude through a tattered shoe. ... From his pocket project two books: 'Odes upon Cowardice' and 'Odes of Importance alias Conciliatory Odes'. The latter, published in 1792, contained an 'Ode to Lord Lonsdale', in which Lonsdale is urged to imitate the King's forbearance towards 'the poet's harmless wit'; it is by no means abject, and threatens him with an independent jury and Erskine's irony. ... Lonsdale's attorney holds 'Briefs' and 'Writs' under his left arm, on which a brief-bag is hung. The coals issuing from Lonsdale's sack are inscribed: 'Covetousness', 'Dissimulation', 'Rapine', 'Treachery', 'Malice', 'Cruelty', 'Envy', 'Pride', 'Ingratitude', 'Deceit', 'Swindling', 'Rapine', 'Meanness'. ..."--British Museum online catalogue
Alternative Title:
Peter Pindar crouching to the devil
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: Sketch'd from the peep-hole at Scalegill., Dedication etched below title: To the worthy inhabitants of Cumberland, this impartial representation of the virtues of his Infernal Majesty, is respectfully dedicated., Sheet trimmed within plate mark., Temporary local subject terms: Bag of coals -- Allusion to William Pitt, 1759-1806 -- Lawyers' brief bags -- Black lists -- Quills -- Emblems: earl's coronet -- Uniforms: military officer's uniform -- Torches -- Prayers -- Crimes: libel -- Haloes -- Literature: Pindar's Ode to Lord Lonsdale in Odes of importance, alias conciliatory odes -- Literature: Pindar's Commiserating epistle., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 45.2 x 33.8 cm, on sheet 49.3 x 38.0 cm., and Mounted on leaf 9 of volume 3 of 12.
Publisher:
Pubd. May 8th, 1792 (for the proprietor) by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Lonsdale, James Lowther, Earl of, 1736-1802 and Pindar, Peter, 1738-1819
"Lord Lonsdale as Satan is seated in triumph, his right foot resting on a sack of 'Coals from the Infernal Pitt.' (Pitt gave Lowther his peerage, see BMSat 6579.) Peter Pindar (Wolcot) (left) kneels on one knee at his feet, with clasped hands, beseeching mercy. A lawyer (right) whose legs are twisted serpents crouches at his left hand writing 'Peter Pindar' in a book inscribed 'Black List'; he is the coachman of BMSat 8155. Lonsdale is a magnificently arrogant figure with horns, wings, and muscular legs which are bare from the knee, his toes being talons; he resembles the Satan of BMSat 6027. He wears an earl's coronet inscribed 'Evil be thou my Good', and a military coat with epaulettes. From his mouth issues two streams of flame ... In his left hand, which rests on his knee, is a flaming torch inscribed 'Epistle to Lord Lonsd[ale] by Peter Pindar'. Behind his head is a large halo from which radiate tongues of flame that reach to the margins of the design, each with an inscription. ... The last inscription points at the lawyer as the first does at Pindar. Pindar's clothes are ragged, toes protrude through a tattered shoe. ... From his pocket project two books: 'Odes upon Cowardice' and 'Odes of Importance alias Conciliatory Odes'. The latter, published in 1792, contained an 'Ode to Lord Lonsdale', in which Lonsdale is urged to imitate the King's forbearance towards 'the poet's harmless wit'; it is by no means abject, and threatens him with an independent jury and Erskine's irony. ... Lonsdale's attorney holds 'Briefs' and 'Writs' under his left arm, on which a brief-bag is hung. The coals issuing from Lonsdale's sack are inscribed: 'Covetousness', 'Dissimulation', 'Rapine', 'Treachery', 'Malice', 'Cruelty', 'Envy', 'Pride', 'Ingratitude', 'Deceit', 'Swindling', 'Rapine', 'Meanness'. ..."--British Museum online catalogue
Alternative Title:
Peter Pindar crouching to the devil
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: Sketch'd from the peep-hole at Scalegill., Dedication etched below title: To the worthy inhabitants of Cumberland, this impartial representation of the virtues of his Infernal Majesty, is respectfully dedicated., Sheet trimmed within plate mark., Temporary local subject terms: Bag of coals -- Allusion to William Pitt, 1759-1806 -- Lawyers' brief bags -- Black lists -- Quills -- Emblems: earl's coronet -- Uniforms: military officer's uniform -- Torches -- Prayers -- Crimes: libel -- Haloes -- Literature: Pindar's Ode to Lord Lonsdale in Odes of importance, alias conciliatory odes -- Literature: Pindar's Commiserating epistle., and Mounted to 47 x 36 cm.
Publisher:
Pubd. May 8th, 1792 (for the proprietor) by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Lonsdale, James Lowther, Earl of, 1736-1802 and Pindar, Peter, 1738-1819
"Sin interposes herself between Satan on the left and his son Death on the right to stop them attacking each other, revealing their relation to each other, with a portcullis gate in upper right, attached by a chain in the foreground; copy of a print by Charles Townley after a design by Hogarth."--British Museum online catalogue
Description:
Title etched below image., Text following title: From Milton's Paradise lost, Book the 2d. The original picture by Hogarth is in the possession of Mrs. Garrick. This from a painting in Chiaro-Scuro by R. Livesay., Sheet trimmed to plate mark., On page 203 in volume 3., and Inscribed in plate under title: From Milton's Paradise Lost, Bok the 2d. The original picture by Hogarth is in the possession of Mrs. Garrick. This from a painting in chiaro scuro by R. Livesay. Note: plate mark visible at bottom.
"Design in an oval. A burlesque coat of arms symbolizing the supposed character of the Unitarians represented by Priestley. After the title is engraved: 'Address'd to those Peaceable Subjects of this Kingdom who prefer the Present happy Constitution to that Anarchy & Bloodshed so Zealously sought for by these restless advocates for Priestly & Paine's Sophistical Tenets.' A printed explanation is attached to the print. The shield rests on a vulture which grasps in its beak and claws the motto: 'Under these Garbs do we act.' On a shaded (sable) ground a harpy suckles young harpies and holds up the cap of Liberty with a pendent banner on which is a crown surrounded by drops of blood. On a border round the shield are ten groups of ten intertwined serpents. The crest is the Devil and a number of fiends attacking a glory of rays surrounding a triangle, symbolizing the Trinity. The supporters are (dexter) Religion, a veiled woman holding a book and cross, her foot on a skull, and (sinister) Hypocrisy, a woman with the feet of a bird of prey, reading a book, and holding (concealed) a dagger with a notched blade; a trumpet is slung to her waist; a small wallet containing 'a bandelure' (see BMSat 7829) hangs from her neck in place of a cross. She tramples on a crown. She wears a ragged drapery, intended to suggest humility, over a rich garment. 14 July 1792."--British Museum online catalogue
Description:
Title etched below image., Five lines of prose below title: Addressd to those peacable subjects of this Kingdom who prefer the present happy constitution to that anarchy & bloodshed so zealously sought for by these restless advocates for Priestly & Paine's sophistical tenets., and Watermark: J Whatman.
Publisher:
Pub. July 14, 1792, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Paine, Thomas, 1737-1809. and Priestley, Joseph, 1733-1804.
Subject (Topic):
Harpies (Greek mythology), Dissenters, Religion, Unitarians, Coats of arms, Devil, Demons, Emblems, Liberty cap, Symbols, and Vultures
As described in Book 3 of Milton's Paradise lost, God and Christ watch Satan as he struggles across Chaos headed for earth and vengeance. In the center angels play musical instruments including trumpets, harps, and an organ
Alternative Title:
Council in heaven
Description:
Title from original print as cited in Paulson., Date based on known dates of Ireland's years of activity., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 65, Ms. note in Steevens's hand above print: Copy. Paulson records a second state in Steevens that corresponds with this copy by Ireland., and On page 55 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Milton, John, 1608-1674.
Subject (Topic):
Angels, Biblical events, Devil, Harps, Hell, Heaven, Organs, and Putti
As described in Book 2of Milton's Paradise lost, God and Christ watch Satan as he struggles across Chaos headed for earth and vengeance
Alternative Title:
Council in hell
Description:
Title from original print as cited in Paulson., Date based on known dates of Ireland's years of activity., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 64, Ms. note in Steevens hand above print: Copy., Paulson records a second state in Steevens that corresponds with this copy by Ireland., and On page 55 in volume 1.
