"The patient sits in an armchair in profile to the left, in the centre of a well-furnished room. He wears dressing-gown and nightcap, his arms are folded and he stares fixedly, assailed by ghostly visions which float before his eyes, emerging from smoke-like shadows: a skeleton, Death, poised just above him, raises his arrow to smite. A corpse-like half length figure offers him a pistol and a halter. A spectre with webbed wings holds out a cup. Two staring and decapitated heads glare from the shadows which fill the room. A hand raises a sword; a man with a knife is about to be stung by a serpent. A naked body (half length) falls head downwards. Above these spectres is a man (left) driving a hearse (right to left) at full gallop and looking round at the Hypochondriac. Behind the patient a good-looking woman speaks confidentially to a doctor who meditatively sucks his cane. He is dressed in an old-fashioned manner, wearing a tie-wig. A table covered with medicines stands behind the patient, who seems unconscious of the other two. A money-chest beside him suggests that he is miserly. Two landscapes hang on the wall."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with new imprint statement, of a print published in 1788 by T. Rowlandson. Cf. No. 7449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed within plate mark., Companion print to: Ague & fever., Nine lines of verse etched below image, on either side of title: The mind distemper'd - say, what potent charm, Can Fancy's spectre - brooding rage disarm? ..., Temporary local Medical Library subject terms: Demons & Devils -- Skeleton as death., and 1 print : etching and aquatint, hand-colored ; sheet 41.2 x 56.9 cm.
Publisher:
Pubd. Novr. 5, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Death (Personification), Hypochondria, Depression, Mental, Suicide, Skeletons, Hearses, Demons, Daggers & swords, Handguns, Physicians, Staffs (Sticks), and Medicines
Opposite page 214. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A courtesan stands at a wash-tub, washing her last shift. She wears a cap over ringlets in curl-papers and a tattered petticoat, a shawl covers her naked shoulders. The room is squalid, with plaster falling from the bricks. Across the fireplace stockings hang on a string to dry. The corner of a bed appears on the right. On the table by the wash-tub is a small gin tankard. Under it is a pair of stays. A cat tries to reach a (broken) plate of cheese on a chair. On the floor, beside a fashionable high-crowned hat, lies a ballad: 'How happy were my days till now...'. Papers are thrust under the vertical bar of the casement window, one inscribed 'Admit Two to the Boxes'. Probably an imitation of Gillray's 'The Whores Last Shift', see British Museum Satires No. 5604."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on left edge., Plate numbered "626" in lower left corner., Folded to 31.3 x 25.5 cm., and Bound in opposite page 214 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Courtesans, Interiors, Wash tubs, Fireplaces, Hosiery, Corsets, and Cats
"The interior of an artisan's living-room. A young man, working at a carpenter's bench (left), turns round to look with pleased expectancy at a lottery ticket, which his wife holds out to him, alluringly inscribed with the royal arms, 'State Lottery Office L 30,000'. She is neatly dressed, wearing a hat; her apron is filled with a leg of mutton and vegetables. A child beside her has an open book, 'Road to Ruin', and looks anxiously at her mother. A well-dressed little girl plays with a cat. Simple prosperity is indicated by a well-filled hanging cupboard, and two shirts hanging on a line. On the wall is a print of Eve offering the apple to Adam."--British Museum online catalogue
Alternative Title:
Sunshine of hope
Description:
Title etched below image., Numbered '622' in the lower left corner., Companion print to: The ticket a blank, or, The clouds of despair. See British Museum catalogue, v. 5, no. 8232., and Mounted to 38 x 29 cm.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Allegories, Carpenter shops, Carpenters, Cats, Families, Interiors, and Lottery tickets
"A London scene: in the foreground men and women flee diagonally from right to left towards the spectator away from a bullock (right) in the middle distance, pursued by men with sticks. The fugitives include a little chimney-sweeper on the extreme left, a stout citizen wearing a high hat, an old military officer on crutches, a woman who has fallen to the ground, a Billingsgate woman with a basket of fish on her head, the contents about to fall, a would-be beau crouching behind a barrel and taking snuff. The bullock has tossed a dog into the air. The background of houses with an open space enclosed by railings suggests Smithfield Market."--British Museum online catalogue
Description:
Title from item., After Dighton. See British Museum catalogue., Temporary local subject terms: Beaux -- Chelsea pensioners' uniform., and Watermark.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, published as the act directs
Subject (Geographic):
England and London.
Subject (Name):
Smithfield Markey,
Subject (Topic):
Animal fighting, Barrels, Bulls, City & town life, Crowds, Fishmongers, Food vendors, Markets, Military uniforms, and British
Title from item., Temporary local subject terms: Medical: ophtalmology, cast -- Locations: Bath -- Domestic service: footmen in livery -- Eye glasses -- Books -- Animals: dogs -- Street name signs -- Macartney, Alice (or Alicia), 1716-1804., and Watermark: countermark E & P.
Two head-and-shoulder portraits in separate ornamental oval frames of subjects identified by the British Museum catalogue in the original publication as Capt. Roper (No. 3) and a Miss F-----m, a London courtesan (No. 2).
Alternative Title:
Ardent lover
Description:
Titles from text below images., Reissue of a tête-à-tête published in Town and Country magazine, August 1777 (ix, 345), with different titles and plate numbers., and Variant state of No. 5417 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.5.
Two head-and-shoulder portraits in separate ornamental oval frames of subjects identified by the British Museum catalogue in the original publication as the Earl of Peterborough and a Miss Dawson
Alternative Title:
Autumnal lover
Description:
Titles from text below images. and Variant state of No. 5418 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
A soldier who has lost his right arm begs from an elderly man in old-fashioned dress whose hands are deep in his coat-pockets. The miser (right) walks away scowling sideways at the soldier. Beneath the title: He had a canvass bag which contain 'd what would answer the purpose, but his Callous soul caught the alarm at the Old Souldiers supplication; & it was hurried with rapidity of lightning into his pocket.' Behind is a high stone wall and a London street-lamp
Description:
Title from item., Quote from a story of the same title from The adventures of a hackney coach printed below the title: He had a canvass bag which contain'd ..., and Publisher's device in lower right corner of sheet: S.W.F.
Publisher:
Published July 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Kilner, Dorothy, 1755-1836.
Subject (Topic):
Amputees, Carriages & coaches, Military uniforms, British, Stone walls, Street lights, and Veterans
Two head-and-shoulder portraits in separate ornamental oval frames of unidentified subjects
Alternative Title:
Compassionate lover
Description:
Titles etched below images., Plate probably from: The Oxford magazine, November 1792., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
