The equestrian statue of George III dressed as Marcus Aurelius stands behind the brick wall of Lansdowne House in Berkeley Square, London, watching the assembly in the garden through a spy-glass. Above the wall, hats with French republican cockades are being waved while invisible speakers express support shouting "Vive Barrere," and "C̦a ira," in reference to Lord Lansdowne's failed motion for peace with France in February 1794. In the background is the facade of the house
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 81 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805., Barère, B. 1755-1841. (Bertrand),, and Lansdowne House (London, England),
Subject (Topic):
Statues, Politics and government, Foreign relations, Sculpture, Horses, Garden walls, and Hats
The equestrian statue of George III dressed as Marcus Aurelius stands behind the brick wall of Lansdowne House in Berkeley Square, London, watching the assembly in the garden through a spy-glass. Above the wall, hats with French republican cockades are being waved while invisible speakers express support shouting "Vive Barrere," and "C̦a ira," in reference to Lord Lansdowne's failed motion for peace with France in February 1794. In the background is the facade of the house
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 43 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805., Barère, B. 1755-1841. (Bertrand),, and Lansdowne House (London, England),
Subject (Topic):
Statues, Politics and government, Foreign relations, Sculpture, Horses, Garden walls, and Hats
Perspective view of the north west front of ye parish church St. Brides ... and Vüe de l'eglise pareissiale de St. Bride : dont son cloche est de 242 pieds
Description:
Title from caption below image., Date of publication based on printsellers' street addresses. See British Museum online catalogue., Sheet trimmed to plate mark., and Window mounted to 29 x 43 cm.
Publisher:
Printed for Bowles & Carver, 69 St. Pauls Church Yard, Robt. Wilkinson in Cornhill, and Laurie & Whittle, 53 Fleet Street
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male dress, 1795 -- Snuff-boxes -- Sheriff's writs.
Publisher:
Published 18th March 1795 by Laurie & Whittle, 53 Fleet Street, London
A black rebel holds a musket in his right hand as he turns to his left looking up apprehensively. Around his waist is a bandolier with a pouch and a hatchet. At his feet is the skull of a human head. Behind him on the right in the distance are two blacks running in the brush, also armed with rifles
Alternative Title:
Rebel negro armed and on his guard
Description:
Title from caption below image., Imprint from other illustrations in this publication., The engravings are believed to have based on drawings by the author J.G. Stedman, two of the plates acknowledging the attribution. Stedman was a friend of William Blake who may have assisted Stedman, an amateur artist., and Plate published for: Stedman, J.G. Narrative, of a five years' expedition, against the revolted Negroes of Surinam, in Guiana, on the wild coast of South America. London : J. Johnson & T. Payne, 1806-1813.
Publisher:
Published Decr. 1st 1794 by J. Johnson, St. Paul's Church Yard
Subject (Geographic):
Suriname. and Guiana.
Subject (Topic):
Slavery, Enslaved persons, Indians of South America, Rebels, and Rifles
Two huntsmen are seated at a table outside a wayside inn, one of whom turns to take on his knee a maidservant, a pretty girl who holds a jug in her right hand, and places a hand on her breast; the other (right) eats voraciously a slice of the roast beef. Behind, the innkeeper hurries from the door with a punch-bowl. At a horse-trough (left), placed under the inn-sign of a leaping stag, two saddle-horses are drinking; an ostler stands beside them."--British Museum online catalogue
Description:
Title etched below image. and No. '116' in the series of Drolls.
Publisher:
Published 20th May, 1794, by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Hunters, Hotelkeepers, Occupations, Servants, Signs (Notices), and Taverns (Inns)
Title from item., Publisher's advertisement following imprint: ... who has fitted up his caracature exhibition in an entire novel stile [sic]. Admit. 1 s. NB. folios lent out., Temporary local subject terms: Allusion to the French Revolution -- Reference to Louis XVI, King of France -- Symbols: skull and cross-bones -- Daggers -- Guns: pistols -- Executions -- Poverty., Watermark: Strasburg bend with initials G R below., and With S.W. Fores stamp.
Publisher:
Pub. March 10, 1794, by S.W. Fores, N. 3 Piccadilly
Title from item., Temporary local subject terms: Male costume: round hats -- Whips., and Sheet trimmed within plate mark on the right. Possibly etched on one plate together with Lewis Walpole print 794.11.27.02.
Publisher:
Published Novemr. 27th 1794 by H. Humphreys, No. 37 New Bond Street
Title from item., Printmaker and artist from the original issue, of which this reissue of the left half only. See The Attic miscellany, v. ii, p. 195, published by Bentley & Co., 1 March 1791, under title, Overthrow of the arts!, Above image: Engraved for the Carlton House magazine., Plate from: The Carlton House magazine, Oct. 1794., and Temporary local subject terms: Reference to the Somerset House -- Military: French soldiers -- Guns: bayoneted muskets.
"Four men smoking long pipes sit stiffly in upright wooden chairs. One (left) in profile to the right, very obese, is an old military officer with a wooden leg; next is a lean man in back view, next a stout man sits full face, and on the right is a thin man in profile to the left seated beside a rectangular table on which is a glass and a large jug. All have expressions of solemn vacuity. They emit clouds of smoke from mouth or pipe which fill the upper part of the bare room. On the wall (right) is a print of Fox, whole length, declaiming with right arm raised."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print originally published 1 May 1792 by W. Dickinson. Cf. No. 8205 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Imprint continues: ... where may be had all Mr. Bunbury & Rowlandsons works., Sheet trimmed within plate mark., Temporary local subject terms: Smoking clubs -- Military officer -- Wooden legs -- Male costume, 1792 -- Large jugs -- Pictures amplifying subject -- Reference to Charles James Fox, 1749-1806., and Publisher's stamp (partially trimmmed) in lower right corner of sheet: S.W.[F.].
Publisher:
Publishd. March 15th, 1794, by S.W. Fores, No. 3 Piccadilly ...
